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Ibrahim Chatta: The Resurrection of Stanislavski (A Movie Review by Tola Adeniyi)

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Not since the display of energy and passion by Duro Ladipo as Sango at Koso, Kola Ogunmola as Lanke Omu in Palmwine Drinkard, Sonni Otti as Danda in Danda, Jimi Solanke as Overamwhen Nogbaisi in Overamwhen Nogbaisi or Columbus Irosanga [not in his role as powerful chief priest Igbudu in the 2003 Nollywood blockbuster movie Issakkaaba but the young Irosanga who almost set both the stage and audience ablaze with his act in Port Harcourt in 1975] have I been literally thrown off my seat by Ibrahim Chatta last week.

Covid-19 had locked me down and locked me up with the Nollywood series on GoTV and for several hours each passing day, it was a switch between movies and the news channels. My eyes have been entertained with the best and the worst in Nigerian movies and also pissed off with several nauseating shades of bleached skins that made me to wonder once a while whether I was seeing double in Coca-cola bodies carrying Fanta faces!

Chatta sent me to memory lane of my younger days as Macbeth in Macbeth, Mr. Sipo of Sipo Amalgamated in Dinner for Promotion, Smirnov ‘the Bear’ in Chekov’s The Bear and the sweet Prince of Aragon in Merchant of Venice among several others. What a huge loss Movie Industry has inflicted on Stage Drama!

The star-studded movie which provoked this review is titled Ofin Ilu Wa which celebrates some of the leading giants in Nollywood such as Odunlade Adekola as Chief Diviner [ Babalawo] of Ilu Ayero, Saidi Balogun as Oba Adeoti, Bukky Wright as his Olori la’afin, Segun Ogungbe as Akanji Anikinnikun, Sola Kosoko, daughter of Grandmaster Jide Kosoko, as Atoke Orodoyin, Muphy Afolabi as Deputy to Chief Diviner, Faosat Balogun as Mama Agba, Ajidara as Oba Adeoti’s father, Afeez Abiodun as Oloye and Amusan, Mr. Latin a palace courtier and many more.

A grade A movie, OFIN ILU WA, with script written by Dare Ogungbe, has all the essential qualities of the best in film production. The script, theme, message, moral, location, casting, costume, scenic sequence and flawless flow, make-up, special effects and spectacular grandeur are simply beyond words. It certainly is not a low budget enterprise. The movie will dignify the screen of any cinema house anywhere in the world.

The story is set in a rustic village where the passing Oba called up his heir to the throne and admonished him never to get drunk with power and to always remember that laws [Ofin Ilu Wa] are made for man and not the other way round. The supposed heir to the throne was not actually entitled to the throne but was rigged in by manipulation. Hence everything went wrong on his assumption to the throne.

Chief Diviner told the King that human sacrifice must be made to appease the gods. In such situations there is always a curfew and whoever broke the curfew would be the cursed sacrificial lamb. Unfortunately the daughter of Chief Priest, the Abore, whose duty it was to carry out the execution dreamt that her father was in an imminent danger and therefore travelled out to warn her father but unfortunately arrived the village late in the night and got caught in the web of the curfew enforcers.

Atoke Orodoyin was sacrificed by her father as divined by the gods. Her brother Anikinniku was enraged and was bent on vengeance. He and his militia men gang-raped a village beauty and he alone was sentenced to death. The Abore who had earlier sacrificed his own daughter for the village was enraged and confronted Adeoti the King. Adeoti responded by banishing him or with the option of suicide. Enraged Abore, challenged the King to let go his [Abore’s] son and daughter in the palace, whereas unknown to the Oba, the two children born by Olori were actually fathered by the Abore.

The dénouement was the suicide of both the Olori and the King and scrapping of the village as Abore in powerful invocations led the whole village out [obviously to found a new town!]

The whole drama starts on high pitch note. Saidi Balogun as the Oba, dramatizes his love for power drunkenness ignoring his Olori Bukky Wright’s intermittent warning that his excesses would have dire consequences.

