Entertainment

TEMS: Stainless, and Noiselessly Breaking Barriers

Published

12 months ago

March 2, 2025

Eric

By Eric Elezuo

Nigeria’s born music prodigy, Tems, who was born Temilade Openiyi, is nothing short of sensation, a force to reckon with, and if her profile is anything to give by, a clean sheet of zero scandal. Tems is one celebrity singer, whose name only resonates with the positives, and has consciously made herself scarce with any form of bad energy. She is a celebrity worth celebrating.

Born on June 11, 1995, and looking forward to her 30th birthday, Tems, in two short months of 2025, has landed landmark achievements that have left his peers and contemporaries gaping in wonderment.

On February 13, 2025, she landed for the second time in her prolific seven years old professional musical career, the prestigious and dream of every singer, the Grammy Award. She is also an Oscar nominee in singing, songwriting and producing. And only last weekend, narrowly lost out at the Mobo Award to a fellow Nigerian.

At the Grammys, Tems saw off the likes of Yemi Alade, Burna Boy and Wizkid to take home the Best African Music Performance Grammy for her hit Love Me Jeje. The category is running for its second year. Its introduction has been widely acknowledged as a recognition of the impact of African artists on the global music scene.

Aside from the Best African Music Performance, Tems was nominated in two other categories – Best Global Music Album for Born in the Wild and Best R&B Song for Burning. Across her career she has now received eight nominations in all.

While making an emotional acceptance speech, she said her “heart was beating so fast”.

The beautiful singer also praised her mother on the Los Angeles stage.

“Wow, dear God thank you so much for putting me on this stage and bringing this team, and tomorrow is my mum’s birthday and this is her first Grammys.

“I just want to thank you mum,” she said gesturing towards her, “because she has done a lot for me and my brother.”

Love Me Jeje, which samples a line from Seyi Sodimu’s 1997 Nigerian classic of the same name, has racked up 125 million listens on Spotify and 21 million views on YouTube.

The award places Tems on top list of Nigerian to have two Grammys to her name after winning the Best Melodic Rap Performance in 2023 for featuring on Future’s hit Wait For U.

Also in February, the Dowen College, Lagos product, who is also a graduate of a Monash South Africa, for her tertiary education, where she obtained a degree in Economics, joined the San Diego FC ownership group as a club partner ahead of their 2025 MLS expansion season.

While her move makes her the first African woman to own – in part or full – a professional team in the USA, it however, adds to the growing number of African women who are taking ownership roles in clubs outside Africa.

The SDFC chairman, Sir Mohamed Mansour noted in a statement that “We are delighted that Tems has joined San Diego FC as a club partner.

“Tems is a globally significant artist who will help us to reach new audiences and spread the word about our unique project, which of course has its foundations in sub-Saharan Africa through the unique Right to Dream organization.”

Delighted, she took to her Instagram handle to share her excitement about her investment, expressing her deep connection to football.

She wrote: “Hey San Diego, it’s Tems, and I’m so excited to be a part of SDFC. I am thrilled to join San Diego FC’s ownership group and be part of a club that celebrates creativity, culture, and community. Football unites people in a powerful way, and I’m eager to help build something special in San Diego.”

“I have always loved football. Growing up, I watched my brother play with his friends, and I was always intrigued.”

Reports have it that beyond her ownership ambitions, Tems is also committed to developing young football talents through a partnership with Right to Dream Academy, pointing to the parallels between music and sports in providing opportunities for young people.

Following her landmark achievements, celebrated Nigerians, especially politicians, have reached out to her in congratulations. President Bola Tinubu, while commending the singers, said she brought “pride” to the country on the global stage for the “second time”.

Tems took her destiny into her own hands when in 2015, she made up her mind never to listen to any other music while she craft hers so as to have her own distinct originality devoid of sounding like popular celebrity singers. She took more steps towards self production, coming out in 2018 and 2019 with know singers before hitting her album in 2020.

She began making a name for herself in 2018 with the release of her self-produced debut single Mr Rebel.

Tems gained further attention in 2019 with Try Me. Her international profile was boosted after being featured on Wizkid’s song Essence, which earned her several award nominations, including one for a Grammy.

She has received various accolades throughout her career, including multiple NAACP Image Awards, a Soul Train Music Award and BET Awards.

She however, rose to prominence after being featured on Wizkid’s 2020 single “Essence”, which peaked at number 9 on the Billboard Hot 100 chart following the release of the remix version with Justin Bieber. The song earned her a Grammy Award nomination. That same year, she was featured on the song “Fountains” by Canadian rapper Drake.

