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COSON Calls for Unity of Nigerian Music Industry, End of ‘Divide and Rule’ Era

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Copyright Society of Nigeria (COSON), the nation’s largest copyright collective management organization for musical works and sound recordings, has called for the coming together of the different interest groups within the music industry to properly tackle the problems of the industry, and to end the era of ‘divide and rule’ which it says has been deployed to pauperize the stakeholders in the Nigerian music industry.

In his “No Music Day” address to the nation issued from COSON House in Ikeja, and syndicated on multiple media platforms across the nation and across the world on September 1, 2020, the Chairman, Copyright Society of Nigeria, Chief Tony Okoroji, said, “On this ‘No Music Day’, we must tell the musicians of Nigeria that our problems will not be solved until we stop the bickering and factionalization in our industry which most times are exploited to keep us down. We must work together in the interest of our country and the young people who look towards us for guidance. We must understand that in a democracy, there will be alternative points of view. Each alternative view should not result in the setting up of an alternative faction”

Continued Chief Okoroji, “We should no longer tolerate a situation where there are diverse organizations in the industry that upon close observation provide no answers and do nothing for anyone except those who claim to be their leaders”

In the words of the celebrated former President of PMAN, “All true musicians in Nigeria must be terribly embarrassed by the endless finger pointing and dirty name calling that have become the order of the day in PMAN, the once most admired and important national association whose image has been badly damaged and which has been made the laughing stock of the nation. The time has come for the bickering and quarrelling to stop and for those in the industry who truly have the interest of musicians at heart to come together and work with one another to ensure that the industry speaks with one voice on critical issues. We must take to heart the immortal words of the late Dr Martin Luther King Jnr who said, ‘We must learn to live together as brothers or perish together as fools’”.

Speaking on the effects of the Coronavirus pandemic on the music industry Chief Okoroji held that while the pandemic has hit practically everyone badly, it has been devastating for musicians in Nigeria. According to him, with all event venues shut down, event centres, hotels and nightclubs closed, no birthdays, no weddings, no product launches, no concerts and not even funerals allowed, the income of thousands of musicians in Nigeria has been crushed.  

He declared that it was as a result of this devastating situation that during the Coronavirus lock down, the COSON Board took the bull by the horn and earmarked the sum of N72.5 million naira of COSON money for distribution to musicians across Nigeria to cushion the crushing effects of the pandemic. According to him, “the great lesson is that there was no quarrel whatsoever about the distribution of the money because it was done transparently. Of course, we could have done a whole lot more if the many obstacles placed in our way by the Nigerian environment were not there”

Said the COSON Chairman, “the fact that this broadcast is being made from the magnificent COSON House in Ikeja built without one naira of government money, no loan, grant or debt whatsoever places on record what the Nigerian creative community can do if no shackles are placed on us.

“We have read in the newspapers and heard on broadcast media that the government is interested in providing COVID 19 palliatives for the creative industry. We find it odd that as the one Nigerian organization with the greatest number of creative people and undeniable structure, several months into the COVID 19 lockdown, nobody has reached out to us, nobody has asked us any questions and nobody has provided any palliatives”.

 

TO WATCH THE “NO MUSIC DAY” 2020 OFFICIAL STATEMENT AS READ BY COSON CHAIRMAN, CHIEF TONY OKOROJI ON BEHALF OF THE NIGERIAN MUSIC INDUSTRY KINDLY CLICK ON THIS LINK

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Davido to Perform at FIFA World Cup 2026 Concert in Los Angeles

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Award-winning artiste – Davido – is scheduled to perform at FIFA’s World Cup 2026 Countdown Concert in Los Angeles, adding another major global platform to his career.

Davido will perform alongside Major Lazer, the music project led by producer Diplo.

FIFA announced the lineup on Instagram, noting that more special guests will be unveiled in the coming days.

The concert is part of FIFA’s first synchronised live entertainment series across the tournament’s three host nations: the United States, Canada and Mexico.

