The Oracle

The Oracle: Blood on the Benue: Weeping for Beleaguered Nigeria

Published

9 months ago

June 20, 2025

Eric

By Prof Mike Ozekhome SAN

INTRODUCTION

Yelwata in Benue state has been drenched in blood. Last October, I launched 50 books at the same time in Abuja to mark my birthday. One of the books is titled “Blood on the Niger and Benue: Nigeria’s Grim Insecurity Situation”. Everything said in that book has just bee reenacted in Yelwata, Benue State.

In the quiet hours of Friday night, June 13, 2025, the farming village of Yelwata in Guma Local Government Area of Benue State lay cloaked in the familiar darkness of rural Nigeria. There was no forewarning, no alarm. Only sleep. Then, like a storm without thunder, horror descended.
Armed men, suspected to be killer Fulani terrorist herders, emerged from the shadows and set upon the defenceless community with brutal precision. For more than two hours, they maimed, slaughtered, burned and razed. By the time the sun rose on Saturday morning, the landscape had transformed into a grotesque tapestry of charred ruins, still-smouldering debris and lifeless bodies sprawled across crimson soil. Over 200 people were reportedly confirmed dead at the scene and the toll would rise in the days that followed, with some reports placing the number of victims at over 300. Among the dead were children, pregnant women and elderly farmers, civilians caught in the indiscriminate cruelty of a calculated massacre. I most unequivocally condemn this horror, this man’s inhumanity to man. It must never happen again. NEVER!
Witnesses recounted how petrol was doused on thatched homes before they were set ablaze. Whole families perished in their sleep, trapped by flames and collapsing roofs. The night echoed with the crackling of the burning and the screams of the wounded and the orphaned. Survivors stumbled through the darkness, scorched and bleeding, in search of refuge. At the Benue State University Teaching Hospital in Makurdi, doctors worked frantically, overwhelmed by the influx of casualties. Medical personnel issued urgent calls for blood donations as the wards filled with the critically injured, many clinging to life with little more than hope.

In a land where yam festivals should flourish, the earth has instead flourished with drunk blood. A serene and prosperous village, producing large quantity of food is now a ghost community, no thanks to deadly attacks by killer herdsmen, who pose as innocent cattle rearers.

A PEOPLE LEFT FOR DEAD: THE HUMAN TOLL

What occurred in Yelwata cannot be dismissed as a “clash,” nor cloaked in the diplomatic cowardice of euphemisms that seek to sanitize horror. This was not a skirmish. It was not a misunderstanding. It was a massacre! A premeditated act of mass violence, executed with recklessness and impunity against a defenceless civilian population, in total defiance of laws and moral conscience. The people of Yelwata have become mourners in their own homeland, dressed in black, forever gathering the bones of the innocent. The village has been painted over with the sorrow of the grieving and the brushstrokes of trauma.

Among the victims was the family of Michael Ajah, a survivor now left hollowed by grief. Ajah lost twenty members of his family in a single night! Eleven perished in one house. Eight were killed in another. The others died in the chaos, scattered across a village that now exists only in ashes. His stores were burnt. His home was destroyed. Standing barefoot in the ruins, he described how he escaped only with the clothes on his back. “This is the only thing that I have now,” he said. “There is nothing else with me.” Bature Bartholomew, Joseph Kwagh and countless others suffered a similar fate.
Apparently, prior threats had been made, as they often are, but villagers had grown used to such messages. The community had seen warnings before. And in the past, some security forces had pushed back similar threats. The villagers believed it would be the same this time. They likened it to the story of the crying wolf. They were wrong.
Let the world hear it: the peaceful people of Yelwata were not victims of chance. They were targeted. They were hunted. And they were massacred.

DEAFENING SILENCE AND DEADLY INACTION BY GOVERNMENT

The massacre in Yelwata is not just a story of blood and loss. It is a harrowing indictment of leadership failure, systemic neglect and institutional cowardice. In the face of rising tensions and repeated warnings, those entrusted with the security of Benue State and Nigeria at large chose silence. Security forces knew the fragility of peace in Yelwata. They were not blind to the pattern. From Guma to Agatu, Logo to Turan, the script has played out over and over: villages burnt, families erased, justice deferred. Yet, no preventive measures were taken. No fortified presence. No aerial surveillance. Only the eerie stillness of a nation too used to the scent of scorched earth.

When the killers struck again, it was not a surprise. It was an inevitability made possible by deafening silence and deadly inaction. The people of Benue have cried themselves hoarse, year after year, massacre after massacre. But their grief has been met with bureaucratic apathy and public relations condolences. Governor Hyacinth Alia’s response to the massacre was not merely inadequate; it was an affront. His delay in visiting the scene, his refusal to speak, tweet, or even mourn publicly until after President Tinubu’s very belated visit, has been interpreted not just as incompetence but as possible complicity. In the face of over 200 dead, the Governor offered the nation a figure of 59, thus inimizing the scale of bloodshed and insulting the graves of the murdered. What even if it were one? Instead of naming the perpetrators, he set up an investigative panel that tactfully avoided attributing blame, as if the truth was inconvenient, as if justice might provoke too much discomfort.
When President Tinubu finally arrived in Benue, the expectations of a grieving people were clear: solidarity, seriousness, swift action and restitution. What they received instead was a grotesque display of political theatre. Placards bearing the President’s image lined the roads. Schoolchildren, soaked and shivering, were forced to line the streets under a heavy downpour, waving soggy banners while mass graves still steamed in the earth nearby. What should have been a moment of solemnity turned into an unofficial 2027 re-election rally, a tasteless spectacle that traded the blood of Yelwata for photo ops. This was not condolence. This was campaign optics.
This playbook is not new. On New Year’s Day in 2017, over 200 people were slaughtered in Benue for resisting the destruction of their crops by cattle. On December 25th, 2024, as Christians marked the birth of Jesus Christ, suspected armed herders invaded Ityuluv, Tse Azege and Innyiev Ya in Kwande Local Government, killing eleven people mid-celebration. The images are consistent: corpses laid out under church roofs, burning homes, the wails of mothers who will never again hold their children. Yet from the corridors of power, the same recycled rhetoric flows: “We condemn,” “We are investigating,” “We urge calm.” But no arrests. No convictions. No justice. Just the thud of fresh bodies hitting the ground.
Even the words of comfort are now hollow. President Tinubu’s lamentations, “Enough is enough… perpetrators must be arrested… communities must dialogue”, ring with irony. Dialogue with whom? With the men who crept through the rain to burn babies alive? With those who hacked entire bloodlines to death because they were asked not to graze on people’s farmland? Dialogue implies equal grievance. This is not war. This is terrorism. Pure and simple. And to place dialogue and reconciliation above accountability is to trample on the memory of the dead.