The Wikipedia captured more of her rise as follows:

“In 2020, Tems released her debut extended play, For Broken Ears. Her second extended play, If Orange Was a Place (2021), was released after she signed a record deal with RCA Records. In 2022, Tems’ vocals from her song “Higher” were sampled by Future on his single, “Wait for U”, which led to her being credited as a featured artist alongside Drake on the song. It debuted atop the Billboard Hot 100, making her the first African artist to debut at number one and the second Nigerian artist to top the chart. The song earned her the Grammy Award for Best Melodic Rap Performance. Tems covered Bob Marley’s “No Woman, No Cry” for the Black Panther: Wakanda Forever soundtrack album in July 2022 and in the same month, her song “Free Mind” from her debut EP debuted on the Billboard Hot 100, peaking at number 46 and breaking the female record for longest charting number one song on R&B/Hip-Hop Airplay chart. She also co-wrote and rendered background vocals on the song “Lift Me Up” by Rihanna, which earned her nominations for the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song and the Grammy Award for Best Song Written for Visual Media.

“In 2024, Tems released her debut studio album Born in the Wild to critical acclaim. The album reached the top thirty in the Netherlands, Switzerland and in the United Kingdom where it peaked at number 24. She further embarked on her ongoing Born in the Wild Tour, a supporting world tour. Tems received three nominations at the 67th Annual Grammy Awards for Best Global Music Album, “Burning” for Best R&B song and won “Love Me JeJe” for Best African Music Performance.”

Throughout her career, Tems has received many accolades, including two Grammy Awards, a Billboard Women in Music Award, four NAACP Image Awards, four BET Awards and three Soul Train Music Award.

In her seven shirt years in the music industry, Tems has given mean to her name, Temilade, which translates to “the crown is mine”.

A Nigerian of Yoruba origin, Tems relocated with her family to the United Kingdom in her infant days, but returned to Nigeria when she was five years old. She had lived in Ilupeju, Lekki and Ajah.

Tems early beginning was fraught with challenges among which is the bullying she suffered at high school because of her voice. Undeterred, she joined her school choir at 11, and soon began singing in falsetto. It was the sharp eyes of her music teacher that discovered her, and went ahead to coach her towards becoming a voice in piano playing. Tems often practiced singing with her brother, who often accompanied her on guitar.

Tems has not looked back since her first single debuted in 2018, the shenanigans of the Ugandan government against her and Omah Lay in 2020 notwithstanding. She is a role music, who has consistently remained on the winning without stain, and without noise.

Entertainment

Spider-Man Voice Actor Alexis Ortega Dies at 38

Published

3 weeks ago

January 30, 2026

Eric

Mexican voice actor of Spider-Man, Alexis Ortega, has died at 38, according to a report by World Dubbing News.

The platform said: “We regret to announce the sensitive passing of voice actor Alexis Ortega, we send our condolences to his family, friends, and colleagues in this difficult time.”

The cause of death was not disclosed at the time of the announcement.

Alexis Ortega was born in Mexico in 1987 and began his career in 2013 as an onscreen actor and voice performer. He later became widely known for dubbing Tom Holland’s roles in Spanish for several Marvel films, including Spider-Man: Homecoming and Avengers: Infinity War.

He also worked on multiple Disney projects, providing Spanish dubbing for films such as Big Hero 6 and Star Wars: Rogue One.

Following confirmation of Alexis Ortega’s death, fans took to social media to share tributes and memories of his work.

“Sad news. Way too young at 38. Rest in peace, Alexis,” user Ilman posted on X.

“Such sad news Alexis Ortega brought Spider-Man to life for so many fans. Rest in peace,” Rechardo wrote.

“It’s truly a loss when a talented voice brings so much life to a character we love. Alexis Ortega’s legacy will surely live on through his iconic performances,” Victor shared.

“Lives on for the rest of time with these movies for the world to know him,” Bunsan added.

Beyond voice work, Ortega appeared on screen in shows including Luis Miguel: The Series, Thursday’s Widows, El Candidato, and The House of Flowers. He also collaborated with Mr Beast, dubbing Spanish versions of the YouTuber’s videos.

Ortega’s final Instagram post, shared in November last year, showed him sitting on a couch with his dog at his home in Mexico City. He captioned the photo, ‘My doggo.’

Entertainment

Court Sends Actress Angela Okorie to Prison for Alleged Cyber-Stalking

Published

3 weeks ago

January 29, 2026

Eric

A Federal High Court in Abuja has ordered the remand of actress, Angela Okorie in the Suleja prison in Niger State following her arraignment on charges of criminal defamation and cyberstalking.

