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Opinion: On the Music That is #MadeInLagos

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By Jane Efagwu

When Wizkid suddenly tweeted that his next tweet will be the official drop of his long awaited fourth studio album, I kid you not, I had certain doubts in mind. What was going on? Was this the moment? Somebody pinch me! Rightfully, Twitter was going nuts over the surprise announcement but I refused to fully believe it. This shameful doubt organized a call to my fellow Starboy FC members because we were the core fans who low-key feared that it could just be Starboy doing normal Starboy things.

I mean, he is Wizkid for God’s sake. We think he can do music however, whenever and it will pop severely. Whatever him and his team were cooking up, one thing was sure- everywhere must definitely stew. E no get how. That was why when I first heard the project, I wasn’t even surprised. He had done it again. For any dedicated observer of the Starboy’s decade old magic, you would know that “it” changes from time to time. Single to single. Era to era. Ayodeji Balogun’s career has been a thrilling movie where the watchers are constantly dazed yet inspired by how often the entertainer is able to top himself over and over and…

The arrangement of the tracks on Made In Lagos is quietly poetic as it is peacefully progressive. Like every life or career journey, it starts out “Reckless” and ends with “Grace”, a silent point made by Starboy regarding his current position in his music and music worldwide. This point echoes loudly throughout the project as we hear a peaceful and permanent replacement of the expected way of delivering Nigerian music with the continuous championing of a new dawn in album creation: creating genre bending music that dare to take up spaces bigger than a genre box or even your radio set.

With his last LP, Sounds From The Other Side (2017), his innovative delivery faced heavy criticism from the Nigerian public.The UK and the U.S ate the project up but Nigerians remained tongue tied. What happened? A timeless album that was grossly misunderstood because of its renovation of the Afropop genre. This same approach to sound heavily punctuates MIL but what’s different this time is instead of misplaced criticism, all we hear is thunderous praise for its effortless delivery. What changed? When did Nigerians start to fully embrace unconventional, refreshing approaches to the beloved Afropop genre?

The music on Wizkid’s fourth studio rollout crosses and merges dominant cultural influences on Starboy’s ever changing sound over the years. He reimagines modern day Afrobeats alongside fellow genre giant, Burna boy while acknowledging his extended family in the U.S. and the UK with features from heavyweights like H.E.R, Ella Mai and frequent collaborator and ‘brother’, Skepta and exploring his old soul by kicking back senior citizen style to jam spiritual raggae with Jr Gong himself, Damian Marley. This he does while hosting the popping new kids on the Nigerian block: Tems, Terri and Jamaican newbie, Projexx, a valid endorsement for their promising catalogues.

One move that seals the project and lends it its cohesive flow is his clever choice of producers. Starboy employs the award-winning P2J as executive producer as well as other hood family acts like Sarz, Blaqjerzee, Mut4y and balances it up with British composers like Juls and Kill September. This cross country family affair births 14 solid tracks that have inspired ecstasy for the notoriously versatile Afro sound and how far it can be pushed, bent or merged to create nothing but magic.

However, some Twitter critics have maintained that while the album is titled Made In Lagos, it is regrettably not made for Lagos. With honey tracks like Sweet One which serves as a perfect play for a sunday evening stroll to one of the many beaches in Lagos and the enchanting, alté raggae merge that is True Love, a fitting dance ballad for a light intimate session with a lover on a beach house balcony over looking the waves, it is hard to understand where that take comes from. You can almost picture a dimly lit beer parlor complete with its regular cast and crew, spirited drinks exchanging hands and the Terri contribution, Roma, playing softly in the ambience while steaming pepper soup fingers your nostrils and lifts your spirits.

The album has been aptly described by its listeners as “rich people music”. Not a lie at all. To create this empowering effect, the creator employs his signature lush velvet saxo that lends an easy air of affluence to the songs and we all know that if it’s one thing about affluence, it is that it’s certainly not for everyone. You can feel this on the spiritually charged Blessed, where Damian Marley breezily samples his unique wealth (of experience) as he explores the unbeatable knowledge of self, the joys of fatherhood, a burning passion to do better and of course, great gratitude to be able to live this life.

This vibe runs over to the next track, Smile, a guaranteed anthem for positive vibrations while acknowledging life’s battle throughout the years. Smile comes from a place of relaxed reflections which ultimately leads to unconditional acceptance and gratitude for where you are right now. Clocking 30 this year, the track is dedicated to his three beautiful kids. Some might call it a simple dad move but followers of his journey especially his controversial fatherhood would agree that this is his own way of owning his shit loudly. Took him long enough but we’re glad he’s finally there.

With #MadeInLagos, Wizkid popularizes his signature effortless approach to everything. Usually mistaken for lazy, this style champions the less is more mantra and places strategy/smart work above hard work. From the second album cover which features a muted color palette that instinctively creates a warm sensation that somehow makes you want more than you’re seeing, to his cool and cohesive execution on an intro track ironically titled Reckless, he seems to never lose his chill and still manages to make several points throughout the album.

