Connect with us

Boss Of The Week

Ebenezer Obey: Between Music and Philosophy: Celebrating a Living Legend

Published

on

In a society where we celebrate the dead, at the expense of the living, it is desirable to celebrate the living, who had impacted into our lives and essence.In the music industry, Ebenezer Olasupo Remilekun Aremu Fabiyi-Obey, is worthy of mention and deserving of accolades and encomiums.Ebenezer Obey-Fabiyi did not create JuJu music, but he and some of his friendly competitors, gave JuJu music its soul, breath and life.Juju is a popular Nigerian music, derived from traditional Yoruba percussions. The name comes from the Yoruba word- JuJu or jiju- meaning- throwing or something being thrown.Juju music is played in clubs, taverns, halls and at parties across Nigeria and its neighbouring countries of Republic of Benin, most especially the Yoruba speaking parts of Ajase-Ipo, Cotonou ,Ghana, the Gambia, Senegal etc.Juju was believed to have been created and popularised by Abdul Rafiu Adekunle king, popularly known as Tunde King who waxed his first JuJu Album in 1937, followed by some other itinerant musicians, most especially, the blind minstrel-Kokoro. Ayinde Bakare, also waxed his Juju album in 1937.Life beamed into JuJu music, with the entry of Ernest Olatunde Thomas (Tunde Nightingale), an Ibadan native. Tunde Nightengale and His Agba Jolly Ochestra, held regular performances, at the West African Club, Ibadan. He pioneered Sowambe dance (is it there?) possibly, a reference to the beads (Ileke), usually worn on the waist of dancing women. Despite sounding like a Nightingale, he always kept a live bird in his house. Fatai Rolling dollars, from Ede, but lived in Lagos, Dele Ojo, Ayinde Bakare, Adeolu Akinsanya (Baba eto) and his Western Toppers Band, Victor Olaiya, IK (Isaac Kehinde) Dairo and his Morning Star Ochestra, later known as Blue Sports Band, were early pathfinders. HHoweverEbenezer Obey and Sunny Ade, made this genre, the most popular music by bringing in spectacular innovations.JuJu was popular then, in places like Lagos, Abeokuta and IbadanIn the immigrant neighborhood of Ekotedo, Adamasingba, Mokola in Ibadan and the Lagos city centres- in their tavarns, dance halls, night clubs , hotels and brothels, JuJu began to compete heavily with the imported highlife from Ghana.This was the music, that Ebenezer Obey, popularised and took to a greater height, from the level of its forebears, and from obscurity to prominence.Human Life is certainly propelled by interests, talents luck, opportunities and the ability to discover a deposited latent power. Ebenezer, made a quick discovery of a life, that would be dominated by music. Ebenezer, was born on the 3rd of April 1942, as Ebenezer Remilekun Aremu Olasupo Fabiyi in Idogo, in Egbado division of present day Ogun State, to Abigail Oyindamola Abeke Toriola Fabiyi an owu woman, from Ago Owu, Abeokuta and his father- Nathaniel Olaseewo Fabiyi, an Egba man, also from Keesi in Abeokuta.The circumstances surrounding his birth, was quite interesting, amazing and divinely inspired. Abigail his mother, was earlier married for over 20 years to her first husband, without the fruits of the womb, that is, without a child. She had travelled round the northern part of Nigeria with her husband, as a wife, of a Senior Station Manager (SSM), with the Nigerian Railways, before they finally settled in Lagos. The family of the first husband, at a family meeting, proclaimed her a barren woman, and advised her to seek her fortune elsewhere. This shocking news was almost a death sentence, being suddenly discharged, from a man she had married for over 20 years. The family however acknowledged, that she was a good woman, but what does a good woman do, without the fruit of the womb? She was distraught and melancholic. But a man of God had told her, that Gods mercy endures forever and that she would eventually be blessed with her own children.She left Lagos for Idogo, an agrarian community and Railways train station, in Egbado, present day Ogun State, whose produce from the Idogo community, usually crashes prices of agricultural commodities, food stuffs, vegetables, yams etc. in mainland Lagos, on market days, whenever the Idogo train (Oko Idogo) smiles into Lagos. In melancholy, she moved to Idogo, to stay with her elder brothers, who were farmers.Around this period, Ebenezer’s father, a carpenter and also a farmer, had also relocated to Idogo, from Lagos. It was in Idogo that Nathaniel Fabiyi met Abigail, his friends sister. Jovial and rich in Egba dialect, he had jokingly proclaimed himself, husband of Abigail and that he was aware of her story. He further prophesied, that Abigail would give birth to both male and female children for him. To her, it was infra, (infra dignitatem), for an ex-wife of a Senior Railways Station Manager, to marry a carpenter. But nonetheless, they became husband and wife, and she gave birth to her first child- Obey’s elder sister, and because this miraculous delivery was a product of Gods grace, she pleaded with Fabiyi, that the child should