As expected of star studded movies, all the actors in the movie proved their mettle. But Ibrahim Chatta was simply mesmerizing. He gave his body, soul, spirit and voice to Atanda Aworo’sa the revered Abore [Chief Priest] of Ilu Ayero. He became Aworo’sa personified. When it dawned on him that his daughter was the victim caught that night, he displayed unusual equanimity and stoicism which left the entire village dumbfounded. And as he moved to the scene and spot of the sacrifice, the spectators in the movie as well as the viewers in my living room were drowned in tears…first class character acting. Konstantin Stanislvski rose from his grave and became whole!

At the point Aworo challenged the King to release his two children, Chatta’s voice and looks were no longer his. And when Aworo was summoning all the villagers to move en masse in procession out of the vanquished Ayero, Chatta has assumed the aura not just of the Chief Priest but of the Oracle himself! Chatta transformed from humanity to the gods and effortlessly elevated himself to pantheon of gods!

Full of electrifying invocations and evocations of magical proportions, Chatta gave his face and eyes to Sango, the dreaded Yoruba God of Thunder, and replaced them with Sango’s. His voice rang out to thev skies and not ball the ground shook, but heavens echoed.

In fitful feat of frightening fury, the energy burst of Ogunmola, Duro Ladipo, Isoronga and Sonni Otti grabbed Ibrahim Chatta’s face, voice and limbs while he repeatedly lashes the ground with a bewitching chain. And the villagers trooped out in unquestioning obeisance.

Chatta, the Chaka of Drama and theatricalities henceforth resided in the body and soul of Konstantini Stanislavsky.

In years to come, Ibrahim Chatta’s tremendous energy, dexterity, versatility and inimitable character interpretation will be high in the curriculum of Acting Classes.

TolaAdeniyi is the Chairman, TOLA ADENIYI FOUNDATION FOR THEATRE AND THE ARTS [TAFTA}

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Tinubu Forced Obi, Kwankwaso to Work Together – Dele Momodu

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A chieftain of the African Democratic Congress, Dele Momodu, has claimed that President Bola Tinubu is the one who forced opposition leaders such as Peter Obi and Rabiu Kwankwaso into working together ahead of the 2027 elections.

In an interview on Channels Television on Wednesday, Momodu argued that the current unity among some opposition figures is not born out of genuine long-term commitment but is a reaction to pressure from the ruling government.

“Tinubu forced all of them together. And that is why they all moved in one direction. Which would have been beautiful, because it would have been like a two-party race,” Momodu said.

The publisher of Ovation International made the comment while reacting to the defection of Obi and Kwankwaso to the Nigeria Democratic Congress.

Obi, the 2023 Labour Party presidential candidate, dumped the ADC on Sunday alongside former New Nigeria People’s Party presidential candidate, Kwankwaso, citing legal disputes within the coalition and a toxic political climate.

The move sparked debate about a possible joint presidential ticket between the two opposition figures in the 2027 election.

Momodu, however, warned that the political situation has changed significantly since the 2023 election and cautioned against assumptions of automatic voter retention for major candidates.

“Are you saying that Tinubu will retain all the 8 million plus people that voted for him last time? How are you sure… What is the guarantee that Obi and Kwankwaso are the only people who will retain all those who voted for them last time? The situation has changed,” he queried.

Momodu added that if Tinubu allows a free and fair election, “he might not even get 3 million votes.”

He cited the poor performance of some G5 governors who could not secure senatorial seats in their states, including Enugu, Abia, and Benue, as evidence of shifting voter loyalty.

On coalition talks, the ADC chieftain said his party remains focused and steadfast.

He welcomed those willing to join but rejected any form of blackmail or the idea that victory depends on a single individual.

“Those who want to join should join. Those who do not want to join, you cannot succumb to blackmail. That only one man can make us win,” he declared.

He noted that the 2019 alliance between Atiku Abubakar and Obi did not produce victory, while their separate contests in 2023 also failed to unseat the ruling party.

He advised political actors to remain calm, quoting his late unlettered mother: “Stop running from whatever is chasing you, because you might run into what is chasing you.”

