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The Oracle: Entertainment, the Next Hope for Nigeria After Oil (Pt. 1)

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By Prof Mike Ozekhome

INTRODUCTION

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience’s attention (The Oxford English Dictionary (Oxford University Press, 1971, Vol. 1 pp. 213–4)).

According to Wikipedia, Entertainment is any activity which provides a diversion or permits people to amuse themselves in their leisure time, and may also provide fun, enjoyment and laughter. People may create their own entertainment, such as when they spontaneously invent a game; participate actively in an activity they find entertaining, such as when they play sport as a hobby; or consume an entertainment product passively, such as when they attend a performance (Wikipedia, Outline of entertainment. https://en.wikipedia.org/wiki/Outline_of_entertainment).

The entertainment industry (informally known as show business or show biz) is part of the tertiary sector of the economy and includes a large number of sub-industries devoted to entertainment. However, the term is often used in the mass media to describe the mass media companies that control the distribution and manufacture of mass media entertainment. In the popular parlance, the term show biz in particular connotes the commercially popular performing arts, especially musical theatre, vaudeville, comedy, film, and music. It applies to every aspect of entertainment including cinema, television, radio, theatre and music.

ECONOMIC DEVELOPMENT AND THE DEMAND FOR LEISURE

Leisure time has been a determining factor in the development of recreation and entertainment as an industry. Entertainment has grown as an industry in step with increased income and time available for leisure and recreation. Economic development, often quantified in terms of productivity or output per person-hour, has enabled goods and services to be produced with fewer labor inputs. The growth of the entertainment industries has been directly related to the development of a modern economy and rising economic productivity, though precise estimation of the demand for leisure is a thorny task (Owen, John D. 1971. The Demand for Leisure. Journal of Political Economy 79 (1): 56–76.). An important issue in the development of entertainment as an industry is the rising productivity of workers, and in particular the ways in which technical progress has increased worker productivity. Progress in technology, in addition to creating the demand for entertainment products and services, has also led to the creation of much of the dominant forms of contemporary entertainment (Thomson Gale. Loc cit.).

THE ENTERTAINMENT INDUSTRY: GROWTH AND PROGRESS

The Compound Annual Growth Rate (CAGR) of the entertainment and media spending worldwide has been predicted between 2014 and 2019, by sector. Of the 13 sectors that make up the Entertainment and Media industry, film will grow at the seventh-fastest pace worldwide. The fastest is Internet advertising, which will grow 13.1 percent annually from 2013-2017. Print will bring up the rear, with magazine publishing growing at 0.3 percent, while the newspaper industry remains flat. A milestone will occur in 2016, when the global E&M category becomes a $2 trillion industry (http://www.billboard.com/biz/articles/news/global/1565728/study-global-entertainment-industry-poised-to-top-2-trillion-in).

Despite forecasts revealing that online formats will experience the most annual growth, a further breakdown of worldwide entertainment and media revenue in 2009, 2013 and 2018, by platform reveals that non-digital platforms such as magazine and newspaper publishing will continue to dominate. In 2009, digital revenue for the industry totaled 342 billion U.S. dollars and non-digital revenue totaled 1,038 billion U.S. dollars. By 2018, it is expected that digital revenue will total 994 billion.

Entertainment as an industry—in the United States alone—is responsible each year for $150 billion in expenditures and some 120 billion hours of consumed time (Vogel, Harold L. 1998. Entertainment Industry Economics: A Guide for Financial Analysis. 4th ed. New York: Cambridge University Press.). Entertainment as an economic sector consists of diverse products and services including motion pictures, television, music, broadcasting, print media, toys, gaming, gambling, sports, and fine arts (Thomson Gale, Entertainment industry. International Encyclopedia of the Social Sciences 2008.). In 2017, Americans will buy 1.3 billion movie tickets and pay an average price of $9.60 for them, according to PwC, representing a slow growth of 1.3 percent a year in admissions and 2 percent a year in ticket prices stateside.

