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Opinion: On the Music That is #MadeInLagos

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By Jane Efagwu

When Wizkid suddenly tweeted that his next tweet will be the official drop of his long awaited fourth studio album, I kid you not, I had certain doubts in mind. What was going on? Was this the moment? Somebody pinch me! Rightfully, Twitter was going nuts over the surprise announcement but I refused to fully believe it. This shameful doubt organized a call to my fellow Starboy FC members because we were the core fans who low-key feared that it could just be Starboy doing normal Starboy things.

I mean, he is Wizkid for God’s sake. We think he can do music however, whenever and it will pop severely. Whatever him and his team were cooking up, one thing was sure- everywhere must definitely stew. E no get how. That was why when I first heard the project, I wasn’t even surprised. He had done it again. For any dedicated observer of the Starboy’s decade old magic, you would know that “it” changes from time to time. Single to single. Era to era. Ayodeji Balogun’s career has been a thrilling movie where the watchers are constantly dazed yet inspired by how often the entertainer is able to top himself over and over and…

The arrangement of the tracks on Made In Lagos is quietly poetic as it is peacefully progressive. Like every life or career journey, it starts out “Reckless” and ends with “Grace”, a silent point made by Starboy regarding his current position in his music and music worldwide. This point echoes loudly throughout the project as we hear a peaceful and permanent replacement of the expected way of delivering Nigerian music with the continuous championing of a new dawn in album creation: creating genre bending music that dare to take up spaces bigger than a genre box or even your radio set.

With his last LP, Sounds From The Other Side (2017), his innovative delivery faced heavy criticism from the Nigerian public.The UK and the U.S ate the project up but Nigerians remained tongue tied. What happened? A timeless album that was grossly misunderstood because of its renovation of the Afropop genre. This same approach to sound heavily punctuates MIL but what’s different this time is instead of misplaced criticism, all we hear is thunderous praise for its effortless delivery. What changed? When did Nigerians start to fully embrace unconventional, refreshing approaches to the beloved Afropop genre?

The music on Wizkid’s fourth studio rollout crosses and merges dominant cultural influences on Starboy’s ever changing sound over the years. He reimagines modern day Afrobeats alongside fellow genre giant, Burna boy while acknowledging his extended family in the U.S. and the UK with features from heavyweights like H.E.R, Ella Mai and frequent collaborator and ‘brother’, Skepta and exploring his old soul by kicking back senior citizen style to jam spiritual raggae with Jr Gong himself, Damian Marley. This he does while hosting the popping new kids on the Nigerian block: Tems, Terri and Jamaican newbie, Projexx, a valid endorsement for their promising catalogues.

One move that seals the project and lends it its cohesive flow is his clever choice of producers. Starboy employs the award-winning P2J as executive producer as well as other hood family acts like Sarz, Blaqjerzee, Mut4y and balances it up with British composers like Juls and Kill September. This cross country family affair births 14 solid tracks that have inspired ecstasy for the notoriously versatile Afro sound and how far it can be pushed, bent or merged to create nothing but magic.

However, some Twitter critics have maintained that while the album is titled Made In Lagos, it is regrettably not made for Lagos. With honey tracks like Sweet One which serves as a perfect play for a sunday evening stroll to one of the many beaches in Lagos and the enchanting, alté raggae merge that is True Love, a fitting dance ballad for a light intimate session with a lover on a beach house balcony over looking the waves, it is hard to understand where that take comes from. You can almost picture a dimly lit beer parlor complete with its regular cast and crew, spirited drinks exchanging hands and the Terri contribution, Roma, playing softly in the ambience while steaming pepper soup fingers your nostrils and lifts your spirits.

The album has been aptly described by its listeners as “rich people music”. Not a lie at all. To create this empowering effect, the creator employs his signature lush velvet saxo that lends an easy air of affluence to the songs and we all know that if it’s one thing about affluence, it is that it’s certainly not for everyone. You can feel this on the spiritually charged Blessed, where Damian Marley breezily samples his unique wealth (of experience) as he explores the unbeatable knowledge of self, the joys of fatherhood, a burning passion to do better and of course, great gratitude to be able to live this life.