Dr. Daudu Ayu of Yelwata captured the fury of a betrayed people when he denounced the President’s framing of the massacre as a “conflict between warring communities.” There is no parity here. The Fulani attackers were not defending; they were invading. Their aim was clear: seize ancestral lands, decimate indigenous populations and spread fear as a weapon of conquest. To reduce this to “herder-farmer clashes” is to excuse genocide with semantics.

The numbers are staggering. Since 2009, Nigeria has lost millions of lives to insurgency and herder-farmer violence. Benue alone has absorbed blow after blow, turning its farmlands into open graveyards. The government’s failure to act, its refusal to label this terrorism for what it is, has emboldened the killers. Why would they stop when they face no consequence? Why retreat when their path is cleared by political hesitation and legal paralysis?
President Tinubu’s muted outrage and calculated ambiguity do not typify exemplary leadership. They are avoidance wrapped in grammar. His failure to draw a red line, to name the aggressors, to galvanize decisive military action, makes his ambition for a second term in 2027 more than politically distasteful; it makes it morally flawed. How do you govern the living if you preside over the slaughter of the forgotten?

Each delayed response, each muted condemnation, adds one more body to the pile. For years, as statistics ballooned into genocidal proportions, the government sermonized from podiums while the fields of Benue ran red. This latest atrocity in Yelwata is not the beginning of the story, but it must be the final warning. Because if Nigeria cannot protect its citizens, if the Constitution’s promise of security and welfare is conditional on tribe, location, or silence, then it is not a nation; it is a lie, a scam.

Enough, please. Condolences do not resurrect the dead. Nor do photo-ops rebuild homes. The people of Yelwata need more than pity; they demand justice. And if this government cannot deliver it, then it must step aside for one that will. The land of yams is now the land of tombs. And history will remember who stood up and who stood back while it all burned.

TERROR HAS A NAME! CALL IT BY ITS NAME!!

According to Fr. Remigius Ihyula, a long-time witness to these cycles of violence and trauma in Benue State, this is a coordinated effort to wipe indigenous Christian communities off the map. “These Fulani militias are not just killing, they’re clearing land to claim it,” he stated in what should have been a national alarm bell. “And they’re being allowed to do it.”

The silence that follows such clarity is complicity. These attackers do not crawl out of caves. They cross state lines. Emboldened, equipped and unchallenged. From neighboring Nasarawa. Armed groups are said to find safe haven in Lafia, the state capital; yet successive Nasarawa governors have refused to act. Not out of ignorance, but from calculation. What kind of leadership turns its face away while death marches across its borders in open daylight? What kind of democracy tolerates this level of carnage and calls itself whole?

And when the few voices brave enough to speak the truth rise, they are met with digital disinformation and diversion. Fr. Ihyula has strongly condemned attempts to scapegoat the Tiv people, refuting online rumors that Tiv militias orchestrated the massacre. “There were no Tiv fighters involved,” he said. “This is a deliberate attempt to muddy the truth and shield the real perpetrators.” In a country already fracturing under the weight of ethno-religious mistrust, such deflections are more than cowardly. They are dangerous.
David Onyillokwu Idah of the International Human Rights Commission gave name to what many have been too afraid to utter. “This is what the Nazis did to the Jews,” he warned. “It’s ethnic cleansing, step by step. First, they displace them. Then they come back and finish the job.” This is not sensationalism. It is a fact pattern. Entire villages emptied. Men and women slaughtered. Children hacked to pieces. Homes razed. Crops destroyed. Entire communities transformed into ghost towns with only ashes left to speak.

And where is the state? Where is the machinery of justice, the constitutional promise of safety, dignity and equal protection? Every law in Nigeria, beginning with the Constitution, affirms that the right to life is sacred. That the state has an inviolable duty to protect it. Yet in Yelwata, life was treated like expendable surplus. Background casualty in the theater of statecraft. Amnesty International has catalogued the horrors, calling attention to the government’s complete failure to stem the tide of violence. “Gunmen have been on a killing spree with utter impunity,” it reported, warning that the mass displacement of farmers would have ripple effects on food security and economic stability. Their statement, clinical yet urgent, highlighted not only a humanitarian disaster but also the erosion of constitutional order. “Without immediate action, many more lives may be lost.” The question is: does the government intend to act, or merely wait until there are no more villages left to bury?

POLICY OR HUMANITY FAILURE

What occurred in Yelwata is not only a breach of human dignity. It is a breach of law, of the very fabric that claims to hold Nigeria together. These are not mere attacks; they are crimes against humanity. Under international law, under the Rome Statute to which Nigeria is a signatory, a systematic attack directed against a civilian population qualifies as such. Ethnic cleansing, political protection of armed militias and the use of displacement as a weapon, all point towards a dangerous descent Nigeria cannot afford. This is not just Yelwata’s burden. This is a national stain.

The issue is no longer one of mere policy failure. It is a test of our collective humanity. It is the measure of whether we, as a people, as a nation under law, believe rural Nigerian lives matter. Because every time a tactical unit is deployed after the massacre, every time officials show up after the mass burial, every time condolences are uttered while killers remain nameless and free—it tells the people of Yelwata that their blood is cheap. That their lives are expendable. That they are alone.

But the Constitution says otherwise. Section 14(2)(b) of the Constitution of the Federal Republic of Nigeria, 1999 (as amended), declares the security and welfare of the people to be the primary purpose of government. Section 33 guarantees the right to life. Section 34 guarantees the right to dignity. Yet in the fields of Yelwata, once alive with farming, festivals and laughter, there is now only ash, silence and death. These rights, on paper, are being buried beside the people they were meant to protect.

If Nigeria still believes in its own laws, in its own humanity, then Yelwata must not be forgotten. Their stories must outlive the silence. Their names must echo louder than the rain that hid the footsteps of their killers.

This is no longer a rural crisis. It is a national reckoning. And history is already watching.