Based on PwC’s Global Entertainment & Media Outlook, the global E&M industry, following a pandemic-related decline in 2020, has experienced a period of significant growth. The industry in 2026 has reached an approximate growth rate of US$3 trillion in revenues.

Following a 2.3% decline in 2020, the industry saw a 10.4% rebound in 2021. Global advertising revenue has increased to $1 trillion in 2026, with digital advertising continuing to grow, at a 6.6% or higher CAGR

The Key Growth Drivers of the entertainment industry in Nigeria today includes but not limited to:
Video Games: Global video games and esports revenue, totaling US$215.6bn in 2021, is forecasted to grow at an 8.5% CAGR to reach US$323.5bn in 2026.
Over-the-top (OTT) Video: Expected to grow at a 7.6% CAGR through 2026, pushing revenues to US$114.1bn.
Cinema: Projected to reach a new high in 2023, with revenues rising at an 18.9% CAGR from 2021 to 2026.
Virtual Reality (VR): Forecasted to grow at a 24% CAGR to US$7.6bn in 2026.

The Emerging markets continue to lead with higher CAGRs, including Turkey (estimated 14.2%), Argentina (10.4%), India (9.1%), and Nigeria (8.8%) between 2021 and 2026. In contrast, however, traditional TV has declined at a -0.8% CAGR from 2021 to 2026.

THE ENTERTAINMENT INDUSTRY OF NIGERIA

Nigeria’s entertainment industry is a booming global force, led by Nollywood (the film industry), the world’s second-largest by volume, and a vibrant music sector (Afrobeats), both driving significant economic growth, international cultural influence, and job creation, despite ongoing challenges like piracy and rising production costs, with streaming and digital platforms fueling its massive expansion.

Entertainment serves as a major force for social and economic good, the sector provides, educates, and releases stress. The Nigerian entertainment industry is a major economic driver, (a rapidly expanding global powerhouse), with revenues expectation of $4.9 billion in 2026. The sector contributes significantly to GDP, with over ₦1.97 trillion generated in 2023. Digital streaming and social media are major drivers, connecting local talent to international audiences.

The Entertainment industry in Nigeria comprise of the film sector, the music sector, the comedy sector, the fashion and the art sector. The Nollywood veteran, Richard Mofe Danmijo, while delivering a speech at Professor Pat Utomi’s Annual Lecture, on 15th January, 2015, titled: “Impact of Entertainment on Nigeria’s Economy”, surmised the contribution of the Entertainment sector to the economy of Nigeria in this way: “Nollywood, the film and video segment, is the clear leader. In the last couple of years, our music has taken the world by storm. Our art is making in-roads into the global marketplace. Fashion has set its footstool in the global arena. Life theatre has come alive and the new media has continued to make these different aspects of entertainment available to the world in real time,”

NOLLYWOOD

According to Wikipedia, the emergence of the video film market in Nigeria is traced back to the 1980s when television productions thrived. Jimi Odumosu’s Evil Encounter, a 1980 horror film released directly on television, was the first production to be a pointer to how lucrative making film directly on video can be (Wikipedia, Cinema of Nigeria. https://en.wikipedia.org/wiki/Cinema_of_Nigeria). The film was extensively promoted before being aired on the television, and as a result, had streets flooded in the following morning with video copies of the recorded broadcast. It was reported that the film became an instant hit at Alaba market, a commercial district which later became the hub of video distribution in this period and also eventually became the hub of piracy in Nigeria. Since Evil Encounter, it became common, especially in Southern Nigerian cities to see video copies of recorded television programmes traded on the streets (History of Nollywood”. Nificon. Retrieved 15 October 2014. http://www.nificon.org/about/history-of-nollywood/).

