By Eric Elezuo

“Seest thou a man diligent in his business? he shall stand before kings; he shall not stand before mean men.”

The reward for hardwork is always more work, and more work is always a function of recognition. One man has over the years dedicated his life to hard work in his chosen field of endeavour, and impacting lives positively for today and for the future. He is Aare Dele Momodu, Publisher and Chairman, Ovation Media Group.

As a result of his humane and philanthropic approach to life and in management of people and resources, Aare Momodu, a veteran journalist and a frontline social and public commentator, has been at the forefront of receiving accolades both from within the shores of Nigeria and abroad.

In recent times, the journalist-cum-part time politicial has been inundated with massive flow of awards from various groups and establishments; coming in galore and avalanche.

Not long ago, on October 9, at the Oriental Hotel, in Lagos, the celebrated journalist, was named the National Association of Online Security News Publishers (NAOSNP) Media Icon of the Decade for his contribution to the field of journalism as well as lifting budding journalists to reach their desired heights.

The award was presented by the Minister of State for Police Affairs, Hajia Imaan Sulaiman-Ibrahim, who was the Distinguished Guest of Honour at the occasion, assisted by the Assistant Inspector-General of Police in charge of Zone 2, Onikan, AIG Adegoke Fayoade, among other dignitaries.

In her remarks at the presentation, the Honourable Minister praised the Ovation boss for his continuous to journalism, projecting African business and political leaders as well as other Nigerians in a positive light.

“We thank you Mr Ovation for all you do and continue to do. You deserve the award, and I happily present it to you,” the Minister, who reminisced with gusto the season Ovation covered her event, said.

In his response, an elated Dele Momodu, expressed gratitude to the executives and members of NAOSNP, whom he modestly described as ‘colleagues’, for considering him for the award, saying that it is always a thing of joy when your own constituency acknowledges your good works, and shows appreciation.

“I thank the members of this association for this award. It is fulfilling when your own colleagues remember you, and support you with an award of thus type. I thank the honorable minister for being available to present it to me. God bless the Federal Republic of Nigeria,” he said with a sense of patriotism.

That did not only follow up a flow of Awards, but opened another floodgates of honours. On November 9, at the Golden Gate Chinese Restaurant, Momodu bagged another award as the Philanthropist Icon of the Year, he dedicated to all Nigerians, who are going through one hardship or another in the present dispensation. The award presented by Supreme Magazine, at its annual Supreme Special Recognition Awards (SUSRA).

Also on the list of forthcoming awards, Aare Momodu will on Thursday, November 22 at American Corner, Lekki, be awarded with the Global Merit Award on Social Media Impact and Talent Promotion by the Silec Initiatives Group.

Also on November 29, Momodu will, at the Transcorp Hilton Hotel, Abuja, be recognised for his contributions to humanity at the Nigerian Most Influential Awards and Symposium 2024.

And on December 1, 2024, at Wells Carlton Hotel and Apartments in Abuja will decorated with the Megastar Media Icon of the Decade.

Also on December 1 2024 Momodu will be awarded with the prestigious Celebrity African Cultural Fashion Award, in Abuja.

He has been nominated alongside other distinguished Nigerians including Richard Mofe Damijo, Kanayo O. Kanayo, Earl Osaro and Obi Cubana.

According to Ambassador Judith Swaiubu, the Chief Coordinating Officer of the event, the Momodu and the others have made significant contributions towards promoting African culture.

“These individuals have made significant contributions to promoting African culture and fashion, both locally and internationally. We are honored to recognize their achievements.”

The Celebrity African Cultural Fashion Award aims to celebrate outstanding individuals who have showcased exceptional style, creativity, and dedication to African cultural heritage.

Momodu’s awards and recognitions are numerous and counting, all owing to his selfless contributions to the upliftment of the man on the street, and impact on the socio-economic development of Nigeria.

Born on May 16, 1960, in the ancient city of Ile-Ife, Osun State, Chief Dele Momodu, a distinguished African Journalist of high repute, fulfills the dictates of impeccability in credentials, testimonials and track record.

A publisher, businessman, philanthropist,  and more, he runs the highly rated Ovation International Magazine, a member of the Ovation Media Group, that has given publicity to numerous personalities. Others in his line of publications are Ovation Television and The Boss Newspaper.