FROM CRIES TO JUSTICE: WHAT MUST NOW BE DONE

The carnage in Yelwata, like so many before it, leaves behind more than scorched homes and mass graves. It leaves a nation at a crossroads. In the place of swift justice, we have seen a cycle of condolences without consequence. In the place of leadership, we have seen silence, sluggishness and in some quarters, chilling complicity. And so, once again, a grieving people are left to ask: must our cries be louder than gunfire before we are heard? Must the soil drink more blood before the state will act?

The Northern Senators Forum, in a rare and firm voice, echoed the frustration of a people brutalized beyond measure. Chairing the statement, Senator Abdulaziz Musa Yar’adua called upon President Tinubu to ensure that his visit to the ashes of Yelwata would not dissolve into a photo-op footnote. “What the people of Benue and indeed all Nigerians, deserve is lasting protection, not repeated mourning.” In a nation where impunity now travels in convoys, that statement carries the weight of a challenge, not a courtesy.

But lip service will no longer suffice. Nigerians are not beggars at the gate of justice. They are constitutional citizens entitled to life, dignity and safety. Yet these rights have been violated repeatedly in Benue State, a region that has endured more than its fair share of bloodletting. Rural communities have become theatres of unrelenting terror. Ungoverned spaces stalked by militias, abandoned by the state and forgotten by a government too slow to respond, too quick to excuse. Yelwata is but a metaphor of what goes on across the length and breadth of Nigeria.

This moment demands more than mourning. It demands reckoning. The Constitution empowers the President to declare a state of emergency where there is a serious breakdown of public order and a clear and present danger is presented. That threshold has long been crossed. As Sir Ifeanyi Ejiofor, Esq, rightly noted, what we are witnessing is not communal misunderstanding. It is a transnational siege. Militants from across the Cameroon border continue to pour in, slaughtering with impunity, while the federal and state governments grope in the dark of denial.
And where was the governor, the supposed shepherd of the people? Governor Hyacinth Alia, elected to protect lives, stood muted while bodies were piled. The faint whisper of his voice came days after, long after the wails of the bereaved had risen to the heavens, long after Pope Leo XIV. It is not enough to wear a cassock; one must wield courage. It is not enough to call for prayer; one must demand justice. And if political office now weighs heavier than his conscience can bear, perhaps the pulpit is where he truly belongs. The hood does not make the monk after all.

RECOMMENDATIONS

1. Immediate Deployment of Adequate Security Forces
The first and immediate line of intervention must be the swift deployment of sufficient, well-trained and fully-equipped security personnel to the affected communities. But this cannot be business as usual. Our military and other security agencies must stop operating in separated silos. What we need is joint intelligence gathering, joint operations and joint accountability. Anything less is a betrayal of the people already left exposed and bleeding.

2. Declaration of a State of Emergency in the Affected Areas
The Federal Government must now invoke its constitutional mandate under Section 305 of the 1999 Constitution to declare a targeted state of emergency in the devastated areas. This should not be done as a mere political gimmick like in Rivers State but as a constitutional necessity. Such a declaration would allow for a unified, coordinated and rapid security response, free from the red tape that has too often cost lives. It would restore public order, unlock emergency relief and send a powerful message, not just to the perpetrators, but to the bereaved that Nigeria has not entirely lost its soul.

3. Establishment of a Judicial Commission of Inquiry
A robust, truly independent Judicial Commission of Inquiry must be established to thoroughly investigate these atrocities. It must dig deep; not just into who pulled the triggers, but into who enabled them, who funded them, who looked away. Justice must be more than ceremonial. It must be seen, heard and felt. Otherwise, we embolden the next set of killers.

4. Government Assistance to Victims and Survivors
The dead must not be buried with the silence of the state. Survivors must not be left to wander with grief as their only companion. The government must offer immediate and sustained relief, medical care, shelter, financial assistance, food, clothes, relocation support and psychosocial services. Compassion must walk hand in hand with justice. Not as charity, but as a right.

5. Tackling the Root Causes: Annexation and Occupation by the Fulani Herders; Poverty, Unemployment and Illiteracy
Peace is not built on military boots alone. It is built on dignity of the human person; opportunity and hope. The structural causes of this continuous violence must be tackled. First, the government must extirpate this sense of irredentist annexation and occupation of the land of the Natives all over Nigeria by fully armed Fulani herders. The grinding poverty, monumental unemployment and educational exclusion must be confronted and dealt with boldly. These are not background issues; they are the fuel that ignite the crises. A country that fails to invest in its people will eventually have to bury them.

6. Inclusive Dialogue with Traditional Rulers and Community Leaders

Security is not the exclusive preserve of the state. It must be co-owned by the people. Traditional rulers, faith-based leaders, youth groups and local stakeholders must be at the table, not as spectators but as partners. Their voices carry legitimacy and their cooperation carries weight. The road to peace must pass through the hearts of the people who live there.

Nigeria must abandon the lie that some lives are worth more than others. Whether in Lagos or Yelwata, the right to life is not negotiable.

Justice must rise. Not as a whisper but as a national roar. For each charred body in Yelwata cries out; not for pity, but for prosecution. Not for platitudes, but for policy. Not for remembrance, but for reform. Let the government stop sermonizing and start securing. Let the Presidency remember that it was elected to protect, not to pontificate. And let the nation rise to say: enough. Not one more grave before we act. Not one more child buried before we move.

IF NOT NOW, WHEN?

I have decried this nightmare too many times. My voice is now hoarse from screaming into the void. And if I, one far removed from; a mere citizen and a conscience with pen and protest feel this ravaged, this worn, then what must be the state of mind of the grieving people of Yelwata, of Benue? What must it be to live in constant dread, to bury child after child, to rebuild only for fire to raze it again?
The people of Benue State deserve better. They deserve a government that does not look away, a system that does not delay and a nation that does not devalue their suffering. The Yelwata massacre was not just a tragic event. It was an indictment. A blistering exposure of governance gone cold and a security architecture collapsed under the weight of its own rot. It laid bare the double standards that govern Nigerian responses to violence: swifter when it affects the elite and sluggish, if not silent, when it happens in the farmlands of the forgotten.