This vibe runs over to the next track, Smile, a guaranteed anthem for positive vibrations while acknowledging life’s battle throughout the years. Smile comes from a place of relaxed reflections which ultimately leads to unconditional acceptance and gratitude for where you are right now. Clocking 30 this year, the track is dedicated to his three beautiful kids. Some might call it a simple dad move but followers of his journey especially his controversial fatherhood would agree that this is his own way of owning his shit loudly. Took him long enough but we’re glad he’s finally there.

With #MadeInLagos, Wizkid popularizes his signature effortless approach to everything. Usually mistaken for lazy, this style champions the less is more mantra and places strategy/smart work above hard work. From the second album cover which features a muted color palette that instinctively creates a warm sensation that somehow makes you want more than you’re seeing, to his cool and cohesive execution on an intro track ironically titled Reckless, he seems to never lose his chill and still manages to make several points throughout the album.

Infact, it is because of how relaxed he sounds that makes his lyrics more believable. No Stress isn’t just the second promotional single off the project, it’s actually a perpetual state of mind for the entertainer. He coyly samples the Lagos struggle while reminding us why we’re struggling in the first place. Why are women selling ‘cold mineral, cold pure water’ under the hot sun in the first place? Fela’s “suffering and smiling” is remixed to sound like: “say the people dey suffer but they smile for face but if Starboy talk Dem say Starboy craze” on Grace. Even dragging Nigerians and their government is done in the most chill way possible. No stress indeed.

For where Afropop is right now, an album like #MadeInLagos is nothing but a cheat code to the cutthroat game. It might feel so fresh and irresistible right now but we all know good music ages like fine wine and only gets better with time. The days are coming when we’d listen to it in time capsule style and the sonic wave will hit us a bit harder than it does now. When its true essence would make us smile. But for now we enjoy, we gyrate and we stream the project on every platform as we all beam with pride to be from the city that never sleeps.

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Entertainment

Remembering Michael Joseph Jackson (1958 – 2009)

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By Seyi Orolugbagbe

• Legendary American pop icon, singer-songwriter, entertainer and dancer
• Commonly referred to as, and called Michael Jackson, or MJJ, and at other times ‘Jacko’; which Michael actually never particularly fancied…

How do you get used to a completely nice, selfless, understanding, accommodating, generous, detribalized, hardworking, talented, gifted, compassionate and phenomenal person, such as Michael.

I was blown beyond being traumatized at the news of his passing; to the extent that I am just about coming to terms with the fact that Michael may not be here, physically, anymore. Good thing is his legacies, by way of mostly his offspring and essentially his work, both professional and charity, abound so much here.

I had the rare privilege of meeting Michael in the late 80s, while working in the office of the condominium building, namely ‘The Westford’, on the famous Wishire Boulevard, Westwood area, in Los Angeles, California, USA, that housed the apartment in which Michael lived. The same building, I must say, housed the apartment in which the great comedian, late Milton Berle and famous Amir (Designer For Men) Bahadori, lived. Immediate left of which was condominium complex, ’The Langford’, which housed the apartment, in which lived Mr. T, born Laurence Tureaud, an American actor and professional wrestler (and bodyguard) celebrated for his tough demeanor and iconic roles in television and film. He is best known as Sgt. B.A. Baracus in the TV series ‘The A-Team’, that aired through the late 80s. Mr T had been bodyguard to Michael Jackson, Muhammed Ali, Bruce Lee, Diana Ross, Steve McQueen, amongst others.

As at the time, Michael had a collection of Rolls Royces, both Classic (Antique) models and pretty latest ones; quite a few of which he had parked in the subterranean parking; to the extent, he had to rent extra spaces for them, considering he’d surpassed the spots allocated to his apartment. It is however, instructive, to note that Michael hardly drove any of those exotic vehicles. He would instead opt for his White 2-Door GMC Jimmy; which we popularly called ‘The Big Jimmy’ and which, of course, he usually drove himself.

