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Why I Used Hijab Wearing Girls in This is Nigeria Video – Falz TheBahd Guy

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By Eric Elezuo

Folarin Falana, better known by his stage name Falz the Bahd Guy, has explained the reasons behind using girls clad in hijab to dance in this hit making music video, This is Nigeria.

Speaking in a televised TV programme, Hello Nigeria, Falz said that the fact that the video is purely metaphorical suggests that everything depicted therein is representative as as well, and that the hijab wearing and dancing girls scene is ‘pretty straightforward and one of the easiest thing for people to grasp in the video’.

Hear him: “The girls are obviously and blatantly symbolic of the Chibok girls, and government’s extremely sluggish attitude and response to their kidnap.

“Entertainment and dancing continuously distract us from everything that has happened, and that was why the girls were dancing…”

In his adaptation of Chidish Gambino’s This is America, Falz’s This is Nigeria presented a scene where about five girls, dressed in overflowing grey coloured hijab, were dancing the rave of the moment step called Shaku Shaku.

The video has generated a lot of controversy, especially as the Muslim Rights Commission (MURIC) is bent on taking Falz to court over the video.

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Entertainment

Producer Par Excellence, Quincy Jones, Dies at 91

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Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

In a career which began when records were still played on vinyl at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.

Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Source: APnews

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Rocky Dawuni Rises to the Occasion with New Single

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By Samantha Ofole-Prince

He is the first Ghanaian artist to have ever been nominated for a Grammy award and is back with a new single just in time to be nominated for music industry’s biggest night.

Titled “Rise,” the single blends Afrobeat and highlife with Hip-Hop and is the first official release from his forthcoming album which will be distributed by Aquarian Records through Tuff Gong International, the label founded by Bob Marley and Rita Marley.

“Imagine what we could do if we organize? Imagine what we could do if we unify?” Dawuni sings with conviction in the video directed by Emmanuel and Samuel Appiah Gyan.

“Rise,” Dawuni says, “Is an anthem for overcoming adversity and celebrating life’s victories.”

A trailblazing performer who has shared the stage with Stevie Wonder, Ozomatli, Peter Gabriel and Angelique Kidjo, Dawuni was named one of Africa’s Top 10 global stars by CNN.

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Glo-Sponsored African Voices Features Celebrated Singer, Rema

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Nigeria’s Afrobeat music star and multiple award-winner, Rema, will be featured this week on African Voices Changemakers, CNN International’s  magazine programme,  sponsored by telecommunications company, Globacom.

Born Divine Ikubor, the 24-year-old artiste from Edo State, discovered his passion for music as a  church chorister and a rapper who entertained his peers  in his secondary school, Ighile Group of Schools in Edo State.

Rema came into limelight after posting a viral freestyle on Instagram to D’Prince’s song “Gucci Gang”. Wowed by his rare talent, D’Prince flew him to Lagos and offered him a record deal with Jonzing World, a subsidiary of Mavin Records owned by music executive and producer Don Jazzy. His 2019 hit “Dumebi” was the first fruit of the contract.

His  international breakthrough happened in 2022 with his single “Calm Down”, which led to a remix with American singer Selena Gomez. The song peaked at number three on the Billboard Hot 100 and first on Billboard Afrobeats Songs chart for a record-setting 58 weeks.

His talents have earned him  several awards including the MTV Video Music Award for Best Afrobeats Video and the Billboard Music Award for Top Afrobeats Songs.

He was recognised for achieving 1 billion streams worldwide during his London concert on November 7, 2022 and he also performed at the Ballon d’Or ceremony held at the Theatre du Châtelet in Paris, France on October 30, 2023.

The  edition will be broadcast on Saturday at 8.30 a.m., with repeats at noon the same day. More repeats come up on Sunday at 4.30 a.m., 7.00 p.m. and on Monday at 4.00 a.m.

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