be called- Grace (Anuoluwamipo) Olasumbo Fabiyi…Grace was almost 80 years, when she died.The birth of Grace heralded another bouncing baby boy, that was instantly named- Ebenezer- (God has helped me thus far )- (titi de yi, l’ oluwa ran mi lowo de), with the permission of her husband, who also gave him additional names- Olasupo, Remilekun, Aremu.In Idogo, they lived in a rented apartment- the first storey building in Idogo. Coincidentally, Fabiyi was the carpenter that roofed the house. Shortly after Ebenezer’s birth, Fabiyi disappeared into Lagos again, where he already had two other wives, and could not surface into the Idogo community, until after 7 years. As a matter of fact, Ebenezer did not meet his father, until he was 7 years old.In this intervening period, Abigail was making tremendous success in her clothes selling business (Iya Alaso). She decided to build her own house in Idogo, and her neighbour, who assisted her, became her next husband and this union, gave birth to her third child- that was named Clement Oluseye Olusegun Akanni Kembi, who died in November 2018, at the age of 73.In parenthesis and sweet juxtaposition, Zulikat Wuraola Abiola, was the mother of Moshood kashimawo Olawale Abiola, an Egba woman. She got married to a man in Ikirun, in present day Osun state, and for several years, the marriage could not bear fruits and she was also pronounced a barren woman. She was advised to move back to her home town- Abeokuta, to seek a new pasture.In Abeokuta, she was introduced to Salawu Abiola, who had also suffered 22 “abikus” that is, none of the 22 children stayed. Salawu, then of advanced age, heard of Wuraola’s case too, and decided to marry her, at least, if for nothing else, but companionship. Wuraola instantly became pregnant and gave birth to a bouncing baby boy, that was given an “abiku” name- kashimawo- let’s see if this one would stay.Kaahimawo stayed and was only given further names- Moshood Olawale, when he was 13 years, having been assured, that this one would stay. Kashimawo, like Ebenezer, also became hugely successful. They eventually became brothers and soul mates. M.K.O became a business partner and perhaps, mentor of Ebenezer’s music and both bought over Decca West Africa Ltd.Salawu in his life time, was always happy, that the very first time, that he would enter an aircraft, it was Kashimawo’s aircraft.Ebenezer grew up in Idogo and Idogo discovered him and his musical talents.Ebenezer went to Methodist Primary School, Idogo and later finished at the Methodist secondary Modern school, Asero, Abeokuta, in 1958.In the primary school, he was a band leader. He was a member of the choir in his church- Methodist Church, Idogo.Obey and his friends, later formed the Idogo boys and girls’ club and also Ifelodun Mambo Orchestra in 1957, that finally gave birth to Royal Mambo Orchestra. Abigail saw these musical talents in Ebenezer and dissuaded him from taking to music as a career, but that she would rather encourage him to become a lawyer or a doctor(Ise ti mama miba mi da moran ki nse) The mother told him that in their own family, people sing their praises and not vise versa – “Kiki ni won ma nki wa Ni’le wa, awa kii ki eniyan.” After much pleadings, Abigail gave Ebenezer her blessings, according to her- nobody knows tomorrow. (Mama lo so wipe, ko se ni keni, to mo ojo ola).In school, Ebenezer, being a class monitor, was nick named “Obey…” i.e. Obey first, before complain, being his usual admonition, when punishing a rebellious student. The name- “Obey”, then stuck. With the added name- Ebenezer Obey, he relocated to Lagos.In Lagos, he got a job as a clerk on a monthly wage of three pounds (£3) and lived in Bolade Oshodi Lagos. He was able to buy a guitar. He was at this time, already calling himself a star and afuture star.It was in Bolade Oshodi, that he saw two itinerant singers-Akinyomi Savage and Bamgbose Jumoda, whom he later helped to secure an amplifier, for a show and also became a part time member of their band, with a rewarding patronage of two pounds (£2) per show and five shillings every day for feeding. It was through J.O Araba, an Agidigbo musician, that he met Fatai Rolling dollars, a minstrel and roving guitarist. This relationship led to the formation of the Fatai Rolling Dollars band, which obey helped to put together. In 1964, he formed his own band- Ebenezer Obey and his International Brothers Band and started with Samson Ogunlade, Vasco Da-gama, Salawu, Oke Aminu and others.Obey had difficulties in getting a musical promoter/label. After much hassles, he signed on with DECCA WEST Africa limited in Abibu Oki, Lagos.He married Juliana Olaide Olufade, his heartthrob, in 1963. Juliana, died on the 23rd of August, 2011 and left with several children and grandchildren. However, because of Obey’s insistence that he was a star and a future star, the MD of Decca West Africa- Mr. C.K Kres, showed interest in Obeys music and career.The first album “Ewa wo ohun oju ri” sold 506 copies, in 1964, after the MD of DECCA, had ordered for 25 copies to enable Ebenezer Obey secure