Momodu has redefined negative perceptions of Africa, profiling positively African personalities, using his X, Instagram and more, where his followership runs into millions.

A former presidential candidate, Momodu has a degree in Yoruba, from the Obafemi Awolowo University and Doctorates (honoris causa) from various universities, with multiple traditional titles.

He is well traveled, and has visited over 69 countries of the world.

He is married, with four children.

By Eric Elezuo

Writers never die is one expression that aptly describes the immortality of the life and work of one of the world’s leading and prolific writers, teacher and profound nationalist, Chinua Achebe.

A dogged fighter, stubborn to his beliefs of an egalitarian society, and a deep adherence to culture and traditions of the African people, with special bias to his Igbo roots, Achebe lived his 83 years on earth, ensuring that no one, who lives near a river, washes his hands with spittle. His vocal and actionable condemnation of the wrongs of colonialism transcended to post colonial Nigeria, where he continued the advocacy for a just and free society, founded on equity and equality. He never reneged on his strong rebuke against corruption till he breathe his last on that fateful day in March, 2013, in Boston, Massachusetts, in the United States of America.

Perhaps, one could attribute the greatness of Chinua Achebe, as he was simply known, to quite a number of factors, most of which appears ornately abstract.

His ability to discern at an early stage his true calling, which was purely artistic and literary, prompting him to jettison an attractive opportunity to become a doctor. It is worth knowing that Achebe was admitted into the now University of Ibadan as pioneer students to study Medicine on a scholarship. However, his discovery of the way foreign authors, especially European authors described Africa, roused the nationalism in him, and prompted him to make a radical and risky change to the Humanities. The risk was enormous, but his stubborn adherence to his principles, ensured he never looked back. He lost the scholarship on that decision, and had to struggle through school though not without little support of the government as well as his brother. Looking back, his choice paid off handsomely.

Again, kudos should be given to the likes of Albert Schweitzer and Joseph Conrad, both of whom Achebe described as “a thoroughgoing racist, and Joyce Cary, who wrote Mr Johnson, for their contributions to greatness of Achebe, though unknowingly. It was Conrad’s book, Heart of Darkness, which gave Africa and Africans a completely negative description, that warranted a necessity to do a rejoinder. He decision to tell a better narrative to correct the lopsided impression of the black race led to his interest in Literature,  and finally to writing and release of the world renowned epic, Things Fall Apart, in 1957.

The Igbo culture of Storytelling also impacted Achebe’s glory. The act was a mainstay of the Igbo tradition and an integral part of the community. Wikipedia wrote that Achebe’s mother and his sister, Zinobia, told him many stories as a child, which he repeatedly requested. It was here he got most of his storyline and sharpened his storytelling acumen.

We can also give kudos to the collages his father hung on the walls of their home, as well as almanacs and numerous books—including a prose adaptation of Shakespeare’s A Midsummer Night’s Dream (c. 1590) and an Igbo version of Bunyan’s The Pilgrim’s Progress (1678). They play parts in honing his writing interest, and most of them were later recreate in his novels and stories, especially ceremonies of Igbo origins.

Though the Things Fall Apart is not Achebe’s first in the analysis of his writings, it broke all protocol, re-addressed biased impression, and tends to release Africa from chain of a dark continent description. Achebe made his mark with his first outing as a writer thereby fulfilling a destiny, he drafted for himself. Since then, he never looked back, churning out classics after classics that remodeled world literature, at least from the perspective of the average African man. It was therefore, for love of action and tangibility that he opposed negritude, preferring tigritude in its stead. His argument, as he put on paper says “A tiger doesn’t proclaim its tigerness; it jumps on its prey.” He wanted African writers to show the stuff they are made of rather than verbalize it.

Principled and well brought up, Achebe on many occasions, rejected national honours, saying there was actually no reason to allow himself be honoured by a corrupt society.

Today, 11 years after his death and 67 years after the publication of the blockbuster Things Fall Apart, Achebe’s image continues to loom large, remain larger than life and covering the literary world like a colossus, as well as giving Africans the pride that they so much deserve.