This was not just a failure of one government. It was the betrayal of institutions. A brutal failure by Governor Hyacinth Alia, who watched from within the state without uttering a word while the ashes of his constituents cooled. A glaring failure by the Tinubu administration, that merely sent condolences before justice and optics before concrete action. A catastrophic failure by the Nigerian state itself, whose primary constitutional duty, to protect life and property, was abandoned the moment the first gunshots rang out in Yelwata.

This massacre cannot be allowed to happen again. Not under any guise. Not cloaked in politics. Not silenced by power. Not dulled by time.

We end not in quiet despair, but in thunderous resolve. This grief will not make us mute. This pain will not make us passive. The dead of Yelwata are not numbers to scroll past—they are names, families, futures. They are stories etched into our conscience.

And so we write and will monitor the implementation of our recommendations.
We will not stop until the soil of Yelwata no longer tastes of blood, but of justice. Until the lives lost become the spark for national reckoning. Until silence is replaced by outrage and condolences give way to action.

The Oracle

The Oracle: Entertainment is the Next Hope for Nigeria After Oil (Pt. 2)

Published

4 days ago

February 27, 2026

Eric

Prof Mike Ozekhome SAN

INTRODUCTION

The inaugural part of this piece was necessarily introductory. It examined the interplay between economic development and the demand for leisure; the growth and evolution of the entertainment industry- with a focus on Nigeria, specifically Nollywood. This week’s feature (its second and final installment) continues from where the previous week’s stopped with an assessment of other aspects of the industry like comedy and music. Thereafter, we discuss the potential of entertainment as the new ‘oil’ and conclude with a review of the impact emerging technologies such as Artificial Intelligence is having on the entertainment industry. Enjoy.

NOLLYWOOD (continues)

Nigeria’s biggest export to the world comes from her entertainment sector. In recent years Nigerian home videos, music and culture have found their ways into several African countries where they are dominating the local film and music industry.

A 2010 article by The Economist said thus: “Nigerian films are as popular abroad as they are at home. Ivorian rebels in the bush stop fighting when a shipment of DVDs arrives from Lagos. Zambian mothers say their children talk with accent learnt from Nigerian television. When the president of Sierra Leone asked Genevieve Nnaji, a Lagosian screen goddess, to join on the campaign trail, he attracted record crowds at his rally. Millions of Africans watch Nigerian films every day, many more than see American fare. And yet Africans have mixed feelings about Nollywood.” (The Economist. Lights, camera, Africa.http://www.economist.com/node/17723124).

So ubiquitous and pervasive is the Nigerian Entertainment industry that several African countries have actually raised alarm over what they term “the Nigerianization of Africa” (sort of a modern recolonization of Africa by Nigeria) –with some countries going as far as instituting measures to curb the growth of Nigerian films (and invariably Nigerian culture) in their country.
It is instructive to note that the Nigerian film industry has been able to propel itself to the current position it stands at without government support. The films are produced by individual financiers and marketed by private companies. However, recently- government and other international organization, like the World Bank, have begun to make effort to boost the industry. The Nigerian government and World Bank recently made available a loan scheme for movie producers and directors Nigeria’s entertainment and media market grew by 19.3% in 2014 to reach US$4 billion. By 2019, the market will be more than twice as big, with estimated total revenue of US$8.1 billion (tp://www.financialnigeria.com/nigeria-s-entertainment-and-media-industry-to-grow-to-8bn-by-2019-sustainable-photovideo-details-140.html#sthash.YKRy1xfI.dpuf).

COMEDY INDUTSRY

The Comedy sector of the Entertainment industry has become so huge that comedy has now become one of Nigeria’s export to Africa and the world. It is not yet clear how much or to what extent the sector contributes to the economy. A guess however, is that it is likely to be substantial. If not for anything, the very fact that the sector has acted as a catalyst to pull some Nigerian youth out of poverty into a life of affluence is more than enough contribution to the advancement of the economy. Comedians earn millions putting smiles on the faces of disgruntled Nigerians, giving them a short reprieve from the challenges faced on a daily basis. In addition to engaging their talents, entertainers also exploit their increasing celebrity status, resulting in income from endorsements of companies from a range of industries. The creative arts industry holds the potential to enrich Nigerians of all ages but also provides much needed therapy to help soothe the social woes that plague this developing nation.

NIGERIA MUSIC

Much like the film industry, the Nigerian music industry has grown over the years largely on individual efforts rather than governmental or institutional support. Nigerian music and the accompanying videos, are the most followed and watched, in Africa, with local acts collaborating with different music acts across the world from American’s Kanye West to Tanzania’s Diamond Platnumz. Davido’s signing with Sony Music has been described as a major game changer for Nigerian pop music. Another triumph is the story of Wizkid who is currently on a roll with an appearance on Drake’s album, as well as several other reported collaborations with Jidenna and Chris Brown.

Like Nollywood, the Nigerian music industry has enormous influence in the socio-cultural activities of the country –and indeed the rest of Africa. Nigerian musicians have coined several slangs (often nonsensical and meaningless) that have gained acceptance in mainstream Nigerian languages and are often weaved intricately into the social behavior, communication and behavior of the public.
It was reported that an estimated 1200 concerts and musical shows take place every year and account for a combined annual turnover of US$105.5 million from that sector alone!

ENTERTAINMENT AS THE NEW OIL

As stated above, Price water house Coopers came out with a report that the Nigerian entertainment industry is predicted to generate revenue in excess of $8 billion dollars by 2019. If President Buhari’s budget for 2016 is N6.02 trillion, and expected earnings from the industry are pegged at N2.51616 trillion ($8 billion at the official rate of N314.52), then the Nigerian entertainment sector is clearly at the forefront of the economy. If the entertainment industry, an industry currently underfunded and previously disregarded, can garner that much in terms of revenue, then Nigerians can be hopeful and confident of the future, despite the gathering economic storm clouds. As good as this sounds, there are other positive signs based on projections of the future growth direction of the industry (Naija.com. Feature: Entertainment as the alternative to oil for Nigeria. https://www.naij.com/823542-now-that-crude-oil-is-worthless-heres-another-option-for-nigeria.html).

Analysts had said that the movie segment made about N1.72trn in 2013. According to Business Day, the rebasing exercise shows the huge leap how the entire entertainment sector had been hugely underrated over the years. The sector was earlier classified amongst ‘other services’ that barely contribute N5bn to the annual GDP. The share has risen, sharply, from its once-insignificant status to become the first five. “What surprises me the most is the ‘Motions pictures, sound recording and music production’, which jumped to N9trn, which is a huge amount. I didn’t expect that kind of jump. Initially, it was under ‘other services’ where items that are too small are captured during the GDP computation,” (Leadership Newspaper. How Entertainment Contributes To Nigeria’s GDP. http://leadership.ng/entertainment/364405/entertainment-contributes-nigerias-gdp).