future patronage, by hitting the target of 500 copies. He actually sold 481 copies.His second album- “Olomi Gbo Temi” (my dearest wife, listen to me) “baby mi, jowo jeka Jo ma gbadun, Aya to mo yayi lo nsefe Oko re, telegan ba ntan e, ko ma ma see gba,” was a slight improvement. His third album- “Palongo, which he also released in 1965, gave him breakthrough and commercial success.As a result of this commercial success, Obey began experimenting with Yoruba percussion style, expanding the band by adding more drum kits, guitars and talking drums.Obey’s musical dexterity, lies in weaving intricate Yoruba axioms, idioms and proverbs, into danceable music. Obey started with small Albums (SLPs) and later brought in big Albums(BLPs) that had sold 500,000 copies and received a gold award, and also 1 million copies that also received platinum award.After the London trip, and in the early 70s, Obey changed the name of the band from International brothers, to inter Reformers band and his fans named him- “Chief commander Ebenezer Obey.”In 1966, when chief Awolowo came back from prison, after the military take over, he had an album- “Awolowo, Baba wa ti de,” to welcome Chief Obafemi Awolowo. In 1987, when Chief Obafemi Awolowo died, he released an album, to mark his exit- Aaa a o ma se, ile njeniyan” what a great loss!In 1968, Obey had a hit album- “Ore mi e se Pele Pele.” He also released- “Gbe be mi oluwa, olowo laiye mo,”- Answer my prayers oh Lord and followed with further commercially successful Albums, and in 1970- Ala taja ba la,” 1971- Ija Pari” to mark the end of the Civil War, 1972- Aiye Wa a Toro”, 1973- The Horse, the man and his son, 1974- “Eko Ila”, 1975- Mukulu Muke maa jo” Etc, further entrenched his foothold in the music industry.Obey had said of his music- “my lyrics are beneficial to society, either in form of prayers or good wishes, and furthermore, that his lyrics are meaningful “with moral lessons and philosophy”Obey’s music, also brought in his trail, petty envies and jealousy.He was said to have drank “lukudi” (a fetish local preparation, for wealth)- Ogun Owo and that he had undergone surgery, when a mysterious bird flew out of his tummy.In London, on a musical tour, he was said to have planted Marijuana (Igbo) in his musical instruments. He had a rich musical band, comprising of- Samson Ogunlade, Vasco Da-Gama, Oke Aminu (who died on Saturday, the 25th of August, 1972, in Lagos, in a motor cycle (vespa), accident. He had left for his house, to change his clothes, to the uniform outfit, worn by other members of the band. Obey was a stickler for band discipline. He died on his way back to join the show.)Mitui Kekere, Gabriel Adedeji, Giwa Ojo Arigidi, Matthew Baba Legba, Akanbi Oloye, Monday John, Bode Akiwowo, were also band members.Obey does praise singing of people_- inclusive of non Yoruba people- (Michael inegbese, Alhaji Danjuma in Agege, Osawaru Igbinedion, Alhaji shehu Arikose in Ajase-Ipo, (Republic of Benin) Samuel Ogundele Adedoyin, Abiola Ogundokun, Chief. MKO Abiola,- in three different Albums, and a host of others, which also served as advertisement, for his fans.Remo carpets, Teju foams, for Tejoosho, adverts for Datsun motors- Datsun 120, 140, 160, 180, for Alhaji Arishekola Alao, Lawyer Omoni, Yinka Rhodes and praise singing of Board Members- Odunaike insurance controller, Adewuyi Barrister Folly Tairu, Bode Osinusi, Chief Samuel Okunowo, Bisi Lola Edionsere, Henry Fajemirokun and a host of others. In these praise singing, he had also, philosophical muses- Owu alantakun, ko seni ti o le fi ranso (nobody can sew clothes with cobwebs)“kini mama Alaso nta to yegba Dani abi ewure nje lace ni”- i.e.- what is a cloth seller, doing with cane or does goats eat clothes?And that God gives wealth- “Nibi ta lagbara gbe tin sise, to nse wahala, aro ti o le dide a si ma rise.”In his album, “ketekete”- the man the son and the horse- he had also philosophically advised- you can never please the world!He had also advised people not to bury their talents- ma se ri talent re mo le and gave examples of footballers- Teslim Thunder Balogun, Haruna Ilerika, Althlete Deji Obayemi and lady Athlete- Dupe osikoya. He had advised his fans to take it easy. Ore mi, ese Pele Pele- Easy does it and- “so re ni wan”- be careful of being extremely generous. He had also in his 1983 hit album, emphasized and encouraged hardwork- saa maa sise gba ti gbogbo eniyan ko re jo kaluku ni baba pase fun pe sii se, looniIn “oro Kan ni mo fe bi yin?”