This method was adopted and built on by producers and distributors at Alaba Market to reinvent the film industry, since the Nigerian cinema culture was facing a major decline. The first film produced on video in Nigeria was 1988’s SosoMeji, produced by Ade Ajiboye. The film was also screened at the few available theatres at the time. Subsequently, Alade Aromire produced Ekun (1989) on video, which was screened at the National Theatre, Iganmu (Emeagwali, Gloria (Spring 2004). “Editorial: Nigerian Film Industry”. Central Connecticut State University. Africa Update Vol. XI, Issue 2. Accessed January 30th, 2026) Emejulu, Obiajulu A.; Amadi, Dan Chima (December 2014). “Living in bondage: A dream deferred or a promise betrayed for Igbo linguistic and cultural renaissance?”. Academic Journals. International Journal of English and Literature. Retrieved 7 April 2015).

However, the boom experienced in this era is generally believed to have been kick started by Kenneth Nnebue’s Living in Bondage (1992). Nnebue had an excess number of imported video cassettes which he then used to shoot his first film on a Video camera (Nigeria’s film industry, The Economist”. Economist.com. 2006-07-27.). Although Living in Bondage is often touted in the media as the “first commercial video film”, several historians have argued that the video film industry was already booming before Living in Bondage (Nnabuko, J.O.; Anatsui, Tina C. (June 2012). “NOLLYWOOD MOVIES AND NIGERIAN YOUTHS-AN EVALUATION” (PDF). JORIND 10. 10 (2). ISSN 1596-8308. Retrieved 18 February 2015).

At the commencement of major boom in the 1990s, marked by the release of the direct-to-video film Living in Bondage (1992); the industry peaked in the mid 2000s to become the second largest film industry in the world in terms of the number of annual film productions, placing it ahead of the United States and behind only India. The films started dominating screens across the African continent and by extension, the Caribbeans and the Diaspora, with the movies significantly influencing cultures, and the film actors becoming household names across the continent.

According to Muyiwa Babarinde , the influence of Nigerian films has also crossed beyond the Nigerian borders (Op-Ed Editor and MuyiwaBabarinde, Y! Report: Nigeria’s emergence as Africa’s media and entertainment superpower. http://ynaija.com/y-report-nigerias-emergence-as-africas-media-and-entertainment-superpower/). Late Tayo Aderinokun, cofounder of Guaranty Trust Bank (GTB), in a 2004 speech said: “According to the Filmmakers Cooperative of Nigeria, every film in Nigeria has a potential audience of 15 million people within the country and 5 million outside. These statistics maybe somewhat conservative considering that half of West Africa’s 250 million people are Nigerians.” (TayoAderinokun, There are many untapped business opportunities in Nigerian film industry. Presentation made at the 50th Art Stampede Session of the Committee for Relevant Art (CORA) held at The National Theatre, Iganmu, Surulere, Lagos, Nigeria on Sunday March 7th, 2004.).

To be continued…

THOUGHT FOR THE WEEK

“The world is a stage, the stage is a world of entertainment”. -Howard Dietz

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The Oracle

The Oracle: Understanding the Economic, Social and Cultural Rights of Nigerians (Pt. 3)

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By Prof Mike Ozekhome

INTRODUCTION

For the past two weeks, we have dealt extensively on this treatise. We discussed the following themes:
i. Assault on economic rights in Nigeria under the military juntas;
ii. Social rights;
iii. Cultural rights and
iv. Justiceability or otherwise of economic, social and cultural rights.

This concluding part of the treatise will examine human rights under other relevant international/universal instruments such as the African Charter on Human and Peoples Rights. Please read on.

OTHER INTERNATIONAL UNIVERSAL INSTRUMENTS

There are various International Instruments that recognize economic, social and cultural rights of people. Article 1 of the Universal Declaration of Human Rights, 1948, declares that:

“All human beings are born free and equal in dignity and right. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood”.

THE POSITION OF AFRICAN CHARTER ON HUMAN AND PEOPLES RIGHTS

The African Charter on Human and Peoples Rights, 1981, also recognizes the position of human rights severally among others, and thus provide for the right to peace, development, satisfactory environment and the right to respect the common heritage of mankind. This is as provided for in Article 20 of the African Charter on Human and Peoples rights, which guarantees:

“Freedom, equity, justice and legitimate aspirations of African peoples”

To give effect to these rights, the leaders of the then Organization of African Unity (OAU), now African Union (AU). also reaffirmed the pledge solemnly made in Article 2 of the said Charter, to eradicate all forms of colonialism from Africa, to co-ordinate and intensify their co-operation and efforts to achieve a better life for the peoples of Africa and to promote international co-operation having due regard to the Charter of the United Nations and the Declaration of Human Rights and taking into cognizance, the virtues of their historical tradition and the values of African Civilization, which should inspire and characterized their reflection in the concept of human and people’s rights.