At a particular time, Michael had taken suddenly terribly ill. So having called for help, we quickly reasoned it was wise putting a call to his personal physician, rather than calling ‘911’; which may have proven a fatal error, because that would have attracted undue publicity; since most of the emergency responders, the police and the news media operated on similar frequencies. So it behooved on me to support Michael, who could not walk on his own, into the waiting Chevrolet Corvette of his physician.

It should be noted, that, the section of the Wilshire boulevard, just west of the Santa Monica Boulevard and East of The Westwood Boulevard (which runs right into the UCLA), is commonly referred to as the Wilshire Corridor, for that section, and essentially because the boulevard looks like a corridor of some sort, consider it is bothered on either side, by high rise buildings. ‘The Corridor’ must be noted, has historically been a major hotspot for high-profile entertainers, business tycoons, and industry executives. The list, though in-exhaustive, includes the likes of Don King (the great boxing promoter), Steven Spielberg (bought a home for his mother), Actress Eva Marie Saint (aka Mrs Hayden), all of whom amongst others had an apartment in the Wilshire Wesholme (on the corner of Wilshire Blvd and Westholme). Mike Tyson and his crew, including his friend and manager, John Horne, were regular visitors to Don King’s apartment. John Horne, I remember used to drive a sleek black late model Mercedes S420, back then with personalized registration MR HORNE; which he would always offer to loan me anytime I wished for it, whenever I admired it.

Directly on the other side of the Wilshire Westholme Condos, across the Wilshire Blvd, was ‘The Wishire Condominium Complex, in which the late Tupac Shakur had an apartment.

The Jacksons
Right next to the Wilshire Westholme is the Wilshire House, on the famous Wilshire corridor. Legendary singer and songwriter Stevie Wonder and acclaimed actress/comedian Carol Burnett are two notable celebrities who lived in the Wilshire House condominium on the Wilshire Corridor during the 1990s.
Next to the Wilshire House, on the southwest corner of Wilshire Blvd and Thayer Avenue, is the ‘Ten-Five-Sixty’ Condominium Complex, named after its street number of 10560, Wilshire Blvd, LA, Ca 90024. In this building, Dr. Clarkson De Majomi (1938–2001) prominent Nigerian journalist, public relations expert, and publisher, born in Oginibo, Delta State, founder of the Mail Group of newspapers and the Obarisi of Urhoboland, bought an exclusive apartment. So did Actor Tom Selleck, Barbara Sinatra, Johny Carson, Shaquille O’Neal, our own Rotimi Obey (Ebenezer Obey’s second son) also stayed there on some of his periodic visits to Los Angeles. There also lived Randy Jackson, Michael’s brother, with whom I quickly developed a relationship, while working in similar capacity, in the condominium management office. May I point out that Randy, running into my brother, Royal High Chief Adebola Orolugbagbe (Oyegbulu 1, The Odole Owa of Ijeșaland) and I, at a dealership, prospecting for automobile, had, after exchanging pleasantries, magnanimously introduced us to the owner as his friends and told him to be look after us. That meant the world to us. Also of note is the fact that Randy at some point humbly request that I scoop a message for him, insisting I drove his Rolls Royce to and from the destination, somewhere on Santa Monica Blvd, in Los Angeles. That was the first time I drove one.

So right opposite the Ten Five Sixty Condominium was The Thayer Condominium Complex; in which another Jackson brother lived.

At various times, during that period, I worked in most of these buildings all through the late 1980s and early 1990s, sometimes working 2 jobs before eventually moving on to working as the accountant, at MB of Beverly Hills, in Beverly Hills.

All of the persons mentioned above, some late, were well known personally to me. Most of them knew me personally as well. Attached are some of the correspondences between Michael and I. I have, also, a collection of $1 coins, as well as some half dollar coins, gifted to me by Michael; just as a set of skiing gears.

