This propelled the song to #81 on Apple Music Nigeria, making Ejeagha the oldest Nigerian artist to ever chart.
His 1983 album, Akụkọ N’egwu Original Vol. 1, also re-entered the spotlight, breaking into the Spotify Nigeria Top 100 Albums, four decades after its release. That was a turning point in his many decades of professional music craft.
Following his death, tributes have continued to pour in for the late highlife musician also revered as a cultural icon.
According to a News Agency of Nigeria report, his eldest son, Emma Ejeagha, confirmed that the revered artiste died around 8 p.m. on Friday following a prolonged illness.
Born on April 4, 1930, in Imezi Owa, Enugu State, Ejeagha carved a timeless legacy with his unique blend of traditional Igbo folk music and storytelling.
His musical journey began in the 1960s, and by the 1980s, he had become a household name with classics like Omekagu, Uwa Mgbede Ka Mma, and Ka Esi Le Onye Isi Oche (Gwo gwo gwo ngwo).
Ejeagha was born to a father-civil servant, who worked with the Ministry of Health in Enugu. He attended St. Patrick’s Primary School, Ogbete, Enugu, and at a young age, played ogene with his friends.
In 1945, he joined Coal Camp Boys, a local music group in Enugu. After completing his primary education in 1948, he continued to pursue his passion for music. In 1949, at the age of 20, he became an apprentice, learning hairdressing with his friend, Cyprain Ozochiawa, who was a barber and musician. He also learnt how to play guitar. Ejeagha was invited by Joseph Ogbu to join his band as a guitarist in 1950.
Following his performance, he was called for an audition by Atu Ona, who was the controller of the Nigerian Broadcasting Service, and was later offered a radio program Guitar Playtime, where he performed on radio and produced musical programs. During this time, he formed Premier Dance Band.
During the Biafran War, Ejeagha disbanded his music group, but continued to perform a radio program Igbo paly on Radio Nigeria. Because of the war, he left Enugu for Umuahia, where he stayed until the war ended. Prior to the war, Ejeagha had released several singles in collaboration with CT Onyekwelu, including: “The unfortunate lady” (1957), “colliery massacre” (1959), and “Ofu nwanne” (1959).
After the war, he was invited by the Nigerian Television Authority as a guest presenter for an Igbo program akuko N egwu in 1972; the program featured folksong lyrically composed by Ejeagha and his group. The program was a success and gave rise to the Igbo expression “Akuko Mike Ejeagha”.
Ejeagha plays his music with guitar and his lyrics were written in Igbo language. He has contributed over three hundred recordings to the National Archives of Nigeria.
In 2018, Nigerian singer Kcee visited him inorder to be permitted to use some of his songs, including: “Ome ka agu” and “Ka Esi Le Onye Isi Oche”. On 12 September 2022, Pulse NG reported that a documentary film about Ejeagha titled Gentleman was under production. In July 2024, his 1983 song, “Ka Esi Le Onye Isi Oche”, gained widespread recognition due to a viral dance challenge inspired by comedian Brain Jotter.
On September 2, 2024, Peter Mbah renamed the Abakpa Road after Ejeagha.
The President hailed Ejeagha’s distinctive storytelling through music as a cultural treasure, noting his role in preserving and promoting Igbo traditions across generations.
“May the spirit and values of Gentleman Mike Ejeagha’s music continue to remind us that music has the power to revive, heal and redirect energy towards worthy causes that help build our nation,” Tinubu stated.
In his tribute, a former Governor of Anambra State and 2023 presidential candidate, Peter Obi, wrote on X: “I just read the sad news of the passing of the legendary highlife musician, songwriter, folklorist, and cultural custodian, Pa Mike Ejeagha.
“His transition marks the end of an era, but not the end of his voice — his songs will continue to echo through generations as testaments to wisdom, culture, and truth, “he said.
He praised Ejeagha for using music as a tool for teaching, healing, and preserving the philosophical depth of Igbo culture.
“For over six decades, Pa Ejeagha, popularly known as Gentleman Mike Ejeagha, used music not merely as art, but as a medium for teaching, healing, and preserving the moral and philosophical wealth of the people.
“His lyrics, rich with proverbs and folk wisdom, were moral compasses for both young and old… He immortalised the essence of life—its humour, discipline, spirituality, and resilience,” he said.
Also, Governor of Enugu State, Dr Peter Ndubuisi, on X, expressed deep sorrow: “Mike Ejeagha was a legend, a cultural ambassador, and a revered son of Enugu State. His fan base transcended boundaries, and he was one of the most recognisable voices in music.
“Ejeagha’s immense talent and genius lay in how he took simple indigenous folktales and turned them into unforgettable songs that resonate across cultures,” he said.
Also, former Vice President Atiku Abubakar reflected on the resurgence of Ejeagha’s music, thanks to Brain jotter: “It is heartwarming to note that thanks to Brain Jotter, highlife maestro Mike Ejeagha had his ‘Gwo gwo gwo ngwo’ encore dance before the curtain was drawn.
“Rest in music, Gentleman Mike Ejeagha.”
Gentleman Mike Ejeagha has since been burial in respect to his wishes.
May his soul rest in perfect peace!
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