They are also recognized on the one hand, that Fundamental Human Rights stem from attributes of human beings, which justify their international protection; and on the other hand, that the reality and respect of people’s rights should necessarily guarantee human rights. To achieve this, it should be borne in mind that the enjoyment of rights and freedoms also implies the performance of duties on the part of every citizen.

The leaders were convinced that it was essential to pay particular attention to the right to development and that civil and political rights cannot be dissociated from economic, social and cultural rights as a guarantee for such civil and political rights. This position is well encapsulated in Article 22 of the African Charter on Human and People’s Rights, which provides that:

i “All peoples shall have the right to their economic, social and cultural development with due regard to their freedom and identity and in the equal enjoyment of the common heritage of mankind”

ii “States shall have the duty, individually or collectively to ensure the exercise of the right to development”

Nevertheless, the duty to achieve the total liberation of Africa, the peoples of which are still struggling for their dignity and genuine independence and undertaking to eliminate colonialism, neocolonialism, apartheid, Zionism and to dismantle aggressive foreign military bases and all forms of discrimination, language, religion or political options, were then the major pre-occupation of African leaders. They were firmly convinced of their duty to promote and protect human and people’s rights and freedoms, taking into account the importance traditionally attached to these rights and freedoms in Africa.

It is therefore submitted with respect, that by the provisions of all the international instruments on human rights, man has been significantly elevated to the echelon of a subject of international law beyond municipal or State

CONCLUSION

It is obvious that the economic, social and cultural rights of Nigerians have been violated severally by various successive governments and such violation is encouraged by their non-justiciability by virtue of the provisions of Chapter II the Constitution of the Federal Republic of Nigeria, 1999, as altered. The question thus posed as a result of this ugly trend would be: Does this mean that we should all fold our hands and watch these rights violated? Is there nothing the Nigerian people can do to litigate these rights?

The answer in conscience is that there is much we can do. We must encourage and promote the enforcement of all the fundamental objectives and directive principles of state policy as they are meant to enhance the living conditions of man. It is noteworthy however, that all international Human Rights Instruments recognize economic, social and cultural rights of the people. Nigeria not being an island unto itself cannot be cocooned in self-defeatism and haplessness. She must move with the civilized world and render ECOSOC rights justiciable and enforceable. It is the duty of Civil Society and every affected citizen to challenge violation of the provisions of Chapter II of the 1999 Constitution of the Federal Republic of Nigeria, as altered. (The end).

THOUGHTS FOR THE WEEK

“True freedom requires the rule of law and justice, and a judicial system in which the rights of some are not secured by the denial of rights to others” – Jonathan Sacks.

“The sacred rights of mankind are not to be rummaged for among old parchments or musty records. They are written, as with a sunbeam, in the whole volume of human nature, by the hand of the divinity itself; and can never be erased or obscured by mortal power” – Alexander Hamilton.

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The Oracle

The Oracle: Understanding the Economic, Social and Cultural Rights of Nigerians (Pt. 2)

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By Prof Mike Ozekhome SAN

INTRODUCTION

The inaugural part of this piece was necessarily foundational: it defined ‘human rights’; ‘economic social and cultural rights’ and also reviewed historical assault on economic rights by military juntas in Nigeria. Today we continue same theme after which we shall delve into social and cultural rights and equally examine their justiciability. Enjoy.