Also, in the last five years, the industry has grown in terms of quality and has been rated the third most valuable movie industry in the world, behind Hollywood and Bollywood. The development has also impacted on returns. The United Nations said, last May, that Nollywood is estimated to employ some 1,000,000 people and had the potential to create 1,000,000 more in the future if properly managed. Its release of about 50 films a week puts it in the same bracket in terms of production with movie-mad India, although revenues — thought to be about $590m a year — are considerably less.

ARTIFICIAL INTELLIGENCE IN THE MEDIA AND ENTERTAINMENT INDUSTRY

I agree with Aluko and Oyebode (https://www.aluko-oyebode.com/insights/artificial-intel-in-nigeria-issue-1/ accessed on 30th January, 2026) that the distribution of content in the global media and entertainment industry is rapidly changing. The reasons are not far-fetched: the increasing accessibility of content creation technologies such as high-resolution cameras, content development software, and smartphones, almost anybody can now create, publish, and share written, audio, and video content.

I also agree with them that this trend is further accelerated by the proliferation of the internet, which has led to the replacement of traditional media channels like cable and radio with on-demand streaming platforms like Netflix and YouTube. Consequently, consumers have potentially limitless options to choose from, in terms of media consumption, with the results that media companies are facing the need to raise the quantity as well as the quality of content they create to attract as many consumers as they can to drive higher value. This is where advanced technologies like Artificial Intelligence (AI) have proved handy in helping media companies to improve their services and enhance the customer experience.

I couldn’t agree more with their opinion that the following are instances of the use of AI in transforming the media and entertainment industry:

Content Personalization

We all enjoy popular SVOD platforms like Netflix, Hulu, and Prime which brings to us the kind of shows and movies that we love; this surely better than scrolling through their database searching for content that we prefer. That’s AI at the work. Additionally, content streaming sites have perfected their streaming recommendations according to different tastes and preferences for people of all locations, deploying machine-learning and AI algorithms to analyze user behavior, in terms of what genre of content users are mostly streaming in order to maximize the user experience. AI uses these data insights to create a highly personalized experience for every user.

Search Optimization

AI has also made it easier and more accurate to obtain search results and suggestions. For example, rather than searching for the title of a movie or the name of an item, you may just submit an image to Google and obtain results based on the image. Instead of searching for random lyrics to find the name of a song, you may play it and a streaming software like Shazam can identify the music for you. You may also instruct your phone to perform some actions after tapping the back or the screen for a particular number of time.
Regrettably, Nigeria has a long way to go in enacting appropriate universal AI regulation, forcing operators of these platforms to contend with mostly local laws, such as those dealing with copyright, when dealing with protected content. This also includes the Cybercrimes (Prohibition, Prevention, Etc) (Amendment) Act, 2024, in respect of illegal contents, Child Pornography and the Nigeria Data Protection Act and Regulations when dealing with consumers data.

CONCLUSION

John Litwack (The Lead Economist for Nigeria, World Bank.) stated that: “the large number of underemployed youth is a serious threat to the economic and political stability of the country. The median age in Nigeria is 14, and the population continues to grow at a rate close to 3 percent”. There is no doubt that Nigeria as a nation continues to remain one with tremendous potential.

However, it only remains that – a nation with tremendous potential – if Nigeria remains over dependent on the oil and gas industry and adequate investments are not made in initiatives that are more promising. The music industry continues to impress, transforming the global perception of Nigerians and employing teeming Nigerian youth whilst proving to be a lucrative venture for zealous entrepreneurs. Nollywood has also been identified as a promising industry with the potential to unlock both economic and social benefits. The industry has already hinted at its promise and is internationally competitive despite relatively little financial input. More investments need to be made to improve the quality and marketing of movies, but also enable the establishment of a self-sustaining domestic cinema industry. The industry however, remains far from its potential and with increased investments should not only help employ and entertain a significant portion of the Nigerian populace, but also provide forex flows from a growing international customer base. (The end).

THOUGHT FOR THE WEEK

“The world is a stage, the stage is a world of entertainment”. -Howard Dietz.

The Oracle

The Oracle: Entertainment, the Next Hope for Nigeria After Oil (Pt. 1)

Published

2 weeks ago

February 20, 2026

Eric

By Prof Mike Ozekhome

INTRODUCTION

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience’s attention (The Oxford English Dictionary (Oxford University Press, 1971, Vol. 1 pp. 213–4)).

According to Wikipedia, Entertainment is any activity which provides a diversion or permits people to amuse themselves in their leisure time, and may also provide fun, enjoyment and laughter. People may create their own entertainment, such as when they spontaneously invent a game; participate actively in an activity they find entertaining, such as when they play sport as a hobby; or consume an entertainment product passively, such as when they attend a performance (Wikipedia, Outline of entertainment. https://en.wikipedia.org/wiki/Outline_of_entertainment).

The entertainment industry (informally known as show business or show biz) is part of the tertiary sector of the economy and includes a large number of sub-industries devoted to entertainment. However, the term is often used in the mass media to describe the mass media companies that control the distribution and manufacture of mass media entertainment. In the popular parlance, the term show biz in particular connotes the commercially popular performing arts, especially musical theatre, vaudeville, comedy, film, and music. It applies to every aspect of entertainment including cinema, television, radio, theatre and music.

ECONOMIC DEVELOPMENT AND THE DEMAND FOR LEISURE

Leisure time has been a determining factor in the development of recreation and entertainment as an industry. Entertainment has grown as an industry in step with increased income and time available for leisure and recreation. Economic development, often quantified in terms of productivity or output per person-hour, has enabled goods and services to be produced with fewer labor inputs. The growth of the entertainment industries has been directly related to the development of a modern economy and rising economic productivity, though precise estimation of the demand for leisure is a thorny task (Owen, John D. 1971. The Demand for Leisure. Journal of Political Economy 79 (1): 56–76.). An important issue in the development of entertainment as an industry is the rising productivity of workers, and in particular the ways in which technical progress has increased worker productivity. Progress in technology, in addition to creating the demand for entertainment products and services, has also led to the creation of much of the dominant forms of contemporary entertainment (Thomson Gale. Loc cit.).