Infact, it is because of how relaxed he sounds that makes his lyrics more believable. No Stress isn’t just the second promotional single off the project, it’s actually a perpetual state of mind for the entertainer. He coyly samples the Lagos struggle while reminding us why we’re struggling in the first place. Why are women selling ‘cold mineral, cold pure water’ under the hot sun in the first place? Fela’s “suffering and smiling” is remixed to sound like: “say the people dey suffer but they smile for face but if Starboy talk Dem say Starboy craze” on Grace. Even dragging Nigerians and their government is done in the most chill way possible. No stress indeed.

For where Afropop is right now, an album like #MadeInLagos is nothing but a cheat code to the cutthroat game. It might feel so fresh and irresistible right now but we all know good music ages like fine wine and only gets better with time. The days are coming when we’d listen to it in time capsule style and the sonic wave will hit us a bit harder than it does now. When its true essence would make us smile. But for now we enjoy, we gyrate and we stream the project on every platform as we all beam with pride to be from the city that never sleeps.

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Hollywood Bubbles As Season of Awards Sets in

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By Samantha Ofole-Prince

From AAFCA to BAFTA, the Golden Globes to the Critics Choice Awards, it’s certainly the season of splurges and speeches.

Each year between November and March, Hollywood becomes host to a majority of significant film awards as numerous guilds and critics associations heap accolades on movies which have moved them.

With 3 more major awards that include the Screen Actors Guild Awards, Oscars and the Image Awards left to dole out their nominations list, Samantha Ofole-Prince shares the scorecard on who’s snagged what statuettes so far.

Paul Thomas Anderson‘s action-thriller “One Battle After Another” has dominated the season. The film about a washed-up ex-revolutionary on a quest to rescue his daughter from a resurfaced nemesis that stars Leonardo DiCaprio, Chase Infiniti, Sean Penn and Teyana Taylor, has struck a chord with audiences receiving more accolades than any other movie. Some of the categories it has been nominated for include Best Director, Best Actor, Best Supporting Actor, Best Ensemble, Best Adapted Screenplay, Best Cinematography, Best Production Design, Best Costume Design, Best Sound Design and Best Visual Effects.  The film will most likely receive multiple Oscar nominations on January 22nd.

“Sinners,” the supernatural horror film directed by Ryan Coogler, follows close behind with 17 nominations, nearly matching the record of 18 that “Barbie” achieved two years ago from the Critics Choice Awards. The film collected a nod for Best Picture, while cast members Michael B. Jordan, Wunmi Mosaku, and Miles Caton are up for Best Actor, Best Supporting Actress, and Best Young Actor / Actress respectively. Ryan Coogler was recognized in the categories of Best Director and Best Original Screenplay, and the film also received nods for Best Casting and Ensemble, Best Cinematography, Best Production Design, Best Editing, Best Costume Design, Best Hair and Makeup, Best Visual Effects, Best Stunt Design, Best Song, Best Score, and Best Sound. Coogler also received the Director Award at the Critics Choice 8th annual Celebration of Black Cinema.

Guillermo del Toro’s “Frankenstein” hasn’t done too badly either this awards season. The live-action film adaptation of Mary Shelley’s classic novel about a scientist bringing a monstrous creature to life in a daring experiment, earned several Golden Globe nominations with additional recognition at the Critics Choice Awards and Gotham Awards for its screenplay, design, and performances.

Other notable nominations include Akinola Davies Jr.’s “My Father’s Shadow.” His feature length film debut, which is set against the backdrop of the 1993 Nigerian presidential election, has won several notable awards and special mentions at international film festivals and award ceremonies.  Directed from a screenplay he co-wrote with his brother Wale, it secured two major awards at the 35th Annual Gotham Film Awards with a Breakthrough Director for Akinola, an Outstanding Lead Performance for its main actor Ṣọpẹ́ Dìrísù. The film also received 12 total nominations at the British Independent Film Awards (BIFA).

Tessa Thompson’s role as a manipulative woman in an entangled relationship between two men in the movie “Hedda” recently earned her several nominations including a Golden Globe nod for Best Actress, a Spirit Award nomination and Best Actress wins at the African American Film Critics Award and Critics Choice Celebration of Black Cinema. Other accolades include Gotham Awards and nominations for Best Film at the BFI London Film Festival, with production design and score.

Notable Nigerian actors Damson Idris, Cynthia Erivo and Ego Nwodim have also received accolades. Idris received a Best Supporting Actor nod from the African American Film Critics Association (AAFCA) and was honored by the Critics Choice Association (CCA) for his role as a race car drive in the movie “F1.” Erivo received two Golden Globe nominations and a Critics Choice Award nomination for her work in “Wicked: For Good” in the Best Actress category and Ego Nwodim received a Critics Choice Award nomination for Best Supporting Actress in a Comedy Series for “Saturday Night Live.”

Despite decent reviews and strong performances from both Dwayne Johnson, who plays a real-life former amateur wrestler and mixed martial artist in the movie “The Smashing Machine,” and Ayo Edebiri, who plays a PHD student who accuses a Yale Professor of rape in the film “After the Hunt,” both have failed to garner many accolades. Johnson did receive his first Golden Globe nomination and Edebiri, an Emmy and SAG award-winning actor, writer, producer, director, and comedian, did get another Golden Globe nod in the television category, but it was for her portrayal of chef Sydney on the television series “The Bear.”

