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Watch Me Unleash Musical Talents from the Slum – K-Merit

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By Eric Elezuo

The musical airwaves will definitely be lacking in content without the contributions of this maverick songster, Kabir Abodunrin, better known by his stage, K-Merit. In this interview, K-Merit revealed the details that have shot him to the level of international just less than three years into the industry.

Could you kindly trace your background?

I was born as Kabir Abodunrin on February 17, 1993. Today I am better known by my stage name – K-Merit. I am Yoruba speaking Nigerian from Idiroko, one of the border towns in Nigeria; Idiroko. I am a qualified Economist having studied Economics at the Universite Polytechnique Internationale du Benin, Cotonou. I graduated in 2016. Well, I have told by not a few who has seen me perform or heard my music that I am a prolific artiste, and apart from my mother tongue – Yourba, I also speak English Language, Hausa, and Jamaican Patois.

Apart from music, what else do you do

I am a professional a calligrapher I addition to drawing. All in all, I am a very creative person as I am proficient with whatever has to do with the use of my imagination.

I had to somehow deviate from what we do at Idiroko where I come from. There, the people mostly smuggle to earn a living. This is because we live in a nation where border towns are deprived of social amenities and industrial development. The government seems to be concerned about customs excise duties/tariffs and nothing more.

I have therefore taken it upon myself to let the world know that we are talented, educated, and exposed, and with a bit of government attention, we can do more than what we are doing today. Watch me as I unleash talents from my slum.

What kind of songs do you sing and what impact do you hope to make?

Basically, I do dancehall and Afrobeat sounds. The intention is to preach harmony and love through my music.

When and why did you start playing?

I started doing full time music in shortly after my graduation from the university in 2016. I had to exercise enough patience before going into the musical field, and in between, I worked hard to obtain educational degree before exploring my talents and passion.  This was even made more possible because I have a principled father who believes so much in education. He has been very supportive.

My voyage into music also has a root in my love for unique fashion style. I am a fashion freak. Even before I started music as a career, many people had asked me one common question “Are you into entertainment?” They said I dress like one. This persistent question made me discover myself. People saw it in me even before I realized it, and when I finally did, I knew I had to use it to preach unity, love and peace.

Who was your biggest influence?

While growing up, I listen to a lot of Bob Marley, Fela Kuti, Sean Paul, 2face, and they seemed to have shaped my outlook to the musical world.

How have you developed your career and who or what are your greatest assistance?

In the course of my sojourn, I have come to realize that I alone can decide to succeed or fail based on the determination I have and the decisions I take. All in all, my family, Olisa Adibua’s mentorship and fatherly advice, as well as my team, Crystals Media Empire, and my fans have been a pillar of assistance in my road to success.

What strategies do you use in seeking out opportunities to project your work

I am an Economist, remember. I know the basic tool of every venture is to always minimise cost so as to maximise output or profit. This has been the reason I always optimize my musical parameters. Opportunities don’t come after artistes rather the artiste, especially up and coming ones like us stay alert to identify the opportunity when it comes, and grab its full potentials. I place my strength and weakness side by side and weigh every option.

Secondly, as a supplier of exceptional musical content, I had to understand the kind of people I am relating to. Again, I conduct researches about the market I am dealing with in terms of the hows, wheres and whys. I know how to make optimal use of scarcity. I knew Jamaican patois music is appreciated all around the globe, but there are few artists who deliver their message in this genre. So with the privileged ability to speak Patois, I quickly joined this group. I knew it would be easier to be heard outside the country. I kept on churning out borderless music, and in no time, I started gaining support from outside the country; even before I was known as an artist in Nigeria.

I didn’t just sing and wait, I also wrote a lot of proposals to music labels, and before one could say ‘jack’, Bentley Records New York was on my trail. Today, I have a Publishing/Distribution deal with them.

Is there anybody in the industry both home and abroad that you may wish to do ‘collabo’ with

Yes, Burna Boy because of his versatility. Again, there is Stromae (Belgian Musician) so as to hit the European (especially francophone) market. Damian Marley is also on my list so as to produce an epic prophetic song.

Which of your songs can you describe as a hit and what inspired the song

I can confidently say ‘Fame’. FAME is the single I dropped after the success of GIMME LOVE. It all started when my previous work made me visit Beat 99.9FM. I was interviewed by Olisa Adibua on the morning rush. It was a dream come true, because as a kid, I had enjoyed watching Olisa on the terrestrial TV. Everything that happened to me that day was remarkable. The treatment and hospitality I have been receiving afterwards has been massive. This was what inspired me to do the song ‘Fame’. In this song, I explained all the bitterness and sweetness that my musical career has enjoyed. How the value for freedom is being yearned for, but it is too late.