THE ENTERTAINMENT INDUSTRY: GROWTH AND PROGRESS

The Compound Annual Growth Rate (CAGR) of the entertainment and media spending worldwide has been predicted between 2014 and 2019, by sector. Of the 13 sectors that make up the Entertainment and Media industry, film will grow at the seventh-fastest pace worldwide. The fastest is Internet advertising, which will grow 13.1 percent annually from 2013-2017. Print will bring up the rear, with magazine publishing growing at 0.3 percent, while the newspaper industry remains flat. A milestone will occur in 2016, when the global E&M category becomes a $2 trillion industry (http://www.billboard.com/biz/articles/news/global/1565728/study-global-entertainment-industry-poised-to-top-2-trillion-in).

Despite forecasts revealing that online formats will experience the most annual growth, a further breakdown of worldwide entertainment and media revenue in 2009, 2013 and 2018, by platform reveals that non-digital platforms such as magazine and newspaper publishing will continue to dominate. In 2009, digital revenue for the industry totaled 342 billion U.S. dollars and non-digital revenue totaled 1,038 billion U.S. dollars. By 2018, it is expected that digital revenue will total 994 billion.

Entertainment as an industry—in the United States alone—is responsible each year for $150 billion in expenditures and some 120 billion hours of consumed time (Vogel, Harold L. 1998. Entertainment Industry Economics: A Guide for Financial Analysis. 4th ed. New York: Cambridge University Press.). Entertainment as an economic sector consists of diverse products and services including motion pictures, television, music, broadcasting, print media, toys, gaming, gambling, sports, and fine arts (Thomson Gale, Entertainment industry. International Encyclopedia of the Social Sciences 2008.). In 2017, Americans will buy 1.3 billion movie tickets and pay an average price of $9.60 for them, according to PwC, representing a slow growth of 1.3 percent a year in admissions and 2 percent a year in ticket prices stateside.

Based on PwC’s Global Entertainment & Media Outlook, the global E&M industry, following a pandemic-related decline in 2020, has experienced a period of significant growth. The industry in 2026 has reached an approximate growth rate of US$3 trillion in revenues.

Following a 2.3% decline in 2020, the industry saw a 10.4% rebound in 2021. Global advertising revenue has increased to $1 trillion in 2026, with digital advertising continuing to grow, at a 6.6% or higher CAGR

The Key Growth Drivers of the entertainment industry in Nigeria today includes but not limited to:
Video Games: Global video games and esports revenue, totaling US$215.6bn in 2021, is forecasted to grow at an 8.5% CAGR to reach US$323.5bn in 2026.
Over-the-top (OTT) Video: Expected to grow at a 7.6% CAGR through 2026, pushing revenues to US$114.1bn.
Cinema: Projected to reach a new high in 2023, with revenues rising at an 18.9% CAGR from 2021 to 2026.
Virtual Reality (VR): Forecasted to grow at a 24% CAGR to US$7.6bn in 2026.

The Emerging markets continue to lead with higher CAGRs, including Turkey (estimated 14.2%), Argentina (10.4%), India (9.1%), and Nigeria (8.8%) between 2021 and 2026. In contrast, however, traditional TV has declined at a -0.8% CAGR from 2021 to 2026.

THE ENTERTAINMENT INDUSTRY OF NIGERIA

Nigeria’s entertainment industry is a booming global force, led by Nollywood (the film industry), the world’s second-largest by volume, and a vibrant music sector (Afrobeats), both driving significant economic growth, international cultural influence, and job creation, despite ongoing challenges like piracy and rising production costs, with streaming and digital platforms fueling its massive expansion.

Entertainment serves as a major force for social and economic good, the sector provides, educates, and releases stress. The Nigerian entertainment industry is a major economic driver, (a rapidly expanding global powerhouse), with revenues expectation of $4.9 billion in 2026. The sector contributes significantly to GDP, with over ₦1.97 trillion generated in 2023. Digital streaming and social media are major drivers, connecting local talent to international audiences.

The Entertainment industry in Nigeria comprise of the film sector, the music sector, the comedy sector, the fashion and the art sector. The Nollywood veteran, Richard Mofe Danmijo, while delivering a speech at Professor Pat Utomi’s Annual Lecture, on 15th January, 2015, titled: “Impact of Entertainment on Nigeria’s Economy”, surmised the contribution of the Entertainment sector to the economy of Nigeria in this way: “Nollywood, the film and video segment, is the clear leader. In the last couple of years, our music has taken the world by storm. Our art is making in-roads into the global marketplace. Fashion has set its footstool in the global arena. Life theatre has come alive and the new media has continued to make these different aspects of entertainment available to the world in real time,”

NOLLYWOOD

According to Wikipedia, the emergence of the video film market in Nigeria is traced back to the 1980s when television productions thrived. Jimi Odumosu’s Evil Encounter, a 1980 horror film released directly on television, was the first production to be a pointer to how lucrative making film directly on video can be (Wikipedia, Cinema of Nigeria. https://en.wikipedia.org/wiki/Cinema_of_Nigeria). The film was extensively promoted before being aired on the television, and as a result, had streets flooded in the following morning with video copies of the recorded broadcast. It was reported that the film became an instant hit at Alaba market, a commercial district which later became the hub of video distribution in this period and also eventually became the hub of piracy in Nigeria. Since Evil Encounter, it became common, especially in Southern Nigerian cities to see video copies of recorded television programmes traded on the streets (History of Nollywood”. Nificon. Retrieved 15 October 2014. http://www.nificon.org/about/history-of-nollywood/).

This method was adopted and built on by producers and distributors at Alaba Market to reinvent the film industry, since the Nigerian cinema culture was facing a major decline. The first film produced on video in Nigeria was 1988’s SosoMeji, produced by Ade Ajiboye. The film was also screened at the few available theatres at the time. Subsequently, Alade Aromire produced Ekun (1989) on video, which was screened at the National Theatre, Iganmu (Emeagwali, Gloria (Spring 2004). “Editorial: Nigerian Film Industry”. Central Connecticut State University. Africa Update Vol. XI, Issue 2. Accessed January 30th, 2026) Emejulu, Obiajulu A.; Amadi, Dan Chima (December 2014). “Living in bondage: A dream deferred or a promise betrayed for Igbo linguistic and cultural renaissance?”. Academic Journals. International Journal of English and Literature. Retrieved 7 April 2015).