THE MAN CHINUA ACHEBE

Born Albert Chinụalụmọgụ Achebe on November 16 1930, sharing same birthday date with Dr. Nnamdi Azikiwe, Achebe lived his entire conquering the fields of literature in every ramification. He was a novelist, poet, and critic who is regarded as a central figure of modern African literature.

He hails from Ogidi, in Anambra State, and born to a teacher-evangelist father, Isaiah Okafo Achebe, while his mother, Janet Anaenechi Iloegbunam, was church leader, farmer and daughter of a blacksmith from Awka.

Achebe grew side by side with his five other siblings; four boys and a girl. They were Frank Okwuofu, John Chukwuemeka Ifeanyichukwu, Zinobia Uzoma, Augustine Ndubisi, and Grace Nwanneka.

Achebe’s childhood was greatly influenced by both Igbo traditional culture and postcolonial Christianity, both of which he allowed to exist side by side all through his life.

Records have it that he excelled while pursuing his academic career. It was while attending what is now the University of Ibadan, that his antenna of fierce criticiam of how Western literature depicted Africa, became sharpened.

Achebe’s educational pursuit started in 1936, when he entered St Philips’ Central School in the Akpakaogwe region of Ogidi for his primary education. He was later moved to a higher class when the school’s chaplain took note of his intelligence. He showcased his brilliance from the very beginning.

“One teacher described him as the student with the best handwriting and the best reading skills in his class.”

After primary education, Achebe moved to the prestigious Government College Umuahia, in present-day Abia State, for his secondary education. He combined his formal education pursuit with attendance of Sunday school every week and the special services held monthly.

Achebe later in 1942 enrolled in Nekede Central School, outside of Owerri, and was reported to be ‘particularly studious and passed the entrance examinations for two colleges.’

He moved to Lagos after graduation, and worked for the Nigerian Broadcasting Service (NBS), garnering international attention for his 1958 novel Things Fall Apart. In less than 10 years he would publish four further novels through the publisher Heinemann, with whom he began the Heinemann African Writers Series and galvanized the careers of African writers, such as Ngũgĩ wa Thiong’o and Flora Nwapa.

His first novel, described widely as his magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the “African Trilogy”.

Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). In the West, Achebe is often referred (or recognized as) to as the “father of African literature”, although in his humility, he had at various times, vigorously rejected the characterization.

Achebe’s interest in writing was natured when he sought to escape the colonial perspective that framed African literature at the time, and drew from the traditions of the Igbo people, Christian influences, and the clash of Western and African values to create a uniquely African voice. He wrote in and defended the use of English, describing it as a means to reach a broad audience, particularly readers of colonial nations.

When the region of Biafra broke away from Nigeria in 1967, Achebe supported Biafran independence and acted as ambassador for the people of the movement appealing to the people of Europe and the Americas for aid. Though he engaged in politics at the fall of Biafra in 1970, he quickly exited as he became disillusioned over the continuous corruption and elitism he witnessed.

He lived in the United States for several years in the 1970s, and returned to the US in 1990 after a car crash left him partially paralyzed. He stayed in the US in a nineteen-year tenure at Bard College as a professor of languages and literature.

Winning the 2007 Man Booker International Prize, from 2009 until his death he was Professor of African Studies at Brown University. Achebe’s work has been extensively analyzed and a vast body of scholarly work discussing it has arisen. In addition to his seminal novels,

Achebe’s oeuvre includes numerous short stories, poetry, essays and children’s books. A titled Igbo chief himself, his style relies heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. Among the many themes his works cover are culture and colonialism, masculinity and femininity, politics, and history. His legacy is celebrated annually at the Chinua Achebe Literary Festival.

Achebe’s debut as an author was in 1950 when he wrote a piece for the University Herald, the university’s magazine, entitled “Polar Undergraduate”. It used irony and humour to celebrate the intellectual vigour of his classmates. He followed with other essays and letters about philosophy and freedom in academia, some of which were published in another campus magazine called The Bug. He served as the Herald‘s editor during the 1951–52 school year. He wrote his first short story that year, “In a Village Church” (1951), an amusing look at the Igbo synthesis between life in rural Nigeria with Christian institutions and icons. Other short stories he wrote during his time at Ibadan—including “The Old Order in Conflict with the New” (1952) and “Dead Men’s Path” (1953)—examine conflicts between tradition and modernity, with an eye toward dialogue and understanding on both sides. When the professor Geoffrey Parrinder arrived at the university to teach comparative religion, Achebe began to explore the fields of Christian history and African traditional religions.