Justice Emeka Nwite issued the order on Wednesday while ruling on an oral bail application made by Okorie’s lawyer, Alex Ejesieme (SAN) shortly after his client pleaded not guilty to a three-count charge brought against her by the police.

Justice Nwite ordered that the mother of one be kept in the prison until January 30 when her bail application would be heard.

Okorie of 1 Henry Montero Street, Lekki Palm City, Ajah, Lagos is alleged, in the charge, marked: FHC/ABJ/CR/278/2025 to have conspired with Ifeoma Mbonu (now at large) to commit cyberstalking and defamation by calling a fellow actress, Mercy Johnson Okojie a blood sucking demon in their posts on their social media platforms of Instagram and Tiktok.

The police said the offences, allegedly committed in 2024, violated the Cybercrime (Prohibition Prevention, Etc) Act of 2015.

After Okorie pleaded to the charge, prosecuting lawyer, Victor Okoye urged the court to remand the defendant in Suleja prison and fix a date for the prosecution to open its case.

Ejesieme objected to Okoye’s application, claiming that his client was not afforded adequate time and opportunity to prepare for her defence.

The defence lawyer said even though the prosecution filed the charge since July 2025, it only handed a copy to the defendant about an hour before the commencement of proceedings.

He claimed that his client was never informed about the case in court but only arrested her in Lagos the previous day and brought her to Abuja for arraignment. He also claimed that the police denied him access to her for proper briefing.

Ejesieme prayed the court to allow his client to continue to enjoy the administrative bail earlier granted him by the police.

In the alternative, Ejesieme urged the court to release the defendant to him to enable her make provision for her child that has been left alone in Lagos and for her to also file a formal bail application.

The defence lawyer said his client was a single mother of one, who was not afforded time to make adequate arrangement for her child before being brought to Abuja from Lagos.

Responding, Okoye faulted Ejesieme’s arguments. He argued that the administrative bail granted the defendant has since expired upon her arraignment.

Okoye accused Angela of jumping bail and failing to honour invitations sent to her to report to the police headquarters in Abuja in respect of the case.

The prosecuting lawyer urged the court to order the defendant to file a formal bail application to enable the prosecution exhibit necessary documents in support of its position that the defendant jumped the administrative bail granted her and also failed to honour past invitations sent to her.

Ruling, Justice Nwite confirmed that the police actually sent an invitation to the defendant on January 16 to report at the headquarters in relation to the case.

The judge however faulted the police for denying the defendant access to her lawyers before the court’s proceedings.

He ordered parties to file and exchange all necessary documents in relation to the formal bail application to be filed by the defendant within 24 hours.

Justice Nwite also ordered that the defendant be remanded in Suleja prison and to be produced on January 30 for the hearing of her bail application.

Okorie’s case stemmed from a petition by Mercy Johnson Okojie’s lawyer, in which sundry allegations were made against her and Ifeoma.

Part of the petition, dated Mary 14, 2025 read: “Most alarmingly, in a recent criminal and defamatory publication, Angela Okorie published the following statement via her Instagram page @ realagelaokorie:

‘Blood sucking demon no see blood suck again, E say na slimming tea. Except there’s no God, MJ go and beg people you chop their destinies and destroyed their hornes else no peace for the wicked!!! Gospel songs won’t save you. Your heart Is Dark!!!’

“This malicious statement, clearly targeted at our client, was published with the intent to cause irreparable reputational injury, incite hatred, provoke unrest among the public and further harass and emotionally traumatize our client.

“The tone, content, and framing of the publication aim to portray our client as a destructive person, despite her widely known public image as a humanitarian and devout Christian mother.

“The principal suspect, Angela Okorie, has demonstrated a relentless and calculated effort to incite public hatred and threaten public peace by repeatedly using her social media platform for criminal intimidation, false accusations, and criminal defamation.

“She has become the most aggressive and persistent in this malicious campaign.”

Entertainment

Will Smith Addresses Oscar Slap in New Series “Pole to Pole”

Published

4 weeks ago

January 24, 2026

Eric

By Samantha Ofole-Prince

Taking a trip has long been associated with pleasure. But there is nothing more bracing — and vitalizing — than immersing yourself in an unforgiving environment, which is what Will Smith does in “Pole to Pole.”

The series follows Will Smith, an actor, rapper, producer and entrepreneur known for his roles in “The Fresh Prince of Bel-Air,” “Men in Black,” “The Pursuit of Happyness,” “Bad Boys” and many more as he soars new heights, treks vast deserts and tackles freezing temperatures while seeking out some of the most extreme places on earth – all in 100 days.