ASSAULT ON ECONOMIC RIGHTS BY MILITARY JUNTAS (continues)

The opaque commercialization and privatization of economic policies that were originally introduced by successive military regimes in Nigeria were later to be fully and absolutely incorporated and implemented in the scheme of things by the Obasanjo administration from 1999-2007. For example, the Obasanjo administration illegally privatized NNPC, NITEL, NEPA, Federal Hotels, strategic public institutions and other public corporations, without necessarily following due process as is required under a constitutional democracy. This privatization and commercialization exercise was done with the ulterior motive of satisfying the whims and caprices of a certain cabal of politicians at the expense of the vast majority of the masses. The commanding heights of our National economy were privatized to friends, relations, school mates, surrogates and lackeys of Government officials and their compradors.

SOCIAL RIGHTS

These include right to quality education, right to security of employment, access to free medical care, right to drink clean pipe-borne water, right to electricity, right to information, right to good roads, right to good shelter and clothing, etc. These are also known as basic social amenities, which are necessarily incidental to decent and reasonable existence. We are already in the 21st century where a serious global campaign is on going for mass literacy. This campaign for good and qualitative education is predicated on the well known truism that education leads to development in all its ramifications.

Has the Nigerian Government done enough in the area of fundamentals of the importance of education? The answer in good conscience is a capital “No”. Since the days of “Ali-must-go protests (1978), education has suffered tremendously as a result of its commercialization, thus making it an exclusive preserve of the rich. The then National union of Nigerian Students (NUNS), under the leadership of late Mr. Segun Oni demonstrated its abhorrence for this and strenuously protested against the commercialization of education by the then Commissioner for Education, Amadu Ali. Unfortunately, however, this noble struggle of Nigeria Students led to indiscriminate shooting, maiming and killing of innocent and harmless students who were essentially the sons and daughters of the poor. All Federal Universities were promptly closed down following the mass protests. These tragedies occurred during the inglorious days of the military dictatorship of Obasanjo. That was perhaps the first time when Nigerian students signposted their determination to assert their inalienable right to education. Till date, education is still in shambles as all successive military and civilian Administrations have done little or nothing to improve it. While the children of the rich and people in Government attend Ivy league schools both locally and in foreign countries, the mass majority of children of the poor receive half-baked education in half completed buildings, without writing or learning materials.

In fact, since the evolution of Nigeria as a country and indeed since the attainment of political independence, no government has sincerely attempted the convocation of an Education Summit where all stakeholders are permitted to contribute intellectually to the production of a blue print for sustainable quality education that will meet our yearnings and aspirations as a rapidly developing African Country. It is an indisputable fact that without quality education, life will be of no avail and consequently, development will be retarded.

Another epochal struggle of the later National Association of Nigerian Students (NANS), for improved living standard and conditions in tertiary institutions was the 1990 agitation for the provision of the most basic needs on campuses, essentials such as pipe – borne water, electricity and laboratory equipment just to enhance quality education. The response of the then Babangida Military Junita was a far cry from the legitimate demands of the students. Between March/April, 1990, the Federal Government decided to take an IMF loan of $120m for the Federal Universities and this unilateral and retrogressive decision triggered off violent protests and agitation from the academic community. The National Association of Nigerian Students (NANS) and Academic Staff Union of Universities (ASUU), actively protested against the decision to take loan from the world Bank, essentially because the conditionalities attached thereto would worsen the already crisis – ridden educational situation in the country. Not less than three Federal Universities were closed down following the massive protests that greeted the decision to take the said IMF loan. Some students of the Obafemi Awolowo University, Ile – Ife, were arrested and arraigned before an Ile – Ife Magistrate Court for charges of conduct likely to cause a breach of the peace. The then Education Minister, Prof. Babs Aliyu Fafunwa, while trying to justify the essence of the loan stated that it was meant for the restoration of the universities, but this explanation was not acceptable to Nigerian Students as well as the Academic Staff Union of Universities, who that knew the loan would further deny Nigerians a right of access to the already collapsed educational system. All these were the by-products of SAP, an anti-people program that was initiated by General Babangida’s Military regime.