After the final examinations at Ibadan in year 1953, Achebe was awarded a second-class degree. Rattled by not receiving the highest level, he was uncertain how to proceed after graduation and returned to his hometown of Ogidi. While pondering possible career paths, Achebe was visited by a friend from the university, who convinced him to apply for an English teaching position at the Merchants of Light school at Oba. It was a ramshackle institution with a crumbling infrastructure and a meagre library; the school was built on what the residents called “bad bush”—a section of land thought to be tainted by unfriendly spirits. It was from this ‘bad bush’ that Achebe kickstarted his career path before trying out other avenues until the Nigeria/Biafra War broke out.

Achebe returned with his family to Ogidi, at the fall of Biafra in 1970 to discover their home destroyed. He then took up a job at the University of Nigeria in Nsukka and immersed himself once again in academia. He was unable to accept invitations to other countries, however, because the Nigerian government revoked his passport due to his support for Biafra.

In the last 12  years of his life, Achebe devoted his time more academic pursuit and writings, and winning more laurels.

In 2000 he published Home and Exile, a semi-biographical collection of both his thoughts on life away from Nigeria, as well as discussion of the emerging school of Native American literature.

 In October 2005, the London Financial Times reported that Achebe was planning to write a novella for the Canongate Myth Series, a series of short novels in which ancient myths from myriad cultures are reimagined and rewritten by contemporary authors.

Achebe was awarded the Man Booker International Prize in June 2007. The award helped correct what “many perceived as a great injustice to African literature, that the founding father of African literature had not won some of the key international prizes.”

For the International Festival of Igbo culture, Achebe briefly returned to Nigeria to give the Ahajioku Lecture. Later that year he published The Education of A British-Protected Child, a collection of essays. In autumn he joined the Brown University faculty as the David and Marianna Fisher University Professor of Africana Studies.

In 2010, Achebe was awarded The Dorothy and Lillian Gish Prize for $300,000, one of the richest prizes for the arts.

In 2012, Achebe published There Was a Country: A Personal History of Biafra. The work re-opened the discussion about the Nigerian Civil War. It would be his last publication during his lifetime; Achebe died after a short illness on 21 March 2013 in Boston, United States. He was buried in his hometown of Ogidi.

Achebe, there was indeed a man! And on this 94th Posthumous birthday, the world raises a toast.

By Eric Elezuo

It was electric, indescribable and absolutely emotional as the Nigerian Community resident in Calgary, Alberta, Canada, pulled all the stops to give veteran journalist, who is the Chairman, Ovation Media Group, a rousing welcome, as he visits the town.

Momodu’s international influence came to the fore as the Nigerians, led by the ebullient social media content creator, YYC Social Prefect, and their other African friends, rolled out the drums at the airport, singing traditional songs in royal welcome, and sweaty dance steps that say so much about the African culture, with special emphasis to the Nigerian way of life, which Momodu, in over three decades of journalism have dedicated his life to projecting.

Among many places he visited were the African Treasure Market, run by a princess of Ile-Ife, Mrs Tomi Ajayi nee Aderemi, where everything Africa in terms of groceries, was on display.

His other port of call was the Health Watch Medical Clinic where the duo of Mr Emmanuel Aladi and Dr. Flora Aladi along with their impressive staff, gave him a much deserved welcome. Momodu was presented a customary ‘kola’ in appreciation and welcome.

At the second branch of Health Watch Medical Clinic, Momodu was received by Dr. Robert Aka, who could not hide his joy at meeting the proverbial publisher of Ovation International Magazine.

Momodu also visited the Delish Restaurant (African Cuisine), which showcased the best of African food. The restaurant is a typical a home away from home.

There was also a visit to Beauty Sponge, where delectable proprietress, Tola Banks, took the special guest and every other person present on a round Robin journey of how she got to her present status. She was a delight to watch.

Chief also put up a cameo appearance at HODYYC, where Pastor Olatunbosun was in charge.