“Featuring Diplo’s Major Lazer and Davido, and more special guests to be announced soon,” FIFA wrote.

The Los Angeles show will open doors at 5:00pm PT, with the live broadcast beginning at 6:00pm PT.

The series is designed to link audiences across the host countries, with simultaneous live performances streamed from Mexico City and Toronto.

FIFA said the event will stream globally across its digital platforms, including an exclusive livestream on TikTok.

Full concert and behind-the-scenes footage will be available on VuMe Live the following day.

The 2026 FIFA World Cup begins June 11, 2026.

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Renowned Singer of ‘Beauty and the Beast’, Peabo Bryson, Dies at 75

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Peabo Bryson has died at the age of 75. The singer was known for singing soul ballads, and particularly duets. In 1991, “Beauty and the Beast,” his duet of the title song from the Disney film with Céline Dion, became a massive hit. A year later, he and Regina Belle released “A Whole New World” from Aladdin, and it became the first song from an animated film to reach No. 1 on Billboard‘s Hot 100.

Bryson died Tuesday, June 2 surrounded by family, just days after suffering a stroke.

“We are tremendously moved by the outpouring of love, prayers and support from fans, friends, and colleagues around the world,” Bryson’s family said in a statement shared with PEOPLE. “While our hearts are broken, we find comfort in knowing how deeply Peabo was loved and how many lives were touched by his voice and his generous spirit. His legacy and music will live on for generations to come.”

Bryson was born Robert Peapo Bryson in Greenville, S.C., in 1951. “And, as far back as I can remember, I’ve always been into music,” he told Soul magazine in 1978. “It’s all I ever wanted to really deal with, and of course, like everyone else, I had to make that decision — I guess when I was around 14 — as to what I was going to get into, career-wise. Well, I’d thought about being a doctor or something like that, but I really felt that music was my thing.”

His mother was concerned: “She figured I’d turn into a drug addict or something like that!” he told the outlet.

Bryson began performing professionally as a teenager, singing backup with a local group called Al Freeman and the Upsetters, an outfit he described as “terrible” in the Soul interview. Freeman had trouble pronouncing Peapo, and Bryson began using the name Peabo instead.

Later, Bryson toured the Chitlin’ Circuit with Moses Dillard and the Tex-Town Display. Bang Records heard them perform and was impressed with Bryson. He released one album, Peabo, with the label in 1976 before moving to Capitol Records.His first Top 10 hit on the R&B chart was 1978’s “Reaching for the Sky.” In 1979, “Gimme Some Time,” his duet with Natalie Cole, hit No. 8 on the chart, a preview of his duet success to come. They released “What You Won’t Do for Love” a year later, and it reached No. 16. Bryson also had a Top 20 hit with “Minute by Minute,” a cover of the Doobie Brothers song.  In 1980, he released his first duet with Flack, “Make the World Stand Still.” It hit No. 13 on the R&B chart. They would also release the duets “Love Is a Waiting Game,” “You’re Lookin’ Like Love to Me,” “I Just Came Here to Dance” and their most successful, “Tonight, I Celebrate My Love,” which reached No. 16 on the Hot 100. They also released the 1983 duets album Born to Love.

“I think the secret to a really good duet is that you have to fall a little bit in love with your duet partner,” Bryson told Tatler Asia in 2015. “I was very fortunate in finding a duet partner in Roberta Flack who really knew what a duet was and knew how to play to a person’s strengths and weaknesses equally. I learned how to do a great duet from working with Roberta Flack because she’s that great.”

In 1984, “If Ever You’re in My Arms Again” was Bryson’s first Top 10 single on the Hot 100. He released “Show & Tell” in 1989, and it hit No. 1 on the R&B chart; he scored another R&B chart-topper with 1991’s “Can You Stop the Rain.”

1991 also brought “Beauty and the Beast.” Initially, Dion had been chosen to sing the song solo, but execs worried that she was too new and wanted a more established artist. “When you’re a great singer like [Dion], oftentimes you find yourself in situations where you have to dial back,” Bryson told the CBC in 2017. “I learned that from doing duets. The key to it is to play to your duet partner’s strength and weaknesses equally. So essentially that renders into a situation where there are no weaknesses because you’re playing to them both equally.”