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BBNaija Unveils Season 11 Auditions, Sets Registration Dates

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Organisers of Big Brother Naija have announced the opening of auditions for the show’s 11th season, unveiling registration details and requirements for prospective housemates.

In a statement on Saturday, the organisers said, “It’s time! #BBNaija Season 11 auditions registration is here,” noting that registration will run from May 16 to 20 for candidates seeking to qualify for the physical audition stage.

They explained that applicants must register via africamagic.tv/bigbrother, fill in personal details, and select preferred audition dates, locations and times, with physical auditions scheduled to hold between May 22 and 24 in Lagos, Abuja and Enugu.

According to the organisers, “AUDITION IS FREE”, and only persons aged 21 and above with valid identification documents are eligible to participate. They also warned that the registration portal will close once capacity is reached.

The statement further cautioned applicants on data usage and participation rules, noting that by submitting entries, participants grant the organisers permission to use audition materials in perpetuity and across global platforms. It also warned that multiple registrations could lead to disqualification.

The announcement comes months after the conclusion of Season 10, which returned to screens on July 26, 2025, featuring 29 housemates competing for a N150 million grand prize.

Imisi Ayanwale emerged as the winner of the season after securing 42.8 per cent of the total votes, ahead of finalists including Dede, Koyin, Sultana, Kola, Jason Jae, Mensan, Isabella and Kaybobo.

Past winners of the reality show include Mercy Eke, Laycon, Whitemoney, Kellyrae, Phyna and Ilebaye, with anticipation now building for Season 11 as viewers await possible new twists and format changes.

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EFCC Arraigns Blessing CEO over Alleged N36m Fraud

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The Lagos Zonal Directorate 1 of the Economic and Financial Crimes Commission (EFCC) has arraigned social media personality and self-acclaimed relationship adviser, Okoro Blessing Nkiruka, before the Federal High Court in Lagos over an alleged N36 million fraud.

Blessing CEO was arraigned on Friday before Justice D.I. Dipeolu on a two-count charge bordering on obtaining money by false pretence and alleged theft involving N36 million

According to the EFCC, the defendant allegedly obtained the money from one Mrs. Ifeyinwa Nonye Okoye under the pretext of securing a six-bedroom duplex in Lekki, Lagos — a claim prosecutors said she knew to be false.

During proceedings, defence counsel P.I. Nwafor informed the court that the defendant had refunded N24 million to the complainant and requested a short adjournment to allow discussions over the outstanding balance.

“We have an application to make. The defendant approached the nominal complainant and refunded N24 million out of the N36 million.

“We are asking for a short adjournment to resolve the outstanding balance. The nominal complainant agreed that if the balance is paid, they can prevail on the EFCC to drop the case,” the lawyer said.
However, prosecution counsel S.I. Suleiman opposed the request, insisting that the commiss

“The complainant here is the Federal Government of Nigeria, and we are here for the arraignment. We urge that the defendant take her plea, as that is the business of the day,” he argued.
Ruling on the matter, Justice Dipeolu held that settlement talks could continue independently but would not stop the arraignment process.

“The defence and the nominal complainant can have discussions even during the pendency of the charge. It does not affect the proceedings before the court. The defendant will take her plea,” the judge ruled.

One of the charges alleged that between July 14 and 17, 2024, Blessing CEO fraudulently obtained N36 million from the complainant over a purported property lease in Lekki.
Another count accused her of unlawfully converting the money to personal use, contrary to provisions of the Criminal Code Act.

She pleaded not guilty to the charges.

Following her plea, the prosecution asked the court to commence trial and remand her in a correctional facility, while the defence requested that she remain in EFCC custody pending bail arrangements.

Justice Dipeolu subsequently ordered that the defendant be remanded in EFCC custody and adjourned the matter to June 5, 2026, for commencement of trial.

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