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Nigeria Dance Steps Since 2000: Which is Your Favourite?

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By Timothy Edaki

Dance, they say is the rhythmic movement of the body. It can be the movement of the body in consonance to sounds. Dance is an art, but it isn’t just an art as most people believe. For some folks, it is a form of therapy, a healing balm, a form of help to troubled and disheveled minds and hearts.

Dance as earlier said is also an entertainment, a way of expressing joy and excitement and without mincing words, Nigeria is a dance loving country. The nation is known for churning out frequently, dance steps and moves.

Ever since Kafayat, better known as Kaffy won the prestigious dancethon and made it to the Guiness Book of Records, more and more Nigerians have taken to dancing as a vocation.

This article gives a breakdown of dance steps in Nigeria since the year 2000.

Makossa:

This is not really a Nigerian dance. It steams from Congo and even has a Congolese song with the name but Nigerians, lovers of all good things were quick to incorporate the dance steps, which entails movement of the legs curved sideways back and front. The dance was an offshoot from the late 1990s and was made popular by Awilo Longomba and Koffi Olomide who enjoyed massive success for their inputs, especially in Nigeria

Interestingly, the word Makossa is not a Congolese word but from the Cameroon Douala language meaning dance.

Galala:

For the older folks, this dance will be best remembered of as being brought into the limelight by Rasta man, Daddy Showkey. Other artistes contributed their own quota to the dance movement, including the late Ras Kimono and Blacky. The dance is a true friend of the high and low, in short everyone dances it.

Suo:

Immediately after Galala, Suo came into the spotlight. Originated by Marvelous Benji in the song titled Suo, and promoted by the Danfo Drivers, the dance was an offspring of the former, Galala. It began from the Ajegunle area of Lagos and soon moved to other parts of the nation.

Yahooze:

This dance came to the fore in 2008 by Olu Maintain and became an instant hit. It was loved all over, in clubs, bars, hotel, parties and social gatherings. The dance involved a movement of the hands with two fingers moved up while the other fingers stay folded and the hand moved slowly from the shoulder in synchrony to the song.

Alanta:

A popular dance but one that was disliked by a lot of Christians who found the song as an expression of what those condemned to hell fire would face. It was a dance that one did raising one’s hand over the stomach and chest as if one was on fire with varied faces of someone on fire. The legs also followed in the movement. The dance was made popular by the group, Artquake in their song Alanta.

Azonto:

Originally, a Ghanian dance but one that Nigerians made popular, especially after the Starboy crooner, Wizkid did a hit song titled Azonto. The dance is still one of the country’s favorite as it remains evergreen. It involved the use of the hands and the legs.

Kukere:

The dance has its root in the Cross River state of the nation. It was made popular by ome time Project Fame winner, Inyanya in his song Kukere. It had a very short stint with the populace, probably because it was quite an easy dance to do. It is however, still evident in a number of dance routines and rehearsals.

Skelewu:

It also had a very short duration in the country and was brought to the fore by the OBO,  Davido in his hit song, Skelewu. It was one song that gained prominence immediately and was on numerous chats for many weeks.

Shoki:

This dance literally stole the day. It was a hit. Everyone danced it, from politicians to business moguls to those on the street. It was the dance of the people, with the people and for the people. One cannot really credit anyone as the progenitor of this dance because it was already in vogue before the media blew it to popularity. However, rapper Lil Kesh and Orezi would be credited for their early promotion of the dance in their respective songs titled Shoki.

Sekem:

The dance also had quite a short duration, perhaps because for anyone conversant with dance, it bore a resemblance to the legendary Michael Jackson’s ‘Moon walk’ which was on its own quite a difficult dance move.  It was exemplified in the song, Sekem by Mc Galaxy who doubles as the proprietor of the said dance.

Shakiti Bobo:

The dance was brought to the fore by the acclaimed Voice of the street, Olamide in his song, Bobo. As characteristic with Olamide’s songs, the dance and song immediately spread like wildfire among Lagosians. The dance involved standing on one leg with the other slightly raised up while the hands moved up and down.