- he had asked of choice, between parents and the wife- (ninu obi eni, pelu aya eni, ewo lo se Pataki to se koko?)Obey’s vote was for the parents.In his philosophical preference, in eniyan ti mofe ran ju”, he had given preference to Iya, Baba, iyawo, omo… i.e. mother, father, wife and children in that order of importance…Obey does enormous praise singing and Christian praise worships.He sings- “Baba wa tin be ni orun, (Our Father who hath in heaven) in sweet melody, Oluwa ni agbara mi,(The Lord is my strength)Oluwa ni o, oluso aguntan mi, emi, ki yoo sala I ni o (the Lord is my shephard) and “a njade lo loni” as an early morning prayerful wishes, Mo ma yin oluwa titi laiye” (I will praise the Lord forever) and a number of inspiring gospel songs.Obey also does Miliki- “e sa ma Miliki o-, ko ma rotate, lo o were were, ko ma circulate lo o were were…”He does daily prayers, he sings love, he sang the Paulina story in the Bar beach Lagos, episode.Paulina was a ravishing beautiful lady, whom he saw at the Bar beach in Marina. He sang- “Mori Sisi Kan ni marina to ni nkaloo…”O“Obey said-I was love struck, I lifted her off her feet, singing about her bewitching beauty.Obey also sang of the sexual innuendo in – “Ina ma wa tan o, Akanbi, 2ce O pe mi wole o… o tilekun mo mi, o ti lekun mo mi ofaro idi mi, terepa ba doyun o, Obey lo loyun oo jare…”The lady said, he asked me inside, asked me to put off my clothes, and to these, obey said- “when I was a youth, I behaved as a youth.”Yes, Obey sang praises of Olanrewaju Omo Badmus- Larry publicity and Estate consultant- Fatai Irawo.In 1972, the music legend, celebrated Olabisi Ajala in his 8th Album- Board Members. He had also celebrated the Association of Brothers-UP ASSO.Obey sang the praises of Olabisi Ajala in the Album-“Ajala travel all over the world (2ce) Ajala travel (2ce) Ajala travel(2ce) Ajala travels all over the world, alajala mi Omo olola, Ala Ajala mi Oko Alhaja shade, Alhaja los’obokun fun alajala, emi Meje o, emi Meje.”After a successful music career, yearnings to serve God in HIS vine yard, became real and apparent and this call was spiritually confirmed by the late Arch Bishop Benson Idahosa.At the peak of Obey’s musical career, he heeded Gods call and for 17 years, he was completely out of secular music and was now majorly, involved in the Decross evangelical ministry. He was in the ministry and he never looked back.He had troubled and challenging moments. He lost a factory in Ota, Ogun state that produced cassettes. The company was into debts and he had to sell three of his houses, to offset the mortgage. He bought shares and stocks, that went bad.There was then, another interface in Obey’s life. He had a programme in London, with the late Myles Munroe, where they both ministered.There was a concert after the ministration. On the day of the concert according to Ebenezer Obey- “when I was performing, a lot of people turned out and thoroughly enjoyed the atmosphere. So after my performance, he collected the microphone from me and told me that music is my ministry. He said God told him to inform me not to quit music, because that is my ministry. He said it was what God had wanted me to do. He further advised me to preach less, but sing more, that I should preach through music. I prayed about it and that was how we started special appearances. That was when I began to charge fees ranging from N2.5 million and above and before I knew it, I had made millions. I would take a million for my ministry and the remaining would be shared between me and the band. When you listen to GOD HE would always provide for you.”Obey had a chequered and distinguished career.He said- “whenever I hear my music being played, it is like looking into the mirror. Whenever I hear my voice, I tell myself, that is me sounding, that is me singing.”Obey said of his musical adventure- I am the musician that has the largest number of music tracks, of music released. I agree with the research.”His versatility in music composition, has certainly endeared him to the world, as one of the best music composers.Despite the disability of not singing in a universal language, those who do not understand Yoruba, still find it easy, to dance to his music and the melody- e waa gbo melody mo tun gbe melody mi dee”-Come and listen to melody, I have come with my melody.According to him- “if you do not understand the language, once you hear the melody, you start to nod your head and move your hand, that means the music has entered your body.”Ebenezer Obey is currently a Professor of music at the Ogun State University, Ago-Iwoye, a recipient of the National award and Doctor of philosophy at the Oral Roberts University, USA.Life, certainly defines roles, labyrinths and its contours, and has defined that of Ebenezer Obey as a singer, band leader, composer, guitarist, philosopher and a man after Gods own heart. The album celebrating his 70th birthday in 2012, – “Obey at 70”, was also a master piece, after a very long absence.Ebenezer Olasupo Remilekun Aremu Fabiyi-Obey, stand up and take your EVERGREEN medal… at 77. May you continue to enjoy your life, in good and robust health and continuous prosperity.ARTICLE BY:-HON. (BARR.) FEMI KEHINDEFORMER MEMBER, HOUSE OF REPRESENTATIVES,NATIONAL ASSEMBLY, ABUJA,REPRESENTING AYEDIRE/IWO/OLAOLUWA FEDERAL CONSTITUENCY OF OSUN STATE (1999-2003)&PRINCIPAL PARTNER, FEMI KEHINDE & CO (SOLICITORS)IBADAN OFFICE- NO 84, IWO ROAD, IBADAN.LAGOS OFFICE- PLOT A, OLUWALOGBON MOTORS BUILDING,OBAFEMI AWOLOWO WAY,IKEJA,LAGOS.ABUJA OFFICE-NO 8, SUEZ CRESCENT,IBRAHIM ABACHA ESTATE,WUSE ZONE 4,ABUJA,FCT.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Boss Of The Week