Smith’s travels take him from the South Pole, where he climbs a 300 feet ice wall to the world’s largest rainforest in search of an Anaconda and more. Missions he accomplishes with bravado and comradery.

“When I was a little boy, I always wanted to be an explorer,” Smith shares in the film’s opening sequence, citing his mentor, Dr. Allan Counter, a renowned scientist and explorer who passed away in 2017 who he calls the ‘Black Indiana Jones.’

The first episode of the series sees Smith scaling the Ellsworth Mountains in Antarctica with the aid of Richard Parks, a Jamaican and Welsh polar athlete and the first person of color to ski solo to the geographical South Pole.

“There was a genuine point where I wasn’t sure if Will was going to continue,” Parks shares. “The weather came in so quickly as it does in Antarctica and if you are halfway up an ice wall and the weather comes in, you have to manage that weather on your own. That moment spoke to the authenticity of Will’s journey and that was the moment Antarctica stripped Will back and he wasn’t Will the global superstar. He didn’t have the ancillary things that he has in his normal life around him, but when he got to the top and let out that scream and we embraced, that was one of the most authentic moments.”

There’s nothing quite as thrilling as putting yourself in a hostile landscape, where you’re made inescapably aware of your physical and physiological limits and in this carefully crafted series, complete with panoramic views and a sweeping accompanying score, Smith’s geological adventures are incredible.

In one episode, he embarks on a muddy trek through the Amazon forest with Professor Bryan Fry to extract venom from a giant tarantula. A creature that could hold the secret to saving lives.

He often finds humor on his travels. “How do you find Will Smith in the Antarctic?” he jokes in a scene with Parks. “You follow the fresh prints!”

Easily engaging with his subjects, he treats the people at the places he visits, such as the Waorani tribe, an indigenous community in the Amazon with care, compassion and kindness, revealing that genial and affable nature that has made him so relatable with fans.

This film is also a reflective one for the actor. As he treks to one of the highest, and happiest, villages in the Himalayas in search of the secret of happiness with Professor Dacher Keltner, he reflects on his life and career. It’s there, Smith, who won an Oscar for Best Actor in 2022 for his portrayal of Richard Williams in the film “King Richard,” addresses the infamous incident at the 94th Academy Awards when he publicly struck comedian and host Chris Rock.

Will Smith accepts the Oscar® for Actor in a Leading Role during the live ABC telecast of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022.

“After the Oscars, I realized that nothing can last forever. I began to ask myself the question. How can I be happy knowing everything falls apart.”

Throughout his travels and his very challenging quests, he throws in historical lessons, career flashbacks and biological briefings along the way. We learn how history is captured in the ice glades and discover how certain animals can aid scientific research for curing ailments as he goes in search of the world’s biggest snake… the giant Green Anaconda and that’s just in the first few episodes.

Although he constantly reminds us that his choices are not good ideas, Smith has given us quite a remarkable film in this soul-searching series which rolls the camera on places and rituals that most people want to know about but will never experience.

The film’s grand achievement is that it positions its subject as a mediator between humans and the natural world. Life cycles on and if we make the right choices, ruin can become regrowth.

Watch the show with an inquisitive mind and you might find them asking questions about what other new things we can learn about earth.

“What’s our evacuation plan if they start tripping?” Smith jokingly asks Parks as they journey to meet the climate scientists at Criosfera 1, a desolate research center situated between the Ellsworth Mountains and the South Pole.

“Pole to Pole” charts the disasters we face in future decades — from global crises to animal extinction and introduces us to cultural and religious ceremonies.

With director Darren Aronofsky, who gave us “Requiem for a Dream,” “Black Swan” “Mother!” and “Caught Stealing” serving as co-executive producer, it showcases some stunning photography juxtaposed with a cinematic score and travel fanatics would devour this series.

Video blogging accompanies Smith’s retrospective and although he appears genuinely nervous in many scenes – who wouldn’t be if facing an Anaconda, he does carry out his mission.

“Give me a second to get my movie star face back,” he grimaces before descending into the Cueva de los Tayos cave in southeastern Ecuador.

He is engaging and informative and does bring charm and humor to it. There is sorrow and there is joy as he reveals through locals how life in Laya, a remote settlement in the Himalayas, can be difficult but the community there are some of the happiest people on earth.

From “Pole to Pole with Michael Palin,” to Eugene Levy’s globe-trotting docuseries, “The Reluctant Traveler,” there’s a long, rich tradition of celebrities conquering continents, but all in all, Smith has risen to the occasion in this refreshing series. This is not just another documentary about traveling to desolate areas few will ever experience in our lifetime, but a fascinating bold sketch of our world told very competently, enthusiastically and modestly, and in a form that whets the appetite.