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Fanfare, Razzmatazz As NAFEST 2021 Kicks Off in Ado Ekiti with Command Performance

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By Eric Elezuo

Erelu Bisi Fayemi, the Wife of the Ekiti State government, Dr. Kayode Fayemi, was the special guest of honour Sunday night as the 34th National festival of Arts and Culture tagged NAFEST 21 gets underway in the state capital, Ado Ekiti, with a grand COMMAND PERFORMANCE.

Ekiti Commissioner for Arts and Culture, Prof Ojo Bakare, Erelu Bisi Fayemi, Otunba Olusegun Runsewe

Filled with colours, class, razzmatazz and vigour, the superbly orchestrated performances spearheaded by the EKITI State Performing Arts Group, was an exercise in delight as the crowd of audience continually asked for more.

Held at the newly constructed Arts Theatre of the Ekiti State Civic and Convention Centre, the event showcased the deep culture of the Ekiti people, using energetic dance steps choreographed to perfection.

Erelu Fayemi presenting her welcome speech

Kick-starting the fanfare was the dance of welcome, which ushered participants and guests to the mind-blowing and fun-filled extravaganza.

The dance was followed by a rib cracking session as with a two man show by  Parisco and Baba Chinedu, who formed the team of Arakenge Comedy art.

Performance after a performance, the hall was electrified with the guests absorbing the thrills and frills of the superlative culture of the Ekiti people, all rooted in dance and drama.

In quick succession, the state theatre group performed dances depicting one session of the culture afteranother ranging from occupation, gender strive, religion and more.

Battle of the Sexes

The group, which came prepared, in a lampoon, showcased the Nigeria of the moment through a drama titled Free Readers Association. The highly hilarious drama presented the ills of the society  through newspaper reading, and made sporadic attempts at providing solutions.

Thereafter, The Battle of the Sexes was presented, which tend to decide between the male and female folks, who is the superior. It was followed by the Iwure Dance and Ido Dance, rightly described as magical as a result of the high octane acrobatic displays.

The Iwure Performance

It was then the turn of the Students of Theatre and Arts of Ekitii State University, who showed vigour and strength as they performed The Drums of Rubble. The Fisherman Dance followed thereafter to conclude the Dances.

In her welcome address, Erelu Fayemi, who was the Special Guest of Honour, asked participants from across the states to make themselves at home and enjoy the rich cultural heritage of the Ekiti people rooted in tourism, hospitality, food and more.

The drama group performing

“We are immensely humbled and proud to have been considered eligible to host the 2021 NAFEST. What we lack in resources, we have in passion, kindness and integrity,” Mrs Fayemi said.

The Ido ‘Magical’ Dance

Among the array of dignitaries present at the event were the Director General, National Council of Arts and Culture, Otunba Olusegun Runsewe; Ekiti State Commissioner for Arts and Culture, Prof Rasaki Ojo Bakare, Rivers State Commissioner for Arts and Culture, Mr Charles Ejima; Mrs Tonye Briggs, Delta State Commissioner for Arts and Culture, Mr Lawrence Ejiofor and many more.

The Fisherman Dance

 

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Entertainment

Producer Par Excellence, Quincy Jones, Dies at 91

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Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

In a career which began when records were still played on vinyl at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.

Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Source: APnews

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Rocky Dawuni Rises to the Occasion with New Single

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By Samantha Ofole-Prince

He is the first Ghanaian artist to have ever been nominated for a Grammy award and is back with a new single just in time to be nominated for music industry’s biggest night.

Titled “Rise,” the single blends Afrobeat and highlife with Hip-Hop and is the first official release from his forthcoming album which will be distributed by Aquarian Records through Tuff Gong International, the label founded by Bob Marley and Rita Marley.

“Imagine what we could do if we organize? Imagine what we could do if we unify?” Dawuni sings with conviction in the video directed by Emmanuel and Samuel Appiah Gyan.

“Rise,” Dawuni says, “Is an anthem for overcoming adversity and celebrating life’s victories.”

A trailblazing performer who has shared the stage with Stevie Wonder, Ozomatli, Peter Gabriel and Angelique Kidjo, Dawuni was named one of Africa’s Top 10 global stars by CNN.

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Glo-Sponsored African Voices Features Celebrated Singer, Rema

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Nigeria’s Afrobeat music star and multiple award-winner, Rema, will be featured this week on African Voices Changemakers, CNN International’s  magazine programme,  sponsored by telecommunications company, Globacom.

Born Divine Ikubor, the 24-year-old artiste from Edo State, discovered his passion for music as a  church chorister and a rapper who entertained his peers  in his secondary school, Ighile Group of Schools in Edo State.

Rema came into limelight after posting a viral freestyle on Instagram to D’Prince’s song “Gucci Gang”. Wowed by his rare talent, D’Prince flew him to Lagos and offered him a record deal with Jonzing World, a subsidiary of Mavin Records owned by music executive and producer Don Jazzy. His 2019 hit “Dumebi” was the first fruit of the contract.

His  international breakthrough happened in 2022 with his single “Calm Down”, which led to a remix with American singer Selena Gomez. The song peaked at number three on the Billboard Hot 100 and first on Billboard Afrobeats Songs chart for a record-setting 58 weeks.

His talents have earned him  several awards including the MTV Video Music Award for Best Afrobeats Video and the Billboard Music Award for Top Afrobeats Songs.

He was recognised for achieving 1 billion streams worldwide during his London concert on November 7, 2022 and he also performed at the Ballon d’Or ceremony held at the Theatre du Châtelet in Paris, France on October 30, 2023.

The  edition will be broadcast on Saturday at 8.30 a.m., with repeats at noon the same day. More repeats come up on Sunday at 4.30 a.m., 7.00 p.m. and on Monday at 4.00 a.m.

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