However, the boom experienced in this era is generally believed to have been kick started by Kenneth Nnebue’s Living in Bondage (1992). Nnebue had an excess number of imported video cassettes which he then used to shoot his first film on a Video camera (Nigeria’s film industry, The Economist”. Economist.com. 2006-07-27.). Although Living in Bondage is often touted in the media as the “first commercial video film”, several historians have argued that the video film industry was already booming before Living in Bondage (Nnabuko, J.O.; Anatsui, Tina C. (June 2012). “NOLLYWOOD MOVIES AND NIGERIAN YOUTHS-AN EVALUATION” (PDF). JORIND 10. 10 (2). ISSN 1596-8308. Retrieved 18 February 2015).

At the commencement of major boom in the 1990s, marked by the release of the direct-to-video film Living in Bondage (1992); the industry peaked in the mid 2000s to become the second largest film industry in the world in terms of the number of annual film productions, placing it ahead of the United States and behind only India. The films started dominating screens across the African continent and by extension, the Caribbeans and the Diaspora, with the movies significantly influencing cultures, and the film actors becoming household names across the continent.

According to Muyiwa Babarinde , the influence of Nigerian films has also crossed beyond the Nigerian borders (Op-Ed Editor and MuyiwaBabarinde, Y! Report: Nigeria’s emergence as Africa’s media and entertainment superpower. http://ynaija.com/y-report-nigerias-emergence-as-africas-media-and-entertainment-superpower/). Late Tayo Aderinokun, cofounder of Guaranty Trust Bank (GTB), in a 2004 speech said: “According to the Filmmakers Cooperative of Nigeria, every film in Nigeria has a potential audience of 15 million people within the country and 5 million outside. These statistics maybe somewhat conservative considering that half of West Africa’s 250 million people are Nigerians.” (TayoAderinokun, There are many untapped business opportunities in Nigerian film industry. Presentation made at the 50th Art Stampede Session of the Committee for Relevant Art (CORA) held at The National Theatre, Iganmu, Surulere, Lagos, Nigeria on Sunday March 7th, 2004.).

To be continued…

THOUGHT FOR THE WEEK

“The world is a stage, the stage is a world of entertainment”. -Howard Dietz

The Oracle

The Oracle: The University As Catalyst for Societal Development (Pt. 7)

Published

3 weeks ago

February 13, 2026

Eric

By Prof Mike Ozekhome SAN

INTRODUCTION

In our last episode, we examined the core functions of Universities as tools for societal development through the following prisms: social mobility/equity; political development and cultural/social transformation. Thereafter, we analysed the challenges hindering the attainment of that goal, such as underfunding/structural decay and brain-drain. Today, we shall continue with same theme focusing on curriculum irrelevance; policization, corruption/strikes; poor research linkages; week institutional autonomy and limited global competitiveness (especially) African universities. Later we shall x-ray some pathways for reclaiming the university’s role and then conclusion. Enjoy.

Curriculum Irrelevance

In Nigeria, universities are meant to be engines of societal uplift—factories of innovation, virtue, and capacity. Yet, the curricula they enforce often remain anchored in the past, oblivious to the needs of the present or the demands of tomorrow. When the syllabus fails to track global technology, local industry, or national development, it becomes a gilded cage: polished on the outside, hollow within.

Former Education Minister Tunde Adeniran admonished that the current university curricula are outdated, producing “parasites and unemployable graduates.” These are not empty words—they are the judgment of authority and the verdict of public concern (Nigerian Tribune, “Nigerian varsity curriculum producing parasites, unemployable graduates — Adeniran, ex-education minister” https://tribuneonlineng.com/nigerian-varsity-curriculum-producing-parasites-unemployable-graduates-adeniran-ex-education-minister/ accessed 9 September 2025). The result? A cohort of graduates burdened with degrees, yet stripped of relevant skills, unable to build, to create, or to serve.

Politicization, Corruption and Strikes

In Nigeria (and indeed across much of Africa) the university, meant to be a forge of societal advancement, is often smothered by politicization, where creation and control of institutions serve political ends rather than national development. Many federal universities have been established not out of educational necessity but out of electoral calculus—aimed at scoring regional loyalties, patronage, or political symbolism. The result? A proliferation of half-funded institutions, where infrastructure lags, academic standards wither, and the capacity for meaningful engagement with society diminishes (Punch, “ASUU strike: Not again”).

Amidst this politicization, corruption festers at multiple levels—financial, academic, and moral. Financial mismanagement and nepotism divert scarce resources away from teaching and research; admission racketeering, “sorting” (cash-for-grades), ghost workers, and sexual harassment for marks corrode the moral fabric of institutions and undermine public. These corrupt practices distort the university’s purpose and erode its capacity to produce the leaders and professionals the nation so desperately needs.

Poor Research–Industry Linkages

One of the most persistent challenges facing many African universities is the weak linkage between academic research and industry demand. Despite individual examples of collaboration through internships, guest lectures, and curriculum co-development, these partnerships often remain fragmented and under-resourced. Particularly among small and medium-sized enterprises (SMEs), there is often limited capacity to engage with universities meaningfully, and vice versa — universities frequently lack sufficient incentives or infrastructure to align their research with market needs. Further constraints include scarce funding for applied research and commercialization, weak intellectual property management frameworks, and the absence of robust national strategic frameworks that align universities, industry, and government. As a result, many promising discoveries fail to cross the “valley of death” between innovation and market readiness.

Weak University Autonomy

Another structural barrier is the limited autonomy of universities. Across many African nations, public universities remain heavily controlled by governments through centralization of governance structures, finance, and administrative systems. For instance, in Ethiopia, Addis Ababa University’s attempts at governance reform toward autonomy have been hampered by lack of infrastructure capacity, insufficient stakeholder consensus, and inadequate political support. In Nigeria, public universities are often integrated into centralized payroll systems (such as IPPIS), face constrained admissions and funding models, and operate under dominant governing councils, all of which hinder independent decision-making. This restricted autonomy curtails their ability to innovate academically, manage financial resources effectively, and respond nimbly to evolving educational needs (https://journals.researchparks.org/index.php/IJIE/article/view/4286? > Accessed on 9th September, 2025).