How do you rate the Nigerian music industry?
There has been a massive improvement. Music generates gross revenue in Nigeria now, compared to some years back. Back then, youths were scolded for choosing music instead of white collar jobs. African sounds, especially Nigeria sounds, are being recognized in the world today. The likes of Olamide, Reminisce, Wizkid, Davido are better appreciated outside the country. They enjoy sold out concerts all around the globe.

How challenging is the music industry?

It is as challenging as any other industry, and because it is a creative based industry, government should invest more in it. Good policies should be formulated and implemented to deal with piracy. Piracy is killing pure arts. Knowing the right plug is the problem, and this makes upcoming artist suffer a lot during the climb to greatness.
What should we expect from K-Merit in the coming years?

I intend to churn out more quality music this year. The Video to Fame drops this April, which is in a few weeks’ time. I therefore, enjoin all my fans and music lovers to be on the lookout. I will also be dropping an Extended Play (EP) later in the year.

Do you wear tattoos or have something odd like most musicians

(Laughs) well, there is a sort of tattoo on my chest, but I already had it even before I dreamt of stepping into the booth. Let me tell you a little about my tattoo:

My tattoos; my life! I see this ink on my chest a highlights of my whole life.
My tattoos; my pride!! It reminds me that I am surrounded by an amazing family.
My tattoos; my strength!!! It motivates me in millions of ways whenever I have a reason to quit.
The “Hail Mary” stands for my mother (Mariam), she was a virtuous lady.
The “Proverb III: XXIV” stands for the day she left this cruel world – March 24, 2008, which happens to be an Easter Monday.
The five boxes stand for me and my four siblings. It reminds me that all my mum’s seeds are going to be stars in their own right.
Any advice for as many that will wish to tow your path

Yes, they must realize that they path to glory is very challenging because you are not the only one on it. But with focus, determination, commitment and discipline, one can achieve any good thing he wishes to achieve. So be focused.

Where do we see K-Merit in the next five years

At the top! At the very top!

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Entertainment

Producer Par Excellence, Quincy Jones, Dies at 91

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Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.

Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”

In a career which began when records were still played on vinyl at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.

“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.

Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Source: APnews

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Rocky Dawuni Rises to the Occasion with New Single

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By Samantha Ofole-Prince

He is the first Ghanaian artist to have ever been nominated for a Grammy award and is back with a new single just in time to be nominated for music industry’s biggest night.

Titled “Rise,” the single blends Afrobeat and highlife with Hip-Hop and is the first official release from his forthcoming album which will be distributed by Aquarian Records through Tuff Gong International, the label founded by Bob Marley and Rita Marley.

“Imagine what we could do if we organize? Imagine what we could do if we unify?” Dawuni sings with conviction in the video directed by Emmanuel and Samuel Appiah Gyan.

“Rise,” Dawuni says, “Is an anthem for overcoming adversity and celebrating life’s victories.”

A trailblazing performer who has shared the stage with Stevie Wonder, Ozomatli, Peter Gabriel and Angelique Kidjo, Dawuni was named one of Africa’s Top 10 global stars by CNN.

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Glo-Sponsored African Voices Features Celebrated Singer, Rema

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Nigeria’s Afrobeat music star and multiple award-winner, Rema, will be featured this week on African Voices Changemakers, CNN International’s  magazine programme,  sponsored by telecommunications company, Globacom.

Born Divine Ikubor, the 24-year-old artiste from Edo State, discovered his passion for music as a  church chorister and a rapper who entertained his peers  in his secondary school, Ighile Group of Schools in Edo State.

Rema came into limelight after posting a viral freestyle on Instagram to D’Prince’s song “Gucci Gang”. Wowed by his rare talent, D’Prince flew him to Lagos and offered him a record deal with Jonzing World, a subsidiary of Mavin Records owned by music executive and producer Don Jazzy. His 2019 hit “Dumebi” was the first fruit of the contract.

His  international breakthrough happened in 2022 with his single “Calm Down”, which led to a remix with American singer Selena Gomez. The song peaked at number three on the Billboard Hot 100 and first on Billboard Afrobeats Songs chart for a record-setting 58 weeks.

His talents have earned him  several awards including the MTV Video Music Award for Best Afrobeats Video and the Billboard Music Award for Top Afrobeats Songs.

He was recognised for achieving 1 billion streams worldwide during his London concert on November 7, 2022 and he also performed at the Ballon d’Or ceremony held at the Theatre du Châtelet in Paris, France on October 30, 2023.

The  edition will be broadcast on Saturday at 8.30 a.m., with repeats at noon the same day. More repeats come up on Sunday at 4.30 a.m., 7.00 p.m. and on Monday at 4.00 a.m.

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