Meet Gen Chinedu Nnebeife, the Brain Behind OyoRescue

Published

on

By

By Eric Elezuo

One man has remained at the centre of attraction as the intelligence-based rescue of the Oyo students and teachers continue to trend. He is Major General Chinedu Ralph Nnebeife, the General Officer Commanding 2 Division of the Nigerian Army, Ibadan; one of the major strategic military formations in the country.

The efforts of General Nnebeife and his team did not only heighten their personality as individuals, but further buttresses the Military’s role in tackling the menace of insecurity across the country.

The rescue operation, which culminated in the safe return of 44 schoolchildren and teachers, has been widely celebrated by Nigerians and has further cemented the reputation of the senior military officer as an accomplished and result-oriented commander, a writer Ken Chukwudi Raph wrote.

A Proud Son of Anambra

Major General Chinedu Ralph Nnebeife hails from Umuogbu village in Awka, the capital of Anambra state.

For many indigenes of the state, the latest successful operation coordinated by the General has become another source of pride, as one of their own continues to distinguish himself in the service of the nation.

Over the years, Anambra state has produced many distinguished military officers, public servants and professionals who have contributed immensely to national development, and Major General Nnebeife’s accomplishments have added another illustrious chapter to that rich history.

Those who know him describe him as a calm, disciplined and thoroughbred officer whose leadership style is defined by professionalism, courage and dedication to duty.

Distinguished Military Career

The journey to becoming a two-star General in the Nigerian Army is never an easy one.

It is a path that requires years of hard work, discipline, sacrifice and exemplary service.

Major General Nnebeife’s rise through the ranks of the Nigerian Army reflects his commitment to excellence and his ability to deliver results in every assignment entrusted to him.

Throughout his military career, he has served in various operational and command positions, earning the respect of both his superiors and subordinates.

His appointments over the years have exposed him to different security challenges across the country, equipping him with the experience and expertise needed to handle complex military operations.

It is this wealth of experience that many observers believe played a key role in the successful rescue of the Oyo pupils and their teachers.

Coordinating a Complex Rescue Mission

Kidnapping has become one of the major security challenges confronting many parts of Nigeria.

The abduction of schoolchildren, in particular, often creates fear and anxiety among parents and communities.

Therefore, the successful rescue of the Oyo schoolchildren and their teachers without loss of lives represents a significant achievement.

Military sources said the operation involved extensive intelligence gathering, strategic planning and coordination among various security agencies.

As the General Officer Commanding the 2 Division, Major General Nnebeife was at the centre of the operation, coordinating efforts that eventually led to the safe rescue of the victims.

The feat has attracted commendation from various quarters, with many Nigerians praising the professionalism displayed by the military personnel involved in the operation.

Previous Rescue Operations

The latest rescue mission is not the first time Major General Nnebeife has been associated with successful operations against criminal elements.

During one of his previous assignments in Kwara State, he reportedly led an operation that resulted in the rescue of several kidnapped victims.

The operation further strengthened his reputation as an officer capable of handling difficult assignments and producing positive outcomes.