At Flavour Restaurant, the first Nigerian Restaurant in Calgary, owned by Mrs Bola Esan, Chief Momodu was treated to sumptuous lunch comprising dishes from not a few continents in company of Lanre Ajayi, Imole Ayo and Kazeem Shamshudeen.

However, the ultimate of Momodu’s visits was at the Osuji and Smith Lawyers, where diminutive Nigerian professionals showcased the mettle that make Nigerians great in the league of global business.

The visit is summed up in the speech presented by Barrister Juliet Omonigho  as presented below:

WELCOME SPEECH IN HONOUR of CHIEF DR. DELE MOMODU ON HIS VISIT TO OSUJI & SMITH LAWYERS, CALGARY, ALBERTA, CANADA

Delivered by

BARRISTER JULIETTE OMONIGHO
OSUJI & SMITH LAWYERS, DIRECTOR, FOOT IN THE DOOR INITIATIVE

Date: SEPTEMBER 26, 2024

I cannot even believe that this is happening. My name is Juliette Omonigho. I am legal counsel at this firm, a Director at the Foot In the Door Initiative, and a huge fan!

So I have the greatest joy and honour to welcome a most distinguished guest: one of Nigeria’s most illustrious sons, a giant of Africa, a giant in the fields of journalism, publishing, philanthropy, and entrepreneurship, a global icon, a visionary who changed the way Africa and its stories are told to the world—the epitome of glamour! Just look at him! We stand in awe of your achievements, Chief Dr. Dele Momodu.

Charles Osuji and the whole team of Osuji & Smith lawyers are deeply privileged to welcome you, whose name is synonymous with excellence, integrity, and cultural pride. Chief Dr. Dele Momodu, we humbly welcome you to our firm’s main location.

Chief Dr. Dele Momodu, your life is an inspiration. From the ancient and storied city of Ile-Ife, Osun State, Nigeria, you have not only risen to become a global force in media but have also remained true to your roots; you have committed to telling the African story from the African perspective. Your work through Ovation International, magazine and the Boss Newspaper has crossed borders and bridged cultural divides, reflecting a deep understanding of the beauty, diversity, and resilience of Africa and its diaspora.

ON OVATION MAGAZINE

Can I just talk about Ovation magazine for a moment, Africa’s finest magazine! Wow, I remember the first time I saw an Ovation magazine. Before then, we only saw celebrities from Hollywood in magazines, even in our own local magazines! It was powerful to see Nigerian glamour in print in a glossy, world-class magazine format!

Every Nigerian, from baby boomers to millennials, passed through the excellence delivered by Ovation International. Since its inception in 1996, Ovation has remained a beacon of glamour, culture, and sophistication. Chief Dr. Dele Momodu’s touch of publishing brilliance was unlike anything the continent had seen. It set a new standard, one that many tried to imitate but could never quite replicate. Like-minded magazines emerged, all attempting to be Ovation, which is great because Ovation International set the pace, but none ever reached the same heights. Every magazine wanted to be Ovation, and everyone wanted to be in Ovation.

One of my favourite ads from Ovation back in the day was the cheeky line: “If you’ve already had your wedding and it wasn’t featured in Ovation, you had to do it again.” It was a lighthearted take, but it carried so much truth. Ovation wasn’t just a magazine; it was a cultural movement. There was no denying its gravitational pull. The glitz, the colours, the glamour—we were all captivated. But even beyond that, you celebrated Africa, not just the grand celebrations of the elite of Africa, and I tell you they are grand but also the inspiring stories of everyday heroes. We are all proud that this is our magazine, from Nigeria to Africa and the world!

And as technology evolved, so did Chief Dr. Dele Momodu and Ovation. What’s fascinating is that while others were still trying to catch up, Chief Momodu was already leading the way, entering the digital space. Ovation remains unmatched, a testament to the lasting vision and drive of Chief Dr. Momodu. A great example for others to follow.

You are courageous, and you continue to innovate. Your impact on how the world perceives Africa cannot be overstated. Africa is not a continent of starving children but of unique sophistication and glamour. Because of your contributions, sir, Africa is no longer seen as merely a continent of challenges but one of limitless potential, immense culture, and success—lifting the image of Africa and promoting its stories in the most vibrant and authentic way possible. And now the world proudly sees that.