Shaku Shaku:

It is doubtful that there is anyone who doesn’t know this dance. It is popular and trending and social media has done more to promote it than anyone can imagine although credit always goes to Olamide as the pioneer of the dance in his song ‘Science student’. However, the major promoters of the dance are Idowest and Slimcase in their songs ‘Shepeteri’ and ‘Legbegbe’.

These are just a few; a lot of other dance steps and moves have made waves at one time or another including P-Square’s Alingo, the Ghanaian ‘One Corner’ dance. More dance steps are gradually coming into the country and Nigerians are ever prepared to rock the boat. Already, there is the ‘Gwara Gwara’ and most recently Olamide’s ‘Motogbana’

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Tribute to Jimmy Cliff: Last Lion of Reggae Crossed the Rivers

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By Prince Adeyemi Shonibare

The wind blows soft across the hills of Jamaica, and the world feels it — a tremor of sorrow, a sigh of history, as Jimmy Cliff, the last Lion of the Reggae Mountains, crossed the great river at eighty-one.
He was the troubadour who sang survival into existence. The freedom-fighter who turned melody into movement. The dreamer who taught the world that:
“You can get it if you really want, but you must try, try and try.”
And try he did — from Somerton to Kingston, from Kingston to the world.

THE JOURNEY — FROM SOMERTON TO THE SUMMIT

Born James Chambers, a young boy humming tunes to the morning breeze, Jimmy Cliff stepped into Kingston with nothing but ambition and spirit. He recorded “Hurricane Hattie” at sixteen, and the island took notice.
He rose like sunrise — slow, steady, unstoppable. Reggae, ska, rocksteady — he touched them all, carving a golden road across Jamaica’s musical skyline.

Then came the explosion that stamped his immortality.

“THE HARDER THEY COME” — A REVOLUTION ON SCREEN

With the 1972 classic The Harder They Come, Jimmy Cliff did more than act; he preached struggle and hope for the entire world.
His voice cried out: “The harder they come, the harder they fall.” Oppressed people everywhere heard their story.
In “Many Rivers to Cross,” he poured a lifetime of pain, faith, and yearning:
“Many rivers to cross, but I can’t seem to find my way over.”
Yet he always crossed — and showed humanity how.

THE MAN WHO SANG FOR HUMANITY

Jimmy Cliff lived with the soul of a pilgrim, a man who believed that peace could ride on melody. He travelled far, performed wide, raised children with pride, held philosophies that blended faith and freedom.

He sang of unity in “Wonderful World, Beautiful People,” reminding humanity:
“There is a place where love is flowing freely.”
His life proved that music could make nations kinder and people braver.

AWARDS, HONOURS, AND ETERNAL RESPECT

Jimmy Cliff earned the world’s applause:

Rock and Roll Hall of Fame

Grammy Awards

Jamaica’s Order of Merit

Worldwide tours and universal reverence
A catalogue woven into the soundtrack of global culture
But his deepest legacy lies in the millions who found hope in his voice, who stood tall because he sang:
“I can see clearly now, the rain is gone.”

THE LAST LION OF THE REGGAE GENERATION

With Marley gone, with Toots, Peter, Bunny, and Gregory gone, Jimmy Cliff stood as the final elder — the last lion roaring from reggae’s original pride.
He carried the flame when others dimmed. He carried the memory. He carried the movement. He carried the message.
And now he has crossed the last river — the one his own lyrics foresaw.

TRIBUTES FOR A TITAN

“Jimmy Cliff was a bridge between struggle and joy — a global treasure.” — Jamaican Prime Minister
“He sang the world into courage.” — Global Entertainment Guild
“Reggae has lost its last first-born. The music will never forget.” — International Music Legends Alliance

Though gone in body, the stage curtain remains open for the last lion who crossed all the many rivers after finally finding his way.

Jimmy Cliff is gone. But Jimmy Cliff can never die.His voice lives in street corners where youth gather, in radios crackling across African markets, in festivals, in freedom rallies, in every soul that ever felt hope rise from a song.

His own words now carry him across eternity:
“There’s a river that must be crossed, and I must cross it.”

He has crossed. The Lion rests. But his roar echoes forever.

One love. One legend. One Jimmy Cliff.