Security experts have often noted that effective military leadership is crucial in addressing the country’s security challenges, and officers such as Major General Nnebeife continue to demonstrate the importance of experience, intelligence and strategic planning in combating criminality.

Commitment to National Service

Beyond the commendations and accolades, Major General Nnebeife’s achievements underscore the sacrifices made daily by members of the Nigerian Armed Forces in protecting the country’s territorial integrity and safeguarding lives and property.

Military personnel often operate under difficult and dangerous conditions, sometimes risking their own lives to ensure the safety of ordinary citizens.

The successful rescue of the Oyo pupils and teachers serves as another reminder of the commitment and dedication of Nigeria’s security forces.

For the Anambra-born General, the latest achievement is another milestone in a distinguished career devoted to national service and the pursuit of peace and security.

A source of inspiration

As congratulatory messages continue to pour in from different parts of the country, many have offered prayers for God’s continued guidance, protection and wisdom for the senior military officer.

They have also expressed hope that he will continue to excel in his responsibilities and attain even greater heights in his military career.

For many young Nigerians, especially those from Anambra State, Major General Chinedu Ralph Nnebeife’s story serves as an inspiration and a testament to the rewards of discipline, hard work and dedicated service to the nation.

His role in coordinating the rescue of the Oyo school pupils and teachers has not only brought relief to the affected families but has also further enhanced his reputation as one of the Nigerian Army’s finest officers and a worthy ambassador of Anambra State and Nigeria at large.

The entire nation stands in obeisance of the seasoned military officer, and wish the military continous success in its onslaught against terrorism, banditry as well as internal and external insurrection.

Congratulations General Nnebeife!!!

Additional information: Blueprint

Continue Reading

Boss Of The Week

Fashion Icon, Eniafe Momodu, Joins Berlin Contemporary Jury

Published

on

By

By Eric Elezuo

The appointment of fast rising world’s fashion influencer, Eniafe Momodu, into the Berlin Contemporary Jury, did not come as a surprise to as many that know the charisma and talent the young fashion enthusiast is endowed it. This is coupled with the landmark achievements that have trailed him in the pursuit of his chosen profession.

Eniafe is widely regarded as one of the most respected young figures in African fashion, whose work spans creative direction, image making, editorial development, cultural research, and brand strategy.

Sired by one of world’s leading journalists, Aare Dele Momodu, arguably the most influential and famous DELE in Africa, Eniafe has completely carved a strong niche for himself, taking a deep dive into the world of self awareness.

From a very young age, Eniafe had exuded style, composure, elegance and the flair to ‘look good’ at all times. His signature large bourbon attires, that was privately original, created distinct visibility for the young man, who continually has success as his motivating slogan. And success he has achieved in such a brief 28 years period.

Fondly referred to as ‘My Twin’ by his dotting father, Eniafe has continued to not only uplift the Momodu brand, but continually project the image of Nigeria and Africa in the brightest of colours.

Eniafe’s appointment reflects his growing influence as a creative strategist, producer, photographer, writer, and cultural commentator whose work has helped shape contemporary conversations around African fashion and its global impact. Recognised by platforms like Vogue Magazine and ESSENCE as a leading voice in the industry, he has built a reputation for bridging fashion, culture, research, and storytelling across international markets.

“It’s been an incredible process serving on the jury,” said Momodu. “The jury selection this season includes designers from Asia, Europe, Africa and America. I think this really underscores the German Fashion Council’s commitment to celebrating design talents from all over the world.”

More so, his appointment places the Nigerian creative among the industry leaders responsible for selecting and supporting emerging fashion talent.

The programme, one of Europe’s leading fashion development initiatives, awarded €25,000 grants to 19 winning concepts this season. Among the selected designers were Nigerian brands Orange Culture and Fruché, alongside talents from Europe, Asia, Africa, and the Americas.

Momodu described the selection as a reflection of the German Fashion Council’s commitment to celebrating design talent from around the world, further highlighting the growing presence of African voices in global fashion decision-making.

A PEEP INTO DESCRIPTIONS OF ENIAFE MOMODU BY FASUION MEDIA

In January 2022, Vogue captured the growing influence of Eniafe Momodu, through its reporter, Vincent Desmond, in story titled: Eniafe Momodu’s Style Shows the Extravagance of Men’s Fashion in Nigeria, as follows:

There’s a changing of the guard in fashion and culture. Gen-Z creators are pushing the conversation forward in ways both awe-inspiring and audacious. Our latest project, Youthquake, invites you to discover how these artists, musicians, actors, designers, and models are radically reimagining the future.

