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Retro Africa Presents “Ènìyàn: Escape Room”, a Solo Exhibition by Yusuff Aina

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Retro Africa gallery is pleased to announce its upcoming solo exhibition “Ènìyàn: Escape Room”, opening to the public on Thursday July 6th, 9AM – 5PM, at Art Twenty One, featuring a selection of works by Yusuff Aina.

The exhibition is a comprehensive representation of Yusuff Aina’s artistic practice and a visual journal of his personal transformation—from vulnerability to strength, self-awareness, and stillness. This body of work consists of 31 new paintings, a site-specific installation, and a soundscape, all serving as portals into Aina’s art of
worldmaking through altered physical spaces, experimentation, and symbolism.

Acknowledging the chaos and fast pace of today’s world, the project initiates a global
discourse on mental well-being, sound mind, and freedom. By placing Ènìyàn in
liminal spaces such as open doorways, stairways, and void-like environments, Aina
reflects on the stages of confusion and indecision that individuals often experience.

The figure is depicted in various states of contemplation and flux as it navigates the
artist’s mythical universe—an unnamed, expansive world situated between nowhere
and everywhere. “Ènìyàn : Escape Room” represents an immersive exhibition that
delves into the intricate voyage of Yusuff’s artistic practice, encapsulating the depths
of his emotional exploration and the potent influence of self-discovery, this exhibition
invites spectators to navigate the intricacies of vulnerability, resilience, and the relentless pursuit of personal growth.

Through a captivating dialogue between the
artist, Yusuff, and the viewer, this exhibition serves as both a therapeutic exploration
and a call for collective introspection.
Yusuff’s profound realization of his own emotional struggles was catalyzed by the
unprecedented circumstances brought forth by the COVID-19 pandemic, which compelled him to embark on a period of deep introspection and self-reflection. As the world came to a standstill, confining him within the parameters of his apartment and
presenting him with financial obstacles alongside an abundance of time, he seized
this opportunity to embark on a transformative inward journey, questioning the very motivations and aspirations that propelled him.

Ènìyàn: Escape Room is presented in six unique rooms, each characterised by a
distinct colour that corresponds to a group of similar emotional states. For example,
Àina’s White Room represents an indeterminate state in which it is difficult to define one’s mood, while his Black Room symbolises a mind state that consumes all others.

The red room alludes to feelings of pain, anger, ego, and pride, while the blue room
captures the space between sadness and YUSUFF AINA 2023 vulnerability. The yellow room symbolises timidity, and the green room signifies tranquillity and euphoria.

Ultimately, these rooms invite audiences to explore the concept of mobility, where
mobility signifies healing and personal growth, enabling us to evolve into improved
versions of ourselves.

Reflecting on the project, Àina states, “The issues I explore encompass both physical and psychological aspects, such as domestic violence, low self-esteem, anxiety, and more. I invite the public into a space of self-awareness—a fertile ground to confront the situations lurking in the shadows of our personal lives and in society at large. Above all, it is my hope that the thoughts explored in this project empower people to fully embrace themselves and embark on a new path or continue progressing on an existing one.”

During this period of profound introspection, he began confronting deeply ingrained doubts and insecurities, many of which had eluded his conscious awareness.

The impact of diminished self-esteem, depression, and anxiety gradually came into focus, revealing the emotional complexities that he unknowingly carried within himself.
Through his paintings and installations, Yusuff endeavoured to articulate the struggle to attain authenticity and liberate himself from societal expectations that had exerted influence over his artistic output in the past.

“Ènìyàn : Escape Room” is both an artistic display and an invitation to embrace
vulnerability, engage with our own emotions, and navigate the complexities of the human experience. By entering each distinct room, visitors are encouraged to see
themselves reflected within the narratives woven by Yusuff’s artistry. It becomes a
space for personal connection, empathy, and understanding, fostering a sense of
unity among individuals who may have divergent backgrounds and experiences.
Retro Africa Founder Dolly Kola-Balogun, stated: “In the transformative realm of
our minds, viewers are invited to explore their own paths of self-discovery, finding
solace, inspiration, and a renewed sense of purpose. The exhibition serves as a
poignant reminder that introspection is a powerful tool for growth, offering a profound opportunity to connect with ourselves and, ultimately, with one another.”

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2027: We’re on Track, ADC Hails S’Court Ruling

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The African Democratic Congress (ADC) has declared that it would never be intimidated, distracted, or silenced in its push to realize a better Nigeria.

Spokesman of the ADC, Bolaji Abdullahi, said this in reaction to the Supreme Court ruling, which affirmed David Mark’s leadership of the party.

Abdullahi said the judgment has affirmed that the Mark and Rauf Aregbesola leadership of the party is legitimate.

Abdullahi said: “The African Democratic Congress (ADC) congratulates all our members and leaders across the country on today’s Supreme Court ruling which affirmed the leadership of our party under Senator David Mark as National Chairman, and Ogbeni Rauf Aregbesola as National Secretary.

“Today’s decision is a clear affirmation that our party, its structures, and its leadership under our National Chairman, Senator Mark, and our National Secretary, Ogbeni Aregbesola, are legitimate.

“We commend the five-man panel of the Supreme Court, whose unanimous judgment has today done great credit to the judiciary in our country and our political system.

“However, while we welcome this judgment, we do not mistake it for the end of the struggle. The events leading up to this moment have exposed a troubling pattern of interference, bad faith, and attempts to weaken opposition voices in Nigeria.

“Let it be clearly stated: the ADC will not be intimidated, distracted, or silenced. We remain resolute in our mission to provide Nigerians with a credible alternative.

“We therefore urge all our members, supporters, and democratic stakeholders across the country to remain vigilant.”

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Tinubu Appoints Bianca Ojukwu As Foreign Affairs Minister

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2027: Lagos APC Guber Aspirant Rejects Hamzat As Consensus Candidate

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All Progressives Congress (APC) governorship aspirant in Lagos State, Samuel Ajose, has declared that the endorsement of Deputy Governor Obafemi Hamzat as the next governor by Governor Babajide Sanwo-Olu and the Governance Advisory Council (GAC) will not stand.

GAC, regarded as the highest decision-making body of the All Progressives Congress in Lagos State, endorsed Hamzat, as its consensus candidate for the 2027 governorship election.

The decision was reached during a closed-door meeting held at Lagos House, Marina, indicating an early alignment within the ruling party ahead of the next electoral cycle.

Speaking after the session, GAC leader, Tajudeen Olusi, said members unanimously agreed on Hamzat, expressing confidence in his ability to sustain and build on the state’s developmental progress.

Olusi explained that the meeting was convened to deliberate on the party’s forthcoming primaries and assess the governorship position ahead of the 2027 elections.

Speaking about the GAC adoption of Hamzat as Lagos APC consensus 2027 governorship candidate on Arise News on Tuesday, Ajose said that Sanwo-Olu and others are trying to force President Tinubu into making a decision.

“I don’t think our president, Asiwaju Bola Ahmed Tinubu, is giving in to what they are doing.

“What they are just trying to do is to coerce him into taking a decision, and I don’t think that decision will stand.”

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