STILL ON OVATION AND CHARLES OSUJI

We showcase our glamorous music, film and cultural industries, and you took the lead in making that happen. Film and cultural industries You have won numerous accolades; you have met President Bill Clinton, President George Walker Bush and even the Queen of England, to name a few, and you have touched the lives of millions across the globe. But most of all, you are a wonderful family man and a loving father. We admire you for that.

As we celebrate his presence with us today, I couldn’t help but draw parallels between his inspiring journey and that of our very own Dr. Charles Osuji and the phenomenal growth of Osuji & Smith Lawyers.

Sir, let me tell you a bit about Dr. Charles Osuji; like Chief Dr. Momodu, he embarked on a journey fueled by vision and determination. Charles arrived in Canada and quickly rose through the ranks with sheer hard work, humility, and an unwavering commitment to excellence. In just a few short years, five years to be exact, he went from a young Nigerian boy in his twenties who, though graduated at the top of his class, seemed to have no prospects when he arrived in Canada, working three menial jobs to make ends meet, to finally getting an articling position after over 200 rejections! He bought the firm just three years after Articling and, in just five short years as managing partner, led it to become the largest black-owned law firm in Canada! His story is one of resilience, innovation, courage and the kind of tenacity that transforms dreams into reality.

Osuji & Smith Lawyers, under Charles’ leadership, mirrors the journey of Ovation International. Both entities began with a vision, faced numerous challenges, achieved feats that had never been achieved before… and ultimately became symbols of success and excellence in their respective fields. Just as Chief Dr. Dele Momodu has become a beacon of pride for Africa in the global media landscape, Dr. Charles Osuji and his firm have become shining examples of what can be achieved by a young immigrant lawyer with no connections in Canada but through hard work and a commitment to uplifting others rise to national recognition in this country.

Through the Foot in the Door Initiative, FIDI, an organization founded to empower internally trained lawyers Charles, our firm’s reach is international, giving incredible opportunities to internationally trained lawyers around the world to gain legal experience so they do not have to spend years writing hundreds of applications as he did before getting a foot in the door into a legal profession.

As a director of the program, we get contacted by lawyers from around the world about the opportunity to be part of the initiative, and we say yes, which gives them the confidence to move to Canada to pursue their legal careers. The impact of the FIDI innovation is truly global.

Our firm is so successful because Charles has assembled an incredible team of legal minds producing first-class work and the most dedicated and brilliant administrative staff. And collectively, we are all determined and dedicated to giving back. We are a full-service law firm with a diverse staff that speaks over 31 languages; by the way, Chief Momodu, we know you are a linguist who speaks several languages. Our ages range from twenties to seventies, and we serve a diverse Canada.

As a result of Charles’ leadership, Nigeria is uplifting others regardless of race, ethnicity, or nationality. Over 200 FIDI students from different races have passed through our doors. Osuji & Smith has won landmark cases that established precedents, especially in employment law.

Our firm has won over 105 awards across Canada, and Charles was recognized as one of Canada’s 25 most influential lawyers at age 35.

Chief Dr. Momodu, you have led the way, setting an incredible example for a person like Dr. Charles Osuji—to rise to remarkable heights while keeping your focus on a larger mission: showcasing excellence, rewriting narratives, and creating opportunities for others. Your story continues to impact us even in the diaspora. It reminds us that with vision, determination, and the courage to stand for something greater than ourselves, there are no limits to what we can achieve.

Chief Dr. Dele Momodu, we are deeply honored to welcome you today to Osuji & Smith Lawyers. You are an icon! You inspire us all. Thank you for being a shining example of what is possible and for paving the way for future generations of storytellers, leaders, and change-makers.

Please join me again in giving a warm welcome to the one and only Chief Dr. Dele Momodu! I will now invite Dr. Charles Osuji for a presentation.

References:
https://omojuwa.medium.com/dele-momodu-more-than-meets-the-eye-3f6708022be6

Chief Dr. Dele Momodu: The Influential Voice in Media to Inspire at Calgary’s Cultural Trilogy

Chief Dele Momodu has remained a global figure, who has used his media platforms to project the integrity and class of the African continent. And of course, the people of Calgary Alberta, Canada, quite recognized his feat in all ramifications.