Where elsewhere men may shy from colorful fabrics and oversized dramatic silhouettes, in Lagos, Nigeria, they wear them as a symbol of wealth and great personal style. Each fashion week, you’ll see these men dressed in their best eye-catching prints, dramatic arm details, and flowing bodices, determined to outshine everyone else on the street style scene. Among this group is Eniafe Momodu, standing out and dominating over the rest not just in height—he stands at a towering 6’6’’—but also with one of the best looks.

Within the last two years, Momodu, a graduate of the University of Leeds who currently works as a photographer, producer, and writer, has become one of Lagos’s most recognizable Gen-Z style icons with over 24,000 Instagram followers. Momodu has brought to life campaigns and productions for companies like Arise Fashion Week, Alara, and Ebony Life, and has also been a host for his own projects, like New World Brunch. His custom green aso-oke and gazar silk agbada from Fruche, which he wore to the last Lagos Fashion Week in November, was lauded by many publications, including Vogue, as one of the best looks from the event. To attend Lagos Is Burning, a ballroom-inspired party, he wore custom-made all-black robes, which, in his words, channeled “Andre Leon Talley, Billy Porter, and Dominique Jackson.”

“My style is often described as grand, larger-than-life, and reminiscent of André Leon Talley.” Eniafe Momodu says from Dubai. But that extravagance belies his core fashion philosophy. “My typical silhouette involves something long and free-flowing,” he says. “There’s a certain ease of movement that I try to convey through my style, which also speaks to my personality. I don’t subscribe to the belief that fashion is pain. Comfort can be very stylish. For me, what I wear isn’t really about how I look. I’m far more concerned with the message behind what I’m wearing. I always think deeply about what a garment says about me, but also what it says about culture, gender, sustainability, and other facets of our society.”

Despite being a fashion capital, Lagos stores offer limited options for plus-size customers, particularly from the ready-to-wear brands. Plus-size outfits are often double or triple the price for the same outfit in a smaller size. Momodu has often faced this struggle and instead relies on easily accessible tailors in Nigeria to create his custom wardrobe. It’s a process with less hassle, but still not ideal.

“I would not describe fashion in Lagos as particularly size inclusive,” Momodu says. “However, thanks to the prominent bespoke culture in Lagos, the ready-to-wear industry and its shortcomings do not have as totalitarian an influence on our clothing as they do in other parts of the world. People here regularly turn to the made-to-measure industry and employ local tailors to create clothing for special occasions like weddings, funerals, and birthdays, as well as for their day-to-day traditional attire.” The caftans that Momodu has become known for are mostly made-to-measure by his favorite tailor (the two have a collaborative relationship and Momodu will send fabrics to him). He describes the process as many Nigerians would: Tailors rarely stick to deadlines, but they always get the job done well.

The easy access to tailors and bespoke fashion isn’t the only thing Momodu is grateful for as a stylish man living in Lagos. He considers himself lucky to have access to the culture and history that surround him in Lagos. The creative scene and the never-ending supply of fashion inspiration fuel his storytelling as a creator.

“In Lagos, we are privileged to have access to such a rich and vibrant cultural history. As a creative, you can find inspiration everywhere you look,” Momodu says. “When it comes to prints, patterns, textiles, and color combinations, we have centuries worth of references to choose from. At its core, Nigeria is a melting pot of different cultures and influences, so local designers and artisans can draw from aspects of Nigerian culture without becoming homogenous.”

In August 2025, prestigious lifestyle and fashion magazine, ESSENCE, through Ugonnaora Owoh, wrote the following on an encounter with Eniafe Momodu with the topic, How One Of Nigeria’s Most Influential Style Icons Eniafe Momodu Is Crafting His Own Style Legacy

When I finally catch up with Eniafe Momodu, it’s in person at the Nordic Hotel in the middle of Lagos’ bustling suburbs, which Momodu has been calling home for the past week while working on some projects. Our conversation commences as we share thoughts on the recent Met Gala. He lights up as we unpack and undress this year’s theme, “Superfine: Tailoring Black Style.” It’s a lighthearted conversation, but he speaks with the clarity and authority that you would expect from Nigeria’s most prolific cultural dandy.

Momodu, a producer, photographer, writer, and entrepreneur is one of the most notable, young forces in African fashion. At just 27 years old, his creative repertoire is impressive. Born in London to a journalist father and an accountant mother, he describes his childhood as ridden with the characteristics of a multi-hyphenate. He was a precocious child whose earliest memories were shaped by his love of music and literature.

Momodu’s eccentric style has propelled his status as one of Lagos’ highly stylish individuals. Characterized by colorful garments and long-flowing silhouettes, his signature style has been replicated by many. Growing up tall and large, fashion to him was originally about concealment. His mother would dress him in clothes aimed at making him blend in and stand out as little as possible. The global pandemic and subsequent #EndSARS protests spurred his return to Lagos (having left at 16 to complete his studies in the UK), which led him to craft a new style identity.