Now the countdown begins to the Oscar nominations, one of the most-watched live entertainment events of the year, the NAACP Image Awards and the SAG Awards nominations.

Samantha Ofole-Prince is a U.S. based journalist and movie critic who covers industry-specific news that includes television and film.

Photos: Critics Choice Association

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Actress Iyabo Ojo Makes Case for Single Mothers

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Nollywood actress, Iyabo Ojo, has spoken on the changing perception of single motherhood, saying many men now want serious relationships with single mothers rather than treating them as side partners.

According to the actress, being a single mother is no longer seen as a stigma, as many women in that category and their children are doing well in different areas of life.

She noted that unlike in the past, some men now actively seek relationships with single mothers because of their maturity and life experience.

She added that many of these men make their intentions clear, insisting on marriage.

Iyabo Ojo encouraged women not to feel discouraged after a failed relationship, saying another partner would be willing to accept and love them.

Declaring herself the “President General of the Single Mothers Association,” the actress urged single mothers to embrace confidence, resilience, and self-worth, and not to feel ashamed of their status.

“Gone are the days that being a single mother was a stigma. Single mothers’ children are doing great things in life. Men are chasing single mothers. They are even begging us that they don’t want us to be a side chick. They want us to marry them because we have experience. If a man leaves you, another man will accept you. I am The President General of the Single Mothers Association,” she said.

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Tribute to Jimmy Cliff: Last Lion of Reggae Crossed the Rivers

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By Prince Adeyemi Shonibare

The wind blows soft across the hills of Jamaica, and the world feels it — a tremor of sorrow, a sigh of history, as Jimmy Cliff, the last Lion of the Reggae Mountains, crossed the great river at eighty-one.
He was the troubadour who sang survival into existence. The freedom-fighter who turned melody into movement. The dreamer who taught the world that:
“You can get it if you really want, but you must try, try and try.”
And try he did — from Somerton to Kingston, from Kingston to the world.

THE JOURNEY — FROM SOMERTON TO THE SUMMIT

Born James Chambers, a young boy humming tunes to the morning breeze, Jimmy Cliff stepped into Kingston with nothing but ambition and spirit. He recorded “Hurricane Hattie” at sixteen, and the island took notice.
He rose like sunrise — slow, steady, unstoppable. Reggae, ska, rocksteady — he touched them all, carving a golden road across Jamaica’s musical skyline.

Then came the explosion that stamped his immortality.

“THE HARDER THEY COME” — A REVOLUTION ON SCREEN

With the 1972 classic The Harder They Come, Jimmy Cliff did more than act; he preached struggle and hope for the entire world.
His voice cried out: “The harder they come, the harder they fall.” Oppressed people everywhere heard their story.
In “Many Rivers to Cross,” he poured a lifetime of pain, faith, and yearning:
“Many rivers to cross, but I can’t seem to find my way over.”
Yet he always crossed — and showed humanity how.

THE MAN WHO SANG FOR HUMANITY

Jimmy Cliff lived with the soul of a pilgrim, a man who believed that peace could ride on melody. He travelled far, performed wide, raised children with pride, held philosophies that blended faith and freedom.

He sang of unity in “Wonderful World, Beautiful People,” reminding humanity:
“There is a place where love is flowing freely.”
His life proved that music could make nations kinder and people braver.

AWARDS, HONOURS, AND ETERNAL RESPECT

Jimmy Cliff earned the world’s applause:

Rock and Roll Hall of Fame

Grammy Awards

Jamaica’s Order of Merit

Worldwide tours and universal reverence
A catalogue woven into the soundtrack of global culture
But his deepest legacy lies in the millions who found hope in his voice, who stood tall because he sang:
“I can see clearly now, the rain is gone.”

THE LAST LION OF THE REGGAE GENERATION

With Marley gone, with Toots, Peter, Bunny, and Gregory gone, Jimmy Cliff stood as the final elder — the last lion roaring from reggae’s original pride.
He carried the flame when others dimmed. He carried the memory. He carried the movement. He carried the message.
And now he has crossed the last river — the one his own lyrics foresaw.

TRIBUTES FOR A TITAN

“Jimmy Cliff was a bridge between struggle and joy — a global treasure.” — Jamaican Prime Minister
“He sang the world into courage.” — Global Entertainment Guild
“Reggae has lost its last first-born. The music will never forget.” — International Music Legends Alliance

Though gone in body, the stage curtain remains open for the last lion who crossed all the many rivers after finally finding his way.

Jimmy Cliff is gone. But Jimmy Cliff can never die.His voice lives in street corners where youth gather, in radios crackling across African markets, in festivals, in freedom rallies, in every soul that ever felt hope rise from a song.

His own words now carry him across eternity:
“There’s a river that must be crossed, and I must cross it.”

He has crossed. The Lion rests. But his roar echoes forever.

One love. One legend. One Jimmy Cliff.

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