He said Dion was very tentative at first, but they slowly built a rapport in the studio.

He remembered: “I looked across at her, and she looked back at me and what went on from the point of becoming relaxed was extremely intimate. You can’t buy that. You can record it, though.”

Their duet became a massive success, reaching No. 9 on the Hot 100 and winning them both a Grammy. Bryson told the CBC, “I never ever got tired of listening to it.”

Disney turned to Bryson again for 1992’s “A Whole New World,” which he sang with Belle. Bryson and Belle had also worked together on the song  “Without You” for the 1988 movie Leonard Part 6, and she wanted Bryson to join her on the track because she knew they worked well together.

“That ‘Whole New World’ concept… that is what really took us over the top,” Belle told ABC Radio in 2019. “Because when you think about it, a ‘whole new world’ can be ascribed to most… everything… that has made a difference in your life.”

Bryson added: “It’s a song that represents every hope and every promise that you will ever have. I sang it in South Africa for the first time they allowed Black South Africans to enter into the Miss South Africa beauty pageant.”

Their version of the song hit No. 1 on the Hot 100 and would remain the only song from an animated film to do so until “We Don’t Talk About Bruno” from Encanto in 2022. Bryson and Belle also won a Grammy.

He returned to Disney again in 1997 and sang “As Long As There’s Christmas” with Flack during the end credits of Beauty and the Beast: The Enchanted Christmas, a direct-to-video sequel.

Bryson at times felt dissatisfied with how the music industry prized youth over experience. He and singers like Flack were never played by MTV, which he believed was “detrimental” to the industry.

“I don’t think there’s anything I can’t do,” he told the Los Angeles Times in 1994. “I see myself as a true Renaissance man. I don’t like one-dimensional concepts of myself.”In total, Bryson released 20 studio albums. He was an eight-time Grammy nominee.

Bryson suffered a heart attack in 2019 but made a full recovery.

Bryson welcomed a daughter, Linda, in 1968. He wed Tanya Boniface, a member of the British girl group The 411, in 2010, and they welcomed a son, Robert, in 2018.

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Regina Daniels: I’m No Longer Interested in Marriage But I Must Have a Female Child

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Nollywood actress Regina Daniels has said she is no longer interested in getting married again following her separation from her estranged husband, Senator Ned Nwoko, but remains determined to have a daughter.

The actress made the remarks during a livestream session with TikToker Jarvis at her Children’s Day carnival held in Asaba, Delta State.

Speaking on her current outlook on relationships and motherhood, Daniels said she has mentally moved away from the idea of marriage.

“But for some reason, I’ve checked my mind out of getting married. I’m yet to have a girl. And I must have a girl,” she said.

The mother of two explained that her desire for a daughter comes from what she described as the unique emotional bond between mothers and female children.

“I feel like motherhood starts better. Like you would understand motherhood when you have a girl child,” she said.

“So, having boys is easy because at least you can groom them to have a role model in a father figure. But for your girl child, you have to be that role model for them to emulate.”

Daniels also revealed that she initially never wanted a daughter before becoming a mother.

“Before I had my first son, I said no, never. I will never have a girl child. Never, ever. But after my first, after my second, I remember, for some reason, it’s female kids that remember,” she added.

Reflecting further on family dynamics, the actress said women tend to maintain stronger emotional ties to their homes than men.

“Men will grow, get married and focus more on building family. But for women, she will always remember home,” she said.

Daniels married Nwoko in 2019, a union that drew widespread attention because of their age difference. The couple share two sons.

Their relationship later became publicly strained in 2025 following allegations by Nwoko that the actress was battling substance abuse and required rehabilitation.

Daniels denied the claims and accused the senator of manipulation, psychological control and abuse before eventually leaving the marriage and moving into her own residence.

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