CULTURAL RIGHTS

Culture has been defined by Bairamian J. in Lewis vs. Bankole, as a mirror of accepted usage. It is a way of life of people, which has gained acceptance among them over the years. The great sage, Chief Obafemi Awolowo of blessed memory, once said that:

“Culture is the tap root of every society and if culture decays, that society will have to develop parasitic features for it to continue to exist”.

Cultural heritage has many aspects. For example, cultural songs and dance, cultural foods, cultural traditional marriage, cultural dresses and festivals. Nigerian’s multi-ethnic groups presuppose the existence of cultural pluralism. This means that as there are many different ethnic groups, so also there are different and diverse cultures in Nigeria. It is therefore necessary to preserve and promote cultural rights among the various ethnic Nationalities in Nigeria, so as to enable Nigerians participate actively in their cultural life. This would also foster our philosophy of national integration and diversity. An examination of the Nigerian Society in the pre-colonial era will reveal how well preserved, promoted and respected our cultural heritage was by all the paramount traditional rulers of the time. For example, the Benin Empire during the reign of Oba Overamwen Nogbaisi earned continental applause as a result of the Oba’s dedication and commitment to the promotion and preservation of the Benin cultural heritage. The Oyo Empire under the Alaafin of Oyo was also feared and respected by all and sundry for its commitment to the preservation of their cultural heritage. The Hausa/Fulani struggled for decades for the preservation and promotion of their cultural heritage. This was copiously acknowledged by all British Colonial Administrators in Nigeria during the colonial era.

JUSTICEABILITY OR OTHERWISE OF ECONOMIC, SOCIAL AND CULTURAL RIGHTS

Chapter II of the 1999 Constitution of the Federal Republic of Nigeria, 1999, as amended made copious provisions for Fundamental Objectives and Directive Principles of State Policy. Sections 13 – 24 of the constitution are basically on such all important issues and matters like fundamental obligations of the Government, the Government and the people, politics, economic, social, educational, foreign policy, environmental objectives, directives on Nigerian culture, obligations of mass media, National ethnic and duties of the citizens. Section 16 (1) – (4) of the constitution deals essentially with economic objectives, while section 17 (1) – (3) deals with social objectives; and section 21 of the Constitution of the Federal Republic of Nigeria, 1999 as amended provides for directives of Nigerian culture.

A cursory look at the Constitution of the Federal Republic of Nigeria, 1999, as altered, quickly reveals that the Government, gave these rights and privileges with the left hand, and took them back with the right hand. This is akin to the proverbial Greek gift. It is submitted with respect that, the non-justificiability of the Fundamental Objectives and Directive Principles of State Policy under the 1999 Constitution appears to be a conspiracy by the state and its preferred minions to deny the Nigerian citizens, particularly the masses, the enjoyment of their well deserved wealth by many public officers and Government functionaries. A careful consideration of the diary of looting in Nigeria will reveal how public officers in connivance with elected political office holders have embezzled and mismanaged public funds meant for provision of infrastructural facilities and other developmental projects. But since the 1999 constitution as imposed by themselves and their military collaborators has prohibited any person from challenging or seeking to enforce the Fundamental Objectives and Directive Principles of State Policy, the looting or siphoning of public funds will continue with impunity and the perpetrators will always find an escape route. The average Nigerian continues to wallow in abject penury. The recent revelations of looted billions of naira constitute and eye – opener to this tragedy.

We must encourage and promote the enforcement of all the Fundamental Objectives and Directives Principles of State Policy as they are meant to enhance the living standard of all and sundry.

THOUGHT FOR THE WEEK

“True freedom requires the rule of law and justice, and a judicial system in which the rights of some are not secured by the denial of rights to others”. – Jonathan Sacks.

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The Oracle

The Oracle: Understanding the Economic, Social and Cultural Rights of Nigerians (Pt. 1)

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By Prof Mike Ozekhome SAN

INTRODUCTION

Generally speaking, economic, social and cultural rights are part and parcel of inalienable human rights with which man is naturally endowed upon birth. In a responsible and ideal society, all the human rights including economic, social and cultural rights are recognized, respected, guaranteed, enforced, implemented and even prompted by all and sundry, the state inclusive. These rights which have been universally recognized are otherwise known as ECOSOC RIGHTS.