Limited Global Competitiveness of African Universities

A third significant constraint is the diminished global competitiveness of African universities. Many fall short of top-tier global rankings—such as QS or Times Higher Education—due to a combination of inadequate research funding, low output of high-impact publications, poor infrastructure, and limited international engagement. For example, in Nigeria only a handful of universities appear in the global QS rankings, often placed far below their counterparts in Egypt or South Africa. Issues like academic instability (e.g., frequent strikes), brain drain, and limited visibility in global research networks further hinder competitiveness. In South Africa, previously high-performing institutions are slipping in global rankings, citing weakened research output and intensifying international competition (https://thenigeriaeducationnews.com/2025/03/19/africas-top-10-universities-academic-excellence-global-rankings-and-the-challenges-hindering-world-class-recognition/?utm_source=chatgpt.com> accessed on 9th September, 2025).
PATHWAYS TO RECLAIM THE UNIVERSITY’S ROLE

Adequate Funding and Resource Allocation

No institution thrives on starvation. For decades, African universities, particularly in Nigeria, have been treated as beggars at the table of national budgets. The result is crumbling lecture halls, under-equipped laboratories, poorly paid staff, and students learning theory without practice. If the university is truly the furnace where nations are forged, then it must be funded like the arsenal of national survival. Adequate funding does not mean mere salary payment; it means strategic investment in infrastructure, digital libraries, research grants, and innovation hubs. Without resources, universities cannot catalyze societal development—they will merely recycle mediocrity.

University–Industry–Government Synergy (Triple Helix Model)

Universities cannot exist as isolated ivory towers; they must become bridges between theory and practice. The “triple helix model” insists that government provides enabling policy, industry provides practical platforms and funding, while universities supply research and talent. In Nigeria, this linkage is painfully weak. Industries complain that graduates are unemployable, while universities lament poor funding. The cure is deliberate partnerships—internship pipelines, joint research projects, industrial endowments, and policy incentives. When these three actors intertwine, the university becomes a genuine catalyst, converting knowledge into usable development.

Emphasis on Research Commercialization
Too often, African universities produce theses and dissertations that gather dust on shelves instead of birthing patents, startups, or policy tools. This academic graveyard must be transformed into a marketplace of innovation. Research should not end in publication alone; it should translate into products, services, and solutions that society can use. In medicine, in agriculture, in law, in energy—findings must be commercialized and protected through intellectual property systems. By bridging the gap between “research for recognition” and “research for relevance,” universities can directly shape national economies.

Curriculum Reform: Innovation, Entrepreneurship, Technology, Ethics
The curriculum is the blueprint of a nation’s future. Outdated syllabi that ignore present realities will continue to produce graduates unfit for tomorrow’s challenges. Reform must be bold—infusing innovation, entrepreneurship, and technology across disciplines. Yet, skill without character is dangerous; hence ethics and leadership must also be embedded. Universities should not only produce engineers and lawyers, but entrepreneurs, inventors, and nation-builders who combine competence with conscience. Such curricula create graduates who are not job seekers, but job creators.

International Collaboration and Global Competitiveness

Knowledge knows no borders. In a world where research is increasingly global, African universities cannot afford parochialism. Partnerships with international institutions, exchange programs, joint publications, and participation in global rankings expose universities to best practices and raise their credibility. Furthermore, attracting foreign students and researchers generates revenue, enhances diversity, and situates the university as a global player. For Africa, this is not about imitation but about integration—entering the global stage while retaining local relevance.

Revival of Mentorship, Discipline, and Value-Driven Leadership

At the heart of the university’s decline lies a deficit of character. A generation of students has witnessed more strikes than semesters, more corruption than integrity, more shortcuts than mentorship. To reclaim the university’s role, there must be a moral revival. Senior academics must mentor juniors not only in scholarship but in values. Discipline—academic rigor, respect for deadlines, ethical research practices—must be re-enthroned. Leadership within universities must be less about politics and more about service. For without values, knowledge becomes a weapon; with values, knowledge becomes light.

CONCLUSION

The university, when rightly positioned, is far more than an academic enclave; it is the multiplier of societal progress and the beating heart of national destiny. It is here that knowledge is preserved, expanded, and transmitted across generations. It is here that research generates the innovations which fuel economic development, and where civic values are cultivated to sustain social cohesion. More than a training ground for professionals, the university is a crucible of leadership, a forum for critical debate, and a repository of cultural memory. In every society, universities function as both mirrors and architects—reflecting prevailing realities while simultaneously shaping the trajectory of the future.
No nation can rise above the strength of its universities. Where universities thrive, societies flourish with creativity, industry, and progress; where they falter, societies stumble into ignorance, unemployment, and stagnation. To underfund or neglect the university is not simply to weaken an institution—it is to weaken the very foundations of national development. To politicize it or reduce it to a degree factory is to mortgage the future and silence the engines of transformation that drive innovation, governance, and economic competitiveness.

Yet, when universities are nurtured, they become unstoppable catalysts for growth. With adequate funding, sound governance, global collaboration, and strong research–industry linkages, they evolve into hubs of knowledge creation, innovation, and civic renewal. They serve as bridges between past traditions and future aspirations, ensuring that societies remain adaptive, resilient, and forward-looking. They also extend their impact beyond the campus walls, engaging with communities, shaping public policy, and inspiring social reform.

For Africa, and Nigeria in particular, the stakes are especially high. If the continent is to break cycles of dependency and underdevelopment, it must reclaim and reposition its universities as engines of transformation. This requires more than piecemeal interventions; it calls for systemic reform, sustained investment, and a cultural revaluation of the role of higher education. When universities are strong, they not only prepare individuals for the workforce but also generate solutions to national challenges, foster inclusive societies, and project the intellectual sovereignty of the continent.

The truth is simple but profound: a society’s development is mirrored by the strength of its universities. To strengthen them is to secure the future, to invest in human capital, and to expand the horizons of possibility. To neglect them is to doom tomorrow to mediocrity, dependency, and decline. If Africa seeks genuine transformation, and if Nigeria desires enduring progress, then the university must remain at the centre: resourced, reformed, and revered as the catalyst of societal development. (Concluded)

THOUGHT FOR THE WEEK

“A University should be a place of light, of liberty, and of learning” – Benjamin Disraeli