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Globacom-Sponsored African Voices Changemakers Features BBN Host, Ebuka Obi-Uchendu

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Nigerian media personality and Big Brother Naija host, Ebuka Obi-Uchendu, is the guest on CNN International’s acclaimed magazine show, African Voices, this week. The 30-minute show, sponsored by telecommunications leader, Globacom, gives viewers an in-depth look at Ebuka’s journey and impact.

Born on July 14, 1982, Ebuka first entered the spotlight as a contestant on the inaugural edition of Big Brother Naija in 2006. Since then, he has become the show’s longest-serving host, captivating audiences with his charisma and style.

A Law graduate of the University of Abuja, Ebuka also holds a Master’s degree in Law from the Washington College of Law at American University, Washington, where he specialized in Intellectual Property. Beyond reality TV, he has anchored notable programs including Rubbin’ Minds on Channels Television and the Glo Show.

The episode highlights Ebuka’s impressive fashion collaborations with designer Mai Atafo, the cultural stories behind his signature style, and his passionate advocacy for young boys across Nigeria.

The show which runs on Saturday on DSTV Channel 401 at 8:30 a.m. and 12.00 noon is  repeated on Sunday at 4.30 a.m. and 7 p.m. The repeats continue on Monday at 4 on the morning belt and at 6.45 p.m. the same day and at 6.45 p.m. on Tuesday. The edition will be repeated next weekend at the same time slots.

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My Character in “Sinnners” Reflects Deep Ancestral Reverence, Connection – Starlet Wunmi Mosaku

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By Samantha Ofole-Prince
She received a British Academy of Film and Television Arts award (BAFTA) for playing a grieving matriarch in the heartbreaking drama “Damilola, Our Loved Boy.” She captivated audiences as Ruby Baptiste in the horror-drama series “Lovecraft Country” and was the sidekick to Idris Elba’s character in the fifth series of the BBC crime drama “Luther.”
Wunmi Mosaku’s latest role as a spiritual healer and Hoodoo conjurer is earning her rave reviews.
In “Sinners,” the supernatural horror film directed by Ryan Coogler, Mosaku, who is known for her roles in “Loki” and “Deadpool & Wolverine” and the film “His House” is much more than just the estranged wife of Elijah “Smoke” Moore (Michael B. Jordan).
“Annie is Smoke’s protection, his comforter. She’s his mother, his teacher, his friend and his lover,” says the Nigerian-born British actress whose performance has been widely praised for its emotional arc and authenticity. In playing Annie, she steeped herself in research ensuring she not only perfected the Southern American accent required but arduously rehearsed with Jordan as their on-screen relationship is central to the film’s core.
“We had a couple of weeks of rehearsal and shared our story, our lives, our hopes, our dreams, our fears, the things most precious to us. And so, we built a level of trust and openness and safety to really explore that love, that grief, the differences. I think that’s kind of the fastest way to get to trusting your scene partner and being free is just to open up, and that’s what we did.”
An original tale that takes place in a single day, “Sinners” follows identical twin brothers, Smoke and Stack (both played by Michael B. Jordan), who return to their Mississippi hometown to open a juke joint. While they plan to start a new life, they soon find themselves battling a group of vampires who attack their establishment, forcing the survivors to learn how to fight and defeat them.
​Her character’s expertise in Hoodoo proves crucial in helping her companions tackle the vampires. She provides spiritual and intellectual guidance for the group. It’s a role which also allowed Mosaku, who was born in Zaria, to explore her own heritage as ​a Hoodoo expert ​Dr. Yvonne Patricia Chireau, an authority on Africa based religions and spiritual traditions served as a consultant on the film.
“There is this reverence for our people, who we are and where we’re from, and I was excited by the depth and the quality of the writing when I read the script, and I learned so much from Annie. The onset conversations Michael and I had, and those I had with the community, truly inspired me. I hope the film reminds people to stay connected with their ancestors.”
With music, humor, drama, suspense and history, director Ryan Coogler (“Creed,” “Black Panther,” and “Black Panther: Wakanda Forever”), who also wrote the screenplay, has created a modern cinematic masterpiece.
Samantha Ofole-Prince is a U.S. based journalist and movie critic who covers industry-specific news that includes television and film

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