However, before discussing in detail, economic, social and cultural rights which constitute the gravamen of this write-up, it is pertinent to deal with terminological issues by attempting to know the meaning of a ‘Right’. What is a “Right”?

DEFINITION OF TERMS

“Right” is a versatile term meaning correct, suitable, or morally proper, as well as indicating the direction opposite to left, or a legal/moral entitlement. It signifies accuracy.
According to Osbornes Law Dictionary of current English, a Right is defined as:

“An interest recognized and protected by the law, respect for which is a duty and disregard of which is wrong”

This definition is on all fours with that of Black’s Law Dictionary (8th Edition, page 1347) which defines ‘Right’ as:

“That which is proper under the law, morality or ethics. Right also means to know right from wrong, something that is due to a person by just claim, legal guarantee, or moral principle-the right of liberty. A power, privilege, of immunity secured to a person by law -the right to depose of one’s estate. A legally enforceable claim that another will do or will not do a given act; the violation of which is a wrong-, a breach of duty infringes one’s right. The interest, claim or ownership that one has in tangible or intangible property-a debtor’s rights in collateral-publishing rights. The privilege of corporate shareholders to purchase newly issued securities in amounts proportionate to their holdings. The negotiable certificate granting such a privilege to a corporate shareholder”

A legal scholar, John Chipman Gray, in his book “The Nature and Sources of law, page 8-9 (2d ed. 1921)”, opines that:

“Right is a correlative to duty; where there is no duty there can be no right. But the converse is not necessarily true. There may be duties without rights. In order for a duty to create a right, it must be a duty to act or forbear. Thus, among those duties which have rights, corresponding to them do not come within the duties, if such there be, which call for an inward state of mind, as distinguished from external acts or forbearances. It is only to acts and forbearances that others have a right. It may be our duty to love our neighbor, but he has no right to our love”.

Ordinarily, right means power of free action. It refers, inter alia, to the economic, social and cultural advantages or benefits to which man has a just claim morally, legally and ethically. It is different and distinct from a privilege. From the above definitions only a right recognized and protected by law can be considered as a right; Otherwise, it is just a privilege.

WHAT THEN ARE HUMAN RIGHTS

Human rights strictly speaking are those sets of rights referred to as inalienable, which are also specifically and particularly recognized and protected by law. Every human being is naturally endowed with and is entitled to the enjoyment of such rights except by due process of law. They are human because they are fundamental.

Another legal scholar, M. Cranston in his book titled: “Human Rights: Real and Supposed quoted in D/D, Rapheal (ed) Political Theory and the Rights of man (1967) Bloomington, Indian University Press page 52”. Opined that:

“A human right is something of which no one may be deprived without a great affront to justice. These are certain deeds, which should never be done, certain freedoms, which should never be invaded, something’s which are supremely sacred”.

One of the most distinguished jurists ever produced by Nigeria, Kayode Eso JSC, re-affirmed the importance of human rights in RANSOME KUTI V. A-G OF THE FEDERATION (1985) 2 NWLR (Pt. 6) 211, 230, in the following words:

“it is a right which stands above the ordinary laws of the land and which in fact is antecedent to the political society itself. It is a primary condition to a civilized existence… and what has been done by our constitutions…. is to have these rights enshrined in the constitution so that the rights could be “immutable” to the extent of the “non immutability” of the constitution itself”.

From the above definitions of human rights, it is obvious that those rights that are termed fundamental human rights and which are specifically codified in our statutes particularly Chapter IV of the Constitution of Federal Republic of Nigeria, 1999, as amended, are not only recognized and protected, but are also enforceable in law courts.

WHAT ARE ECONOMIC, SOCIAL AND CULTURAL RIGHTS?