At 11, he tells me he stumbled across an old digital camera, which instantly sparked a long-term relationship with photography and filmmaking. Throughout his early teens, he would capture candid moments of his family and friends at school. At 14, advised by a cousin to pursue photography more seriously, Eniafe approached his dad asking if he could buy him a professional camera. “I was lucky to be a second-generation creative,” he says. “My dad always encouraged my creative interests, but he was also a stubborn believer in academia.” Momudu explains that when he asked his father if he could buy a professional camera he declared he would if he received all A’s on his next report card. He notes that he doesn’t recall ever studying harder–however, he ended up receiving all A’s–and his camera was gifted by his father several weeks later.

That Nikon DSLR camera ushered in a new era for a young Eniafe, who quickly adopted photo-sharing apps like Instagram and Tumblr, becoming his secondary school’s de facto student photographer and yearbook editor shortly after. When Venus and Serena Williams visited Lagos in 2012 and hosted an inter-school tennis tournament, he was the youngest photographer granted access to document the showdown. 

“I was able to see that there was a real power in photography. Being able to document specific moments, whether they were intimate or big, and seeing the joy in people’s faces as they relive moments you’ve captured. Not to mention the access it gives you. This was before everyone was a photographer and could take high-quality pictures from their phones. It was a superpower back then,” he tells ESSENCE.

Eniafe’s image continues to loom large, and it can be imagined how much more of a great achievement he is poised to bring to the table in the coming years.

A hearty congratulations to the fashion icon!

Continue Reading

Boss Of The Week

Professor Abiodun Adeniyi: An Epitome of Leadership, Scholarship and Media Entrepreneurship

Published

on

By

By Adeoye Inioluwa

Professor Abiodun Adeniyi is a distinguished Nigerian media scholar, journalist, and academic leader whose career reflects a rare blend of professional journalism, rigorous scholarship, and institutional administration.

He currently serves as the Vice Chancellor of Baze University, Abuja, where he provides strategic academic leadership focused on innovation, excellence, and the advancement of higher education.

His academic foundation was laid at Ahmadu Bello University, Zaria, where he earned a Bachelor’s degree in Sociology. He furthered his professional training in journalism at the International Institute of Journalism, Abuja, before proceeding on the prestigious Chevening Scholarship to the University of Leeds, United Kingdom. There, he obtained a Master’s degree in International Communications and later completed a Doctor of Philosophy (PhD) in Communication Studies, with research that explored internet-mediated communication among Nigerians in the diaspora.

Before transitioning fully into academia, Professor Adeniyi built a solid career in journalism. He worked with Today Newspapers and later spent over a decade at The Guardian, where he distinguished himself as a reporter and editor covering politics, governance, and national affairs.

His years in the newsroom not only shaped his understanding of media practice but also grounded his later academic work in real-world experience.

Following his doctoral studies, he returned to Nigeria and briefly served as a Communications Consultant on the World Bank-supported Economic Reform and Governance Project at the Bureau of Public Procurement.
He later established Witswords Consults Limited, where he offered strategic communication advisory services to public and private sector institutions.

At Baze University, Professor Adeniyi has played a central role in academic development and institutional growth. Over the years, he has served in several capacities, including Head of Department of Mass Communication, Deputy Dean, Dean of the School of Postgraduate Studies, University Orator, Registrar, and ultimately Vice Chancellor.

He is widely recognized as one of the pioneering figures in strengthening postgraduate education and communication studies within the institution.

An accomplished scholar, his research interests span strategic communication, journalism studies, political communication, media and governance, diaspora and migration studies, and digital media. He has authored and co-authored scholarly works published in reputable outlets and has contributed to advancing discourse on media, democracy, identity, and communication in contemporary society.

Beyond academia, Professor Adeniyi has maintained active engagement in public discourse through consulting, research collaborations, and policy-related advisory work. He has worked with international development partners, including organisations such as the World Bank, European Union, USAID, and the International Organization for Migration, among others. His expertise has also been sought in media commentary, public lectures, and intellectual forums across Nigeria and beyond.
Colleagues and observers often describe him as a “public intellectual” whose work bridges the gap between theory and practice.

His contributions reflect a consistent commitment to ethical journalism, critical inquiry, and the role of communication in strengthening democratic governance and civic engagement.

Professor Abiodun Adeniyi stands today as one of Nigeria’s notable academic voices in media and communication studies. He is an intellectual whose career continues to demonstrate the enduring relevance of scholarship in shaping society, policy, and public understanding.

Continue Reading

Trending