He wished the former Anambra governor well in testing his popularity elsewhere and stressed that no one should be forced out of the race based on one person’s claims.

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Nigerians Won’t Eat Your Bogus GDP Figures, ADC Tells FG

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The African Democratic Congress (ADC), on Wednesday, faulted the Federal government’s celebration of Nigeria’s reported GDP growth, saying the figures do not reflect the economic strain facing ordinary citizens.

The party’s position speaks to a growing gap between official claims of progress and the daily reality of rising food prices, shrinking incomes, job losses and mounting business costs across the country.

In a statement by its National Publicity Secretary, Bolaji Abdullahi, the ADC said economic growth is meaningless if it does not improve how people actually live.

“People do not eat GDP,” Abdullahi said.

The party said millions of Nigerians remain trapped in hunger, inflation, unemployment and weakening purchasing power despite government claims of recovery.

Rejecting the government’s narrative, the ADC said, “The African Democratic Congress (ADC) rejects the Federal Government’s attempt to use headline GDP figures to whitewash the deep economic suffering Nigerians are currently enduring across the country.

“No government should be celebrating economic statistics while millions of its citizens are battling hunger, poverty, collapsing purchasing power, and rising hopelessness.

“The reality of the Nigerian economy is not what is written in government presentations. The reality is what Nigerians confront every day in markets, on farms, in factories, in shops, and in their homes.”

The party pointed to intensifying pressure on households and businesses nationwide.

Abdullahi said: “Food prices are unbearable. Transportation costs have become punitive. Small businesses are shutting down daily under the crushing weight of inflation, energy costs, and weak consumer demand. Salaries have lost value. Families who once lived modestly are now struggling to survive.

“Economic growth that does not reduce suffering, create jobs, improve incomes, or restore dignity to citizens is empty growth. Growth that only exists in official reports while citizens descend deeper into hardship is not meaningful progress.”

The ADC also questioned what Nigerians are being asked to celebrate under current conditions.

The party said, “The purpose of governance is not to manage public relations for economic statistics. The purpose of governance is to improve the living conditions of the people.

“What exactly should Nigerians celebrate? The fact that food inflation continues to devastate households? That millions of young Nigerians remain unemployed or underemployed? That businesses are collapsing faster than new ones are emerging? That more citizens are slipping into poverty despite working harder than ever?”

Calling for a shift in approach, the party urged the government to prioritise measurable improvements in citizens’ welfare over headline figures.

The ADC said: “A government that is serious about economic recovery would show humility, acknowledge the pain Nigerians are experiencing, and focus on delivering measurable improvements in living conditions instead of celebrating figures that have no meaning to hungry citizens.

“The ADC believes that the true test of economic policy is simple: Can Nigerians live better today than they did yesterday? For millions of Nigerians, the answer is no.

“Nigeria needs an economy that works for ordinary people, not an economy that only looks impressive in presentations to investors and international institutions.

“Until growth is felt in the homes of ordinary citizens, through affordable food, stable electricity, decent jobs, lower business costs, and improved purchasing power, this government has no moral basis to declare economic success.”

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I’m Not Leaving ADC, Rhodes-Vivour Vows

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The 2023 governorship candidate of the Labour Party (LP), in Lagos State, Gbadebo Rhodes-Vivour, has opted out of the Obidient Movement, saying he is not leaving the African Democratic Congress, ADC.

Rhodes-Vivour is a staunch supporter of Peter Obi, who moved from the ADC to the Nigerian Democratic Congress, NDC, on Sunday.

Since Obi and his prospective 2027 running mate, Rabiu Kwankwaso, joined NDC, there has been a gale of defections from the ADC to NDC.

However, in a statement on Tuesday, Rhodes-Vivour said himself and his team would remain in ADC to fight for a better Nigeria.

“To those who have made the difficult decision to move on to a new platform, I offer my genuine respect and best wishes.

“These are hard choices, We are all fighting for a better Nigeria, even when our roads diverge. I want to make it clear that I am staying in the ADC,” he said.

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