These are simply rights that enable man to have a reasonable and decent standard of living in the society. In accordance with the provisions of Chapter II of the Constitution of the Federal Republic of Nigeria, 1999, as amended, every citizen in Nigeria shall be afforded the opportunity to develop his full potentials economically, socially and culturally to the utmost of his ability. Unfortunately, however, the contrary is the case as these rights are not in any enforceable in a court of law. This informs the reason why some countries of the world have codified some fundamental laws regarding the implementation and enforcement of economic, social and cultural rights in their grundnorm, the constitution. The right to a decent living is unarguably a corollary to the right to life. To be saddled with less than decent living standard is to demote human beings to the base level of animals.

ECONOMIC RIGHTS

An Economic right is nothing but the right of man to be gainfully employed in order to share a decent and adequate standard of living in the society. The state is enjoined to ensure the provision of job opportunities to all persons without discrimination on grounds of belief, religion, gender, political and ethnic affiliations. In this respect, it is expected that the Government should provide an enabling economic environment to improve on the living conditions of the citizens. Without this, life, as in the Hobbesian state of nature, would be “short, nasty and brutish”.

ASSAULT ON ECONOMIC RIGHTS BY MILITARY JUNTAS

Unfortunately, the economic rights of many Nigerian citizens have been seriously undermined by successive military and civilian Administrations (See Annual Report on Human Rights in Nigeria, 1990-Civil Liberty Organisation (CLO).). In the locust days of the General Ibrahim Babangida administration, the nationally acclaimed maximum dictator, and self-styled “evil genius”, the Nigerian economy was badly managed and terribly crises-ridden, thus subjecting poor Nigerian citizens to squalor and abject penury. It was during the tenure of this military junta that subsidy in petroleum products was removed and left to the vagaries of international market forces. Nigerians were living from hand to mouth; both the employed and unemployed. Inflation geometrically increased and consequently the poor living conditions of Nigerian citizens became aggravated. All the civil liberties organizations, Student Unions and the Nigerian Labour Congress massively mobilized Nigerians to protest against the military Government policy of removing oil subsidy. This did not in any way deter him. In fact, the protests led to the arrest and incarceration of many human rights and pro-democracy activities. Many died in the struggle.

When the Babangida regime eventually responded to the economic crisis in Nigeria with the introduction of the Structural Adjustment Program (SAP), the implementation of which rather aggravated the living conditions of a vast majority of the citizens who were then living below poverty line, he went scot free. The United Nations Development Project (UNDP) Report on Human Development better captured this sorry state to which Nigerians were subjected by the Ibrahim Babangida regime in its report which scored Nigeria 0.322 out of a maximum Human Development Index of (HD10 1.0). That report automatically placed our country last in terms of citizen’s access to resources needed for a decent standard of living, literally levels and average life expectancy in a given country. The value of Naira also experienced a monumental decline or downward slide vis-à-vis the dollar and other international currencies under the Second Tier Foreign Exchange Market (SFEM).

Another negative effect of SAP to Nigerians was the massive loss of employment as many Nigerian workers of various levels were laid off. It was reliably reported that not less than 10, 000 junior workers of Julius Berger Construction Company in the Federal Capital Territory, Abuja (FCT), were unlawfully dismissed simply because they embarked on a strike action to demand for better working conditions. This further worsened the alarming abject poverty in the country.

With the advent of Democracy in Nigeria in 1999, (one would have expected an aggressive and radical transformation of the economy in such a way that adequate job opportunities would be created to quickly arrest the alarming hunger and poverty that had ravaged the Nigerian masses). Unfortunately, the civilian administration of Chief Olusegun Obasanjo did nothing practical to ameliorate the deplorable living conditions in Nigeria. Instead, his administration introduced social and economic policies that were not only strangulating in nature, but exclusively impoverished the Nigerian masses who started living like “walking corpses”, as Ayi Kwei Ama once posited, in his book, “The Beautiful Ones Are Not Yet Born”. (To be continued).

THOUGHT FOR THE WEEK

“Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others. I do not add ‘within the limits of the law’ because law is often but the tyrant’s will, and always so when it violates the rights of the individual